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Author: Smyth Publisher: Cambridge University Press ISBN: 1108066739 Category : Astronomy Languages : en Pages : 367
Book Description
The astronomer John Lee (1783-66) inherited Hartwell House in Buckinghamshire in 1827. During its colourful history, the mansion had notably been occupied between 1809 and 1814 by the exiled court of Louis XVIII. Lee turned the house into something of a museum for his antiquarian and scientific interests, constructing an observatory to the design of the his close friend William Henry Smyth (1788-1865), after whom Lee named a lunar sea. A naval officer, Smyth had helped to found the Royal Geographical Society in 1830. His Sidereal Chromatics (1864) and The Sailor's Word-Book (1867) are also reissued in this series. This charming history and description of Hartwell, its grounds, buildings and contents, appeared in two volumes between 1851 and 1864, illuminating especially the practice of contemporary astronomy. Illustrated throughout, the second volume (1864) serves as a supplement, recording Smyth's researches in the years since the first volume went to press.
Author: Smyth Publisher: Cambridge University Press ISBN: 1108066739 Category : Astronomy Languages : en Pages : 367
Book Description
The astronomer John Lee (1783-66) inherited Hartwell House in Buckinghamshire in 1827. During its colourful history, the mansion had notably been occupied between 1809 and 1814 by the exiled court of Louis XVIII. Lee turned the house into something of a museum for his antiquarian and scientific interests, constructing an observatory to the design of the his close friend William Henry Smyth (1788-1865), after whom Lee named a lunar sea. A naval officer, Smyth had helped to found the Royal Geographical Society in 1830. His Sidereal Chromatics (1864) and The Sailor's Word-Book (1867) are also reissued in this series. This charming history and description of Hartwell, its grounds, buildings and contents, appeared in two volumes between 1851 and 1864, illuminating especially the practice of contemporary astronomy. Illustrated throughout, the second volume (1864) serves as a supplement, recording Smyth's researches in the years since the first volume went to press.
Author: Barbara J. Becker Publisher: Cambridge University Press ISBN: 1139497251 Category : Science Languages : en Pages : 401
Book Description
Challenging traditional accounts of the origins of astrophysics, this book presents the first scholarly biography of nineteenth-century English amateur astronomer William Huggins (1824–1910). A pioneer in adapting the spectroscope to new astronomical purposes, William Huggins rose to scientific prominence in London and transformed professional astronomy to become a principal founder of the new science of astrophysics. The author re-examines his life and career, exploring unpublished notebooks, correspondence and research projects to expose the boldness of this scientific entrepreneur. While Sir William Huggins is the main focus of the book, the involvement of Lady Margaret Lindsay Huggins (1848–1915) in her husband's research is examined, where it may have been previously overlooked or obscured. Written in an engaging style, this book has broad appeal and will be valuable to scientists, students and anyone interested in the history of astronomy.
Author: Alla Myzelev Publisher: Routledge ISBN: 1351558943 Category : Art Languages : en Pages : 251
Book Description
Interweaving notions of identity and subjectivity, spatial contexts, materiality and meaning, this collection makes a significant contribution to debates around the status and interpretation of visual and material culture. Material Cultures, 1740-1920 has four primary theoretical and historiographic lines of inquiry. The first is how concepts of otherness and difference inform, imbricate, and impose themselves on identity and the modes of acquisition as well as the objects themselves. The second concern explores the intricacies of how objects and their subjects negotiate and represent spatial narratives. The third thread attempts to unravel the ideological underpinnings of collections of individuals which inevitably and invariably rub up against the social, the institutional, and the political. Finally, at the heart of Material Cultures, 1740-1920 is an intervention moving beyond the disciplinary ethos of material culture to argue more firmly for the aesthetic, visual, and semiotic potency inseparable from any understanding of material objects integral to the lives of their collecting subjects. The collection argues that objects are semiotic conduits or signs of meanings, pleasures, and desires that are deeply subjective; more often than not, they reveal racial, gendered, and sexual identities. As the volume demonstrates through its various case studies, material and visual cultures are not as separate as our current disciplinary ethos would lead us to believe.
Author: Smyth
Author: Smyth
Author: William Henry Smyth
Author: William Henry Smyth
Author: William Henry Smyth
Author: Sterrewacht Leiden. Bibliotheek
Author: Martinus Nijhoff Publishers
Author: Barbara J. Becker
Author: Alla Myzelev
Author: 
Author: