Author: Richard J. Powell
Publisher:
ISBN:
Category : African American art
Languages : en
Pages : 56
Book Description
African-American Art, 20th Century Masterworks, II
Author: Richard J. Powell
Publisher:
ISBN:
Category : African American art
Languages : en
Pages : 56
Book Description
Publisher:
ISBN:
Category : African American art
Languages : en
Pages : 56
Book Description
African-American Art
African-American Art, 20th Century Masterworks, VI
African-American Art
African-American Art
Author: Michael Rosenfeld Gallery
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 74
Book Description
Fully illustrated 70-page softcover publication with foreword by Jeffrey Spalding and essay by halley k harrisburg.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 74
Book Description
Fully illustrated 70-page softcover publication with foreword by Jeffrey Spalding and essay by halley k harrisburg.
African American Visual Artists
Author: Daniel J. Frye
Publisher: Scarecrow Press
ISBN: 9780810837225
Category : Art
Languages : en
Pages : 406
Book Description
A guide to resources for use with K-12 students, this selective volume lists substantial, easily accessible resources on African-American visual artists. In total, 639 resources, referencing 1,174 individual artists are annotated and include works about the artists as well as the contexts in which the artist is situated. The publications are generally contemporary sources (after 1981), but earlier materials do exist, providing a baseline for the study of African-American art and its historical development. An introductory essay documents the successes and struggles of African-Americans in the art world followed by detailed annotations, which are arranged in five sections: General, Survey, Children's Books, Artists, and Artist Groups and Movements. The General, Survey, and Children's Books annotations provide important information including the author name, publication date, title, publisher, and an overview of contents. The Artists and Artist Groups and Movements sections function as indexes to the previous three sections. A final section lists addresses of institutions that hold important African- American art collections.
Publisher: Scarecrow Press
ISBN: 9780810837225
Category : Art
Languages : en
Pages : 406
Book Description
A guide to resources for use with K-12 students, this selective volume lists substantial, easily accessible resources on African-American visual artists. In total, 639 resources, referencing 1,174 individual artists are annotated and include works about the artists as well as the contexts in which the artist is situated. The publications are generally contemporary sources (after 1981), but earlier materials do exist, providing a baseline for the study of African-American art and its historical development. An introductory essay documents the successes and struggles of African-Americans in the art world followed by detailed annotations, which are arranged in five sections: General, Survey, Children's Books, Artists, and Artist Groups and Movements. The General, Survey, and Children's Books annotations provide important information including the author name, publication date, title, publisher, and an overview of contents. The Artists and Artist Groups and Movements sections function as indexes to the previous three sections. A final section lists addresses of institutions that hold important African- American art collections.
African-American Art
Sam Gilliam
Author: Jonathan P. Binstock
Publisher: Univ of California Press
ISBN: 0520246349
Category : Art
Languages : en
Pages : 240
Book Description
“A fresh, intelligent, and insightful assessment of Sam Gilliam's lifetime achievements as an artist. Binstock accomplishes this through his penetrating critical examination of Gilliam's artistic development, innovations, and the complexities of his contribution both as an abstract and African-American artist.”—Valerie J. Mercer, author of Explorations in the 'City of Light' "Sam Gilliam: A Retrospective, which gives focus and definition to an artist critical to our understanding of how contemporary painting has evolved in this country, is a highly welcome publication."—Leslie King-Hammond, Dean of Graduate Studies, Maryland Institute College of Art "Sam Gilliam: A Retrospective is a thorough and serious assessment of a magisterial career. Meticulously examining Gilliam's ideas, aesthetics, influences, artistic process, and impact on other artists, it illuminates his brilliance and the important role played by his work in the recent history of American painting."—Maurice Berger, Fellow, The Vera List Center for Art & Politics, The New School "Finally a comprehensive study of one of our most significant artists! Jonathan Binstock's erudite account of Sam Gilliam's innovations in the world of art fills a considerable void in our understanding of painterly abstraction. The art works themselves-cerebral, sentient, and fascinating-consummate the inquiry and make this book a visual delight."