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Author: Andrew Solway Publisher: Heinemann-Raintree Library ISBN: 9781432913793 Category : Juvenile Nonfiction Languages : en Pages : 56
Book Description
Which dancers dance through fire? Why does it take several hours to put on make-up for a kathakali dance? Which dance company uses tai chi, meditation, Chinese opera movement, martial arts, modern dance and ballet in its dancing? African and Asian Dance provides a detailed look at the development of African and Asian dancing, from the huge variety of traditional folk dances to the modern techniques used by choreographers such as Germaine Acogny and the Cloud Gate Theatre today. The book looks at how the choreography and improvisation differ from other styles of dance, and explores the part played by costumes and make-up.
Author: Andrew Solway Publisher: Heinemann-Raintree Library ISBN: 9781432913793 Category : Juvenile Nonfiction Languages : en Pages : 56
Book Description
Which dancers dance through fire? Why does it take several hours to put on make-up for a kathakali dance? Which dance company uses tai chi, meditation, Chinese opera movement, martial arts, modern dance and ballet in its dancing? African and Asian Dance provides a detailed look at the development of African and Asian dancing, from the huge variety of traditional folk dances to the modern techniques used by choreographers such as Germaine Acogny and the Cloud Gate Theatre today. The book looks at how the choreography and improvisation differ from other styles of dance, and explores the part played by costumes and make-up.
Author: Patricia A. Keeler Publisher: Lee & Low Books ISBN: 9781620140796 Category : Juvenile Nonfiction Languages : en Pages : 0
Book Description
"Informative passages and lyrical verse explore the history and rhythmic qualities of traditional African dance as performed long ago and today. Note about Harlem-based African dance troupe Batoto Yetu, photographs, and map in backmatter"--Provided by publisher.
Author: Heike Raphael-Hernandez Publisher: NYU Press ISBN: 0814775810 Category : History Languages : en Pages : 366
Book Description
How might we understand yellowface performances by African Americans in 1930s swing adaptations of Gilbert and Sullivan's The Mikado, Paul Robeson's support of Asian and Asian American struggles, or the absorption of hip hop by Asian American youth culture?AfroAsian Encounters is the first anthology to look at the mutual influence of and relationships between members of the African and Asian diasporas in the Americas. While these two groups have often been thought of as occupying incommensurate, if not opposing, cultural and political positions, scholars from history, literature, media, and the visual arts here trace their interconnections and interactions, as well as how they have been set in opposition by white systems of racial domination. AfroAsian Encounters probes beyond popular culture to trace the historical lineage of these coalitions from the post-Civil War era through the present.From the history of Japanese jazz composers to the current popularity of black/Asian "buddy films" like Rush Hour, AfroAsian Encounters is a groundbreaking intervention into studies of race and ethnicity and a crucial look at the shifting meaning of race in America in the twenty-first century.
Author: Kariamu Welsh Publisher: University of Illinois Press ISBN: 0252051815 Category : Performing Arts Languages : en Pages : 446
Book Description
The popularity and profile of African dance have exploded across the African diaspora in the last fifty years. Hot Feet and Social Change presents traditionalists, neo-traditionalists, and contemporary artists, teachers, and scholars telling some of the thousands of stories lived and learned by people in the field. Concentrating on eight major cities in the United States, the essays challenges myths about African dance while demonstrating its power to awaken identity, self-worth, and community respect. These voices of experience share personal accounts of living African traditions, their first encounters with and ultimate embrace of dance, and what teaching African-based dance has meant to them and their communities. Throughout, the editors alert readers to established and ongoing research, and provide links to critical contributions by African and Caribbean dance experts. Contributors: Ausettua Amor Amenkum, Abby Carlozzo, Steven Cornelius, Yvonne Daniel, Charles “Chuck” Davis, Esailama G. A. Diouf, Indira Etwaroo, Habib Iddrisu, Julie B. Johnson, C. Kemal Nance, Halifu Osumare, Amaniyea Payne, William Serrano-Franklin, and Kariamu Welsh
Author: Susan Manning Publisher: University of Wisconsin Press ISBN: 0299322408 Category : Performing Arts Languages : en Pages : 589
Book Description
A collaboration between well-established and rising scholars, Futures of Dance Studies suggests multiple directions for new research in the field. Essays address dance in a wider range of contexts—onstage, on screen, in the studio, and on the street—and deploy methods from diverse disciplines. Engaging African American and African diasporic studies, Latinx and Latin American studies, gender and sexuality studies, and Asian American and Asian studies, this anthology demonstrates the relevance of dance analysis to adjacent fields.
