Author: Simon Callow
Publisher: Applause Theatre & Cinema
ISBN:
Category : Music
Languages : en
Pages : 154
Book Description
Simon Callow leads a two-day class on Restoration comedy with a group of British actors, including Gail McFarlane, Harry Meacher, Pamela Moiseiwitsch and Michael Stroud. It deals with The relapse by John Vanbrugh and shows practical acting techniques.
Acting in Restoration Comedy
Author: Simon Callow
Publisher: Applause Theatre & Cinema
ISBN:
Category : Music
Languages : en
Pages : 154
Book Description
Simon Callow leads a two-day class on Restoration comedy with a group of British actors, including Gail McFarlane, Harry Meacher, Pamela Moiseiwitsch and Michael Stroud. It deals with The relapse by John Vanbrugh and shows practical acting techniques.
Publisher: Applause Theatre & Cinema
ISBN:
Category : Music
Languages : en
Pages : 154
Book Description
Simon Callow leads a two-day class on Restoration comedy with a group of British actors, including Gail McFarlane, Harry Meacher, Pamela Moiseiwitsch and Michael Stroud. It deals with The relapse by John Vanbrugh and shows practical acting techniques.
Acting in Restoration Comedy
Author:
Publisher: Hal Leonard Corporation
ISBN: 9781557831194
Category : Performing Arts
Languages : en
Pages : 148
Book Description
(Applause Acting Series). The art of acting in restoration comedy, the buoyant, often bowdy romps which celebrated the reopening of the English theatres after Cromwell's dour reign, is the subject of Simon Callow's bold investigation. There is cause again to celebrate as Callow, one of Britain's foremost actors, aims to restore the form to all its original voluptuous vigor. Callow shows the way to attain clarity and hilarity in some of the most delightful roles ever conceived for the theatre.
Publisher: Hal Leonard Corporation
ISBN: 9781557831194
Category : Performing Arts
Languages : en
Pages : 148
Book Description
(Applause Acting Series). The art of acting in restoration comedy, the buoyant, often bowdy romps which celebrated the reopening of the English theatres after Cromwell's dour reign, is the subject of Simon Callow's bold investigation. There is cause again to celebrate as Callow, one of Britain's foremost actors, aims to restore the form to all its original voluptuous vigor. Callow shows the way to attain clarity and hilarity in some of the most delightful roles ever conceived for the theatre.
Restoration Comedy in Performance
Author: J. L. Styan
Publisher: Cambridge University Press
ISBN: 9780521274210
Category : Drama
Languages : en
Pages : 292
Book Description
An exploration of the ways in which Restoration comedy was performed, using the costume, customs, manners and behaviour of the age as a way of understanding its theatre and drama. It also considers problems encountered in early twentieth century revivals of plays by authors such as Etherege, Dryden, Congreve and Farquhar.
Publisher: Cambridge University Press
ISBN: 9780521274210
Category : Drama
Languages : en
Pages : 292
Book Description
An exploration of the ways in which Restoration comedy was performed, using the costume, customs, manners and behaviour of the age as a way of understanding its theatre and drama. It also considers problems encountered in early twentieth century revivals of plays by authors such as Etherege, Dryden, Congreve and Farquhar.
The Cambridge Companion to English Restoration Theatre
Author: Deborah Payne Fisk
Publisher: Cambridge University Press
ISBN: 9780521588126
Category : Drama
Languages : en
Pages : 326
Book Description
Fourteen specially commissioned essays provide essential information about staging, playwrights, themes and genres in the drama of the Restoration.
Publisher: Cambridge University Press
ISBN: 9780521588126
Category : Drama
Languages : en
Pages : 326
Book Description
Fourteen specially commissioned essays provide essential information about staging, playwrights, themes and genres in the drama of the Restoration.
The comical revenge; or, Love in a tub [a comedy, by sir G. Etherege].
Delicious Dissembling
Author: Suzanne M. Ramczyk
Publisher: Heinemann Drama
ISBN:
Category : Drama
Languages : en
Pages : 212
Book Description
Restoration comedies of manners are at once bitingly true-to-life and deceptively artificial. Their style, elegance, grace, and wit provide the kind of challenge actors continue to love. Now Suzanne Ramczyk offers both directors and actors the tools they need to perform these popular plays. Drawing on her directing experience and her years of leading workshops on Restoration theatre, Ramczyk provides: an historic overview of the period and the literature analysis of the major literary devices and features methods to approach vocal interpretation of often highly artificial text a solid grounding in period manners and movement specific exercises to get actors quickly and easily into the Restoration style detailed artwork of period costumes illustrations of such period necessities as bows, curtsies, the "language" of the fan, and snuff taking. Read Ramczyk and explore the possibilities of Restoration comedy from first reading to final, polished performance.
Publisher: Heinemann Drama
ISBN:
Category : Drama
Languages : en
Pages : 212
Book Description
Restoration comedies of manners are at once bitingly true-to-life and deceptively artificial. Their style, elegance, grace, and wit provide the kind of challenge actors continue to love. Now Suzanne Ramczyk offers both directors and actors the tools they need to perform these popular plays. Drawing on her directing experience and her years of leading workshops on Restoration theatre, Ramczyk provides: an historic overview of the period and the literature analysis of the major literary devices and features methods to approach vocal interpretation of often highly artificial text a solid grounding in period manners and movement specific exercises to get actors quickly and easily into the Restoration style detailed artwork of period costumes illustrations of such period necessities as bows, curtsies, the "language" of the fan, and snuff taking. Read Ramczyk and explore the possibilities of Restoration comedy from first reading to final, polished performance.
The Rover
Author: Aphra Behn
Publisher: Joe Books Ltd
ISBN: 1987955684
Category : Drama
Languages : en
Pages : 190
Book Description
The magic of Naples during Carnival inspires love between a disparate group of local citizens and visiting Englishmen.
Publisher: Joe Books Ltd
ISBN: 1987955684
Category : Drama
Languages : en
Pages : 190
Book Description
The magic of Naples during Carnival inspires love between a disparate group of local citizens and visiting Englishmen.
Acting One/Acting Two
Author: Robert Cohen
Publisher: McGraw-Hill Companies
ISBN:
Category : Performing Arts
Languages : en
Pages : 560
Book Description
The new, fifth edition of Robert Cohen's Acting One, the text used to teach acting on more campuses than any other, has now been combined for the first time with his Acting Two, (the second edition of his previously-titled Advanced Acting). Together, Acting One/Acting Two provides a comprehensive and fully integrated system of all acting, from the most realistic to the most stylized. Part One (Acting One) covers basic skills such as talking, listening, tactical interplay, physicalizing, building scenes, and making powerful acting choices. Part Two (Acting Two) provides a series of exercises that encourage the student actor's self-extension into radically different styles (historical, literary, fantastical) and characterizations; then coaches the student through scenework in a variety of historical periods (Greek, Commedia, Elizabethan, Molière, Restoration, Belle Epoque), as well as modern hyper-realistic theatrical forms such as the theatres of alienation and the absurd, and exemplary recent dramas by Tony Kushner, Margaret Edson, August Wilson and Doug Wright.
Publisher: McGraw-Hill Companies
ISBN:
Category : Performing Arts
Languages : en
Pages : 560
Book Description
The new, fifth edition of Robert Cohen's Acting One, the text used to teach acting on more campuses than any other, has now been combined for the first time with his Acting Two, (the second edition of his previously-titled Advanced Acting). Together, Acting One/Acting Two provides a comprehensive and fully integrated system of all acting, from the most realistic to the most stylized. Part One (Acting One) covers basic skills such as talking, listening, tactical interplay, physicalizing, building scenes, and making powerful acting choices. Part Two (Acting Two) provides a series of exercises that encourage the student actor's self-extension into radically different styles (historical, literary, fantastical) and characterizations; then coaches the student through scenework in a variety of historical periods (Greek, Commedia, Elizabethan, Molière, Restoration, Belle Epoque), as well as modern hyper-realistic theatrical forms such as the theatres of alienation and the absurd, and exemplary recent dramas by Tony Kushner, Margaret Edson, August Wilson and Doug Wright.
