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Author: Paul Baldwin Publisher: Penguin ISBN: 9780028641539 Category : Performing Arts Languages : en Pages : 394
Book Description
Provides advice for amateur and professional actors about theater skills, auditions, rehearsals, openings, and how to become a professional, and discusses the benefits of acting for non-professionals.
Author: Paul Baldwin Publisher: Penguin ISBN: 9780028641539 Category : Performing Arts Languages : en Pages : 394
Book Description
Provides advice for amateur and professional actors about theater skills, auditions, rehearsals, openings, and how to become a professional, and discusses the benefits of acting for non-professionals.
Author: Edward Dmytryk Publisher: Routledge ISBN: 0429000715 Category : Performing Arts Languages : en Pages : 125
Book Description
With On Screen Acting, director Edward Dmytryk and actress Jean Porter Dmytryk offer a lively dialogue between director and actress about the principles and practice of screen acting for film and television. Informal and anecdotal in style, the book spans auditioning, casting, rehearsal, and on-set techniques, and will be of interest to both aspiring and working actors and directors. Originally published in 1984, this reissue of Dmytryk’s classic acting book includes a new critical introduction by Paul Thompson, as well as chapter lessons, discussion questions, and exercises.
Author: James Harriman-Smith Publisher: Bloomsbury Publishing ISBN: 1350171972 Category : Performing Arts Languages : en Pages : 257
Book Description
The stage of the 1700s established a star culture, with the emergence of such acting celebrities as David Garrick, Susannah Cibber, and Sarah Siddons. It placed Shakespeare at the heart of the classical repertoire and offered unprecedented opportunities to female actors. This book demonstrates how an understanding of the practice and theories circulating three hundred years ago can generate new ways of studying and performing plays of all kinds in the present. Eight short essays on emotions, cultivation, character, voice, action, company, audience, and reflection provide two things: a vivid introduction to the practice and ideas of the eighteenth-century stage, and the story of how these past practices and ideas were used in collaborative workshops around the UK to create new rehearsal exercises. Designed to work alone or in combination, these exercises are also open to further adaptation and analysis as part of a work that treats theatre writers of the past as potential collaborators for those interested in theatre today. Marrying academic and professional theatre expertise, this book ranges through a vast archive of writing about acting, from private letters and battered promptbooks, through to philosophical treatises and celebrity biographies. The exercises, stories, and ideas shared here capture the strangeness of this material and sometimes its surprising familiarity, as questions asked of actors then seem to anticipate those questions we ask now. A truly unique offering, What would Garrick Do? Or, Acting Lessons from the Eighteenth Century offers a fascinating deep-dive into an important time in theatre history to illuminate practices and processes today.
Author: Konstantin Stanislavski Publisher: Routledge ISBN: 1134101473 Category : Art Languages : en Pages : 722
Book Description
At last, Jean Benedetti has succeeded in translating Stanislavski's huge manual into a lively, fascinating and accurate text in English, remaining faithful to the author's original intentions within a colloquial and readable style for today's actors.
Author: Noemi Gal-Or Publisher: Hotei Publishing ISBN: 9004293639 Category : Law Languages : en Pages : 405
Book Description
The central question of this pioneer work on the responsibility of non-state actors (NSAs) and the consequences thereof, is: To whom are such actors, in particular armed opposition groups and business corporations, accountable for their actions in armed conflict and in peace times? Does responsibility in international law apply to these NSAs qua groups? While much has been written about NSAs’ rights and participation in the global theatre as well as the responsibility of the state and international organisations for wrongful acts by NSAs, scant attention has been paid to questions of NSA organizational responsibility, in spite of their potential to wreak international havoc. This volume offers innovative insights into this unexplored territory by analyzing responsibility questions from both theoretical and empirical perspectives.