Author: Phil Chan Publisher: R. R. Bowker ISBN: 9781734732481 Category : Performing Arts Languages : en Pages : 238
Book Description
Who would have guessed that one short conversation with New York City Ballet Artistic Director Peter Martins would change the course of how we approach America's favorite holiday ballet, and serve as a catalyst for changing how we talk about race in America? Phil Chan, arts advocate and co-founder of Final Bow for Yellowface, chronicles his journey navigating conversations around race, representation, and inclusion arising from issues in presenting one short dance-the Chinese variation from The Nutcracker. Armed with new vocabulary, he recounts his process and pitfalls in advising Salt Lake City's Ballet West on the presentation of a lost Balanchine work from 1925, Le Chant du Rossignol.Chan encounters orientalism, cultural appropriation, and yellowface, and witnesses firsthand the continuing evolution of an Old World aristocratic dance form in a New World democratic environment. As a storyteller, Chan presents a mix of dance and Chinese American history, personal anecdotes, and best practices for any professional arts organization to use for navigating issues around race, while outlining an essential path American ballet must take in order for our beloved art form to stay alive for a growingly diverse 21st century audience.
Author: Anthony Shay Publisher: Oxford University Press ISBN: 0190493933 Category : Performing Arts Languages : en Pages : 1307
Book Description
Dance intersects with ethnicity in a powerful variety of ways and at a broad set of venues. Dance practices and attitudes about ethnicity have sometimes been the source of outright discord, as when African Americans were - and sometimes still are - told that their bodies are 'not right' for ballet, when Anglo Americans painted their faces black to perform in minstrel shows, when 19th century Christian missionaries banned the performance of particular native dance traditions throughout much of Polynesia, and when the Spanish conquistadors and church officials banned sacred Aztec dance rituals. More recently, dance performances became a locus of ethnic disunity in the former Yugoslavia as the Serbs of Bosnia attended dance concerts but only applauded for the Serbian dances, presaging the violent disintegration of that failed state. The Oxford Handbook of Dance and Ethnicity brings together scholars from across the globe in an investigation of what it means to define oneself in an ethnic category and how this category is performed and represented by dance as an ethnicity. Newly-commissioned for the volume, the chapters of the book place a reflective lens on dance and its context to examine the role of dance as performed embodiment of the historical moments and associated lived identities. In bringing modern dance and ballet into the conversation alongside forms more often considered ethnic, the chapters ask the reader to contemplate previous categories of folk, ethnic, classical, and modern. From this standpoint, the book considers how dance maintains, challenges, resists or in some cases evolves new forms of identity based on prior categories. Ultimately, the goal of the book is to acknowledge the depth of research that has been undertaken and to promote continued research and conceptualization of dance and its role in the creation of ethnicity. Dance and ethnicity is an increasingly active area of scholarly inquiry in dance studies and ethnomusicology alike and the need is great for serious scholarship to shape the contours of these debates. The Oxford Handbook of Dance and Ethnicity provides an authoritative and up-to-date survey of original research from leading experts which will set the tone for future scholarly conversation.
Author: Luigi Esposito Publisher: Cambridge Scholars Publishing ISBN: 1527519198 Category : Political Science Languages : en Pages : 518
Book Description
This collection brings together accomplished and emerging scholars who are researching and working for grassroots social change throughout Africa and Asia. The essays within are sourced from a series of seminars held during the founding African Peace Research and Education Association Conference at the Economic Community of West African States Parliament in Abuja, Nigeria. The book draws strategic lines of connection between diverse peoples on the two most populous continents. Looking at contemporary Gandhian, Chinese, armed guerrilla, insurrectionist, state-supported, and civil resistance movements, each essay reviews recent attempts at peace-building, while also placing modern efforts in traditional, historic, indigenous contexts.
Author: Sabine Sörgel Publisher: Springer Nature ISBN: 3030415015 Category : Performing Arts Languages : en Pages : 178
Book Description
This book is the first to consider contemporary African dance theatre aesthetics in the context of phenomenology, whiteness, and the gaze. Rather than a discussion of African dance per se, the author challenges hegemonic perceptions of contemporary African dance theatre to interrogate the extent to which white supremacy and privilege weave through capitalist necropolitics and determine our perception of contemporary African dance theatre today. Multiple aesthetic strategies are discussed throughout the book to account for the affective experience of ‘un-suturing’ that touches white spectatorship and colonial guilt at their core. The critical analysis covers a broad range of dance choreography by artists from the Democratic Republic of Congo, Ivory Coast, South Africa, Canada, Europe, and the US as they travel, create, and show their works internationally to global audiences to contest racial divides and white supremacist politics.
Author: Andrew Solway
Author: Andrew Solway
Author: Patricia A. Keeler
Author: Heike Raphael-Hernandez
Author: Leslie Johnson
Author: Kariamu Welsh
Author: Susan Manning
Author: Phil Chan
Author: Anthony Shay
Author: Luigi Esposito
Author: Sabine Sörgel