˜Theœ way of the world
Tricksters and Estates
Author: J. Douglas Canfield
Publisher: University Press of Kentucky
ISBN: 0813157528
Category : Drama
Languages : en
Pages : 330
Book Description
If the Renaissance was the Golden Age of English comedy, the Restoration was the Silver. These comedies are full of tricksters attempting to gain estates, the emblem and the reality of power in late feudal England. The tricksters appear in a number of guises, such as heroines landing their men, younger brothers seeking estates, or Cavaliers threatened with dispossession. The hybrid nature of these plays has long posed problems for critics, and few studies have attempted to deal with their diversity in a comprehensive way. Now one of the leading scholars of Restoration drama offers a cultural history of the period's comedy that puts the plays in perspective and reveals the ideological function they performed in England during the latter half of the seventeenth century. To explain this function, J. Douglas Canfield groups the plays into three categories: social comedy, which underwrites Stuart ideology; subversive comedy, which undercuts it; and comical satire, which challenges it as fundamentally immoral or amoral. Through play-by-play analysis, he demonstrates how most of the comedies support the ideology of the Stuart monarchs and the aristocracy, upholding what they regarded as their natural right to rule because of an innate superiority over all other classes. A significant minority of comedies, however, reveal cracks in class solidarity, portray witty heroines who inhabit the margins of society, or give voice to folk tricksters who embody a democratic force nearly capable of overwhelming class hierarchy. A smaller yet but still significant minority end in no resolution, no restoration, but, at their most radical, playfully portray Stuart ideology as empty rhetoric. Tricksters and Estates is a truly comprehensive work, offering serious critical readings of many plays that have never before received close attention and fresh insights into more familiar works. By juxtaposing the comedies of such lesser-known playwrights as Orrery, Lacy, and Rawlins with those of more familiar figures like Behn, Wycherley, and Dryden, the author invites a greater appreciation than has previously been possible of the meaning and function of Restoration comedy. This intelligent and wide-ranging study promises is a standard work in its field.
Publisher: University Press of Kentucky
ISBN: 0813157528
Category : Drama
Languages : en
Pages : 330
Book Description
If the Renaissance was the Golden Age of English comedy, the Restoration was the Silver. These comedies are full of tricksters attempting to gain estates, the emblem and the reality of power in late feudal England. The tricksters appear in a number of guises, such as heroines landing their men, younger brothers seeking estates, or Cavaliers threatened with dispossession. The hybrid nature of these plays has long posed problems for critics, and few studies have attempted to deal with their diversity in a comprehensive way. Now one of the leading scholars of Restoration drama offers a cultural history of the period's comedy that puts the plays in perspective and reveals the ideological function they performed in England during the latter half of the seventeenth century. To explain this function, J. Douglas Canfield groups the plays into three categories: social comedy, which underwrites Stuart ideology; subversive comedy, which undercuts it; and comical satire, which challenges it as fundamentally immoral or amoral. Through play-by-play analysis, he demonstrates how most of the comedies support the ideology of the Stuart monarchs and the aristocracy, upholding what they regarded as their natural right to rule because of an innate superiority over all other classes. A significant minority of comedies, however, reveal cracks in class solidarity, portray witty heroines who inhabit the margins of society, or give voice to folk tricksters who embody a democratic force nearly capable of overwhelming class hierarchy. A smaller yet but still significant minority end in no resolution, no restoration, but, at their most radical, playfully portray Stuart ideology as empty rhetoric. Tricksters and Estates is a truly comprehensive work, offering serious critical readings of many plays that have never before received close attention and fresh insights into more familiar works. By juxtaposing the comedies of such lesser-known playwrights as Orrery, Lacy, and Rawlins with those of more familiar figures like Behn, Wycherley, and Dryden, the author invites a greater appreciation than has previously been possible of the meaning and function of Restoration comedy. This intelligent and wide-ranging study promises is a standard work in its field.