Author: Joan See Publisher: Back Stage Books ISBN: 0307799514 Category : Performing Arts Languages : en Pages : 196
Book Description
Every actor knows that working in commercials is lucrative. But many actors, trained primarily for working on the stage, have mistaken ideas about this field and lack essential on-camera experience. Now in an updated and expanded edition, Acting in Commercials is the only resource that fills all the gaps in the performer’s knowledge of this demanding medium. Invaluable for its insight into the craft as well as the business of acting, it tells you how to prepare for commercial auditions and, once you’ve landed a job, how to deliver the most expressive on-camera performance—leading to more work and success in a competitive field. Author Joan See illuminates all the secrets she has learned while appearing in hundreds of commercials over the past thirty years. She shows you how to approach five distinctly different commercial forms and explains the specific acting techniques to employ in each. In fact, Acting in Commercials will take you beyond commercial work, sharpening all your acting skills for a broader film and television career.
Author: Melissa Hurt Publisher: Routledge ISBN: 1317914597 Category : Performing Arts Languages : en Pages : 134
Book Description
Arthur Lessac’s Embodied Actor Training situates the work of renowned voice and movement trainer Arthur Lessac in the context of contemporary actor training. Supported by the work of Constantin Stanislavsky and Maurice Merleau-Ponty's theories of embodiment, the book explores Lessac's practice in terms of embodied acting, a key subject in contemporary performance. In doing so, the author explains how the actor can come to experience both skill and expression as a subjective whole through active meditation and spatial attunement. As well as feeding this psychophysical approach into a wider discussion of embodiment, the book provides concrete examples of how the practice can be put into effect. Using insights gleaned from interviews conducted with Lessac and his Master Teachers, the author enlightens our own understanding of Lessac’s practices. Three valuable appendices enhance the reader’s experience. These include: a biographical timeline of Lessac’s life and career sample curricula and a lesson plan for teachers at university level explorations for personal discovery Melissa Hurt is a Lessac Certified Trainer and has taught acting and Lessac’s voice, speech, and movement work at colleges across the United States. She has a PhD from the University of Oregon and an MFA from Virginia Commonwealth University.
Author: Judy Kerr Publisher: SCB Distributors ISBN: 1532332823 Category : Performing Arts Languages : en Pages : 416
Book Description
In this actor's guidebook, renowned acting coach Judy Kerr shares her lifetime of techniques and tricks of the trade. She opens the doors of Hollywood to acting hopefuls and professionals with a straightforward road map for building their dreams and careers. The previous 11 editions have contributed to the success of thousands of readers. In this new Ebook Judy shares brand new content: including Acting Tools, private dairy entries from those who have successfully applied Acting Is Everything to their careers, and more. A wonderful intro to the world of show biz. -- Jerry Seinfeld This is good, Judy, this is good. Julia Louis-Dreyfus First rate primer, excellent refresher course. -- Jason Alexander Informative and to the point. - Michael Richards
Author: Michael Fredholm Publisher: Routledge ISBN: 1317328612 Category : Political Science Languages : en Pages : 329
Book Description
This volume examines the lone actor terrorist phenomenon, including the larger societal trends which may or may not have led to their acts of terrorism. With lone actor terrorism becoming an increasingly common threat, the contributors to this volume aim to answer the following questions: What drives the actions of individuals who become lone actor terrorists? Are ideological and cultural issues key factors, or are personal psychological motives more useful in assessing the threat? Do lone actors evolve in a broader social context or are they primarily fixated loners? What response strategies are available to security services and law enforcement? What is the future outlook for this particular terrorist threat? Although these issues are frequently discussed, few books have taken a global perspective as their primary focus. While many books focus on lone actor terrorists in relation to terrorist groups, such as Al-Qaida and the Islamic State, few, if any, cover lone actors of all ideological backgrounds, including the variants of active shooters and malicious insiders in information security, such as Edward Snowden – with both of these latter categories constituting an important variant of lone actors. Utilising the expertise of academics and practitioners, the volume offers a valuable multidisciplinary perspective. This book will be of much interest to students of terrorism and counter-terrorism, political violence, criminology, security studies and IR.
Author: Paul Baldwin
Author: Paul Baldwin
Author: Edward Dmytryk
Author: James Harriman-Smith
Author: Konstantin Stanislavski
Author: Noemi Gal-Or
Author: Joan See
Author: Miriam Newhouse
Author: Melissa Hurt
Author: Judy Kerr
Author: Michael Fredholm