—Richard J. Powell, John Spencer Bassett Professor of Art and Art History, Duke University "Binstock's writings on Sam Gilliam's art over the past four decades have placed the artist in the forefront of contemporary American art. In this new book, he recounts Gilliam's rise to an artist of international prominence and offers a concise history of contemporary art in Washington. A must read."—David D. Driskell, author of Two Centuries of Black American Art "This comprehensive text celebrates one of America's hidden national treasures. Gilliam's steadfast and unswerving commitment as an artist shines through his works, as in this account of them by Jonathan Binstock. What emerges here is a full-on profile of an artist and a black American."—Lowery Stokes Sims, President, The Studio Museum in Harlem
Publisher: Univ of California Press
ISBN: 0520246349
Category : Art
Languages : en
Pages : 240
Book Description
“A fresh, intelligent, and insightful assessment of Sam Gilliam's lifetime achievements as an artist. Binstock accomplishes this through his penetrating critical examination of Gilliam's artistic development, innovations, and the complexities of his contribution both as an abstract and African-American artist.”—Valerie J. Mercer, author of Explorations in the 'City of Light' "Sam Gilliam: A Retrospective, which gives focus and definition to an artist critical to our understanding of how contemporary painting has evolved in this country, is a highly welcome publication."—Leslie King-Hammond, Dean of Graduate Studies, Maryland Institute College of Art "Sam Gilliam: A Retrospective is a thorough and serious assessment of a magisterial career. Meticulously examining Gilliam's ideas, aesthetics, influences, artistic process, and impact on other artists, it illuminates his brilliance and the important role played by his work in the recent history of American painting."—Maurice Berger, Fellow, The Vera List Center for Art & Politics, The New School "Finally a comprehensive study of one of our most significant artists! Jonathan Binstock's erudite account of Sam Gilliam's innovations in the world of art fills a considerable void in our understanding of painterly abstraction. The art works themselves-cerebral, sentient, and fascinating-consummate the inquiry and make this book a visual delight."—Richard J. Powell, John Spencer Bassett Professor of Art and Art History, Duke University "Binstock's writings on Sam Gilliam's art over the past four decades have placed the artist in the forefront of contemporary American art. In this new book, he recounts Gilliam's rise to an artist of international prominence and offers a concise history of contemporary art in Washington. A must read."—David D. Driskell, author of Two Centuries of Black American Art "This comprehensive text celebrates one of America's hidden national treasures. Gilliam's steadfast and unswerving commitment as an artist shines through his works, as in this account of them by Jonathan Binstock. What emerges here is a full-on profile of an artist and a black American."—Lowery Stokes Sims, President, The Studio Museum in Harlem
Betye Saar
Author: Jane H. Carpenter
Publisher: Pomegranate
ISBN: 0764923498
Category : Electronic books
Languages : en
Pages : 142
Book Description
Considered a premier assemblage artist, Betye Saar has been creating inspired pieces since the early 1960s. Her works are in the collections of notable museums like Corcoran Gallery of Art, Washington, D.C.; Metropolitan Museum of Art and the Whitney Museum of American Art, New York City; Museum of Fine Art, Boston; The Studio Museum in Harlem; and San Francisco Museum of Modern Art. She has taught at the University of California and at the Parsons-Otis Institute, both in Los Angeles, and has participated in numerous solo and group exhibitions. Betye Saar is a comprehensive look at Saar's works, from the 1960 print Samsara to the powerful mixed-media assemblage Blackbird (2002), and a dynamic career.
Publisher: Pomegranate
ISBN: 0764923498
Category : Electronic books
Languages : en
Pages : 142
Book Description
Considered a premier assemblage artist, Betye Saar has been creating inspired pieces since the early 1960s. Her works are in the collections of notable museums like Corcoran Gallery of Art, Washington, D.C.; Metropolitan Museum of Art and the Whitney Museum of American Art, New York City; Museum of Fine Art, Boston; The Studio Museum in Harlem; and San Francisco Museum of Modern Art. She has taught at the University of California and at the Parsons-Otis Institute, both in Los Angeles, and has participated in numerous solo and group exhibitions. Betye Saar is a comprehensive look at Saar's works, from the 1960 print Samsara to the powerful mixed-media assemblage Blackbird (2002), and a dynamic career.
John Biggers
Author: John Thomas Biggers
Publisher:
ISBN:
Category : African American art
Languages : en
Pages : 72
Book Description
Publisher:
ISBN:
Category : African American art
Languages : en
Pages : 72
Book Description