Accademia Dei Dilettanti Di Musica PDF Download

Author: Henry Sandwith Drinker
Publisher:
ISBN:
Category : Merion (Pa.)
Languages : en
Pages : 48

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Author: Henry S. Drinker
Publisher:
ISBN:
Category : Merion (Pa.)
Languages : en
Pages : 0

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Author: Ralph P. Locke
Publisher: Univ of California Press
ISBN: 9780520083950
Category : Social Science
Languages : en
Pages : 384

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"The Victorian cup on my shelf--a present from my mother--reads 'Love the Giver.' Is it because the very word patronage implies the authority of the father that we have treated American women patrons and activists so unlovingly in the writing of our own history? This pioneering collection of superb scholarship redresses that imbalance. At the same time it brilliantly documents the interrelationship between various aspects of gender and the creation of our own culture."--Judith Tick, author of Ruth Crawford Seeger: A Composer's Search for American Music "Together with the fine-grained and energetic research, I like the spirit of this book, which is ambitious, bold, and generous minded. Cultivating Music in America corrects long-standing prejudices, omissions, and misunderstandings about the role of women in setting up the structures of America's musical life, and, even more far-reaching, it sheds light on the character of American musical life itself. To read this book is to be brought to a fresh understanding of what is at stake when we discuss notions such as 'elitism, ' 'democratic taste, ' and the political and economic implications of art."--Richard Crawford, author of The American Musical Landscape "We all know we are indebted to royal patronage for the music of Mozart. But who launched American talent? The answer is women, this book teaches us. Music lovers will be grateful for these ten essays, sound in scholarship, that make a strong case for the women philanthropists who ought to join Carnegie and Rockefeller as household words as sponsors of music."--Karen J. Blair, author of The Torchbearers: Women and Their Amateur Arts Associations in America

Author: Katherine Bergeron
Publisher: University of Chicago Press
ISBN: 9780226043685
Category : Music
Languages : en
Pages : 248

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Provocative and timely, Disciplining Music confronts a topic that has sparked considerable debate in recent years: how do musicians and music scholars "discipline" music in their efforts to confer order and meaning on it? This collection of essays addresses this issue by formulating questions about music's canons—rules that measure and order, negotiate cultural constraints, reconstruct the past, and shape the future. Written by scholars representing the fields of historical musicology, ethnomusicology, and music theory, many of the essays tug and push at the very boundaries of these traditional division within the study of music. "Fortunately, in a blaze of good-humored . . . scholarship, [this] book helps brains unaccustomed to thinking about the future without jeopardizing the past imagine the wonder classical-music life might become if it embraced all people and all musics."—Laurence Vittes, Los Angeles Reader "These essays will force us to rethink our position on many issues. . . [and] advance musicology into the twenty-first century."—Giulio Ongaro, American Music Teacher With essays by Katherine Bergeron, Philip V. Bohlman, Richard Cohn and Douglas Dempster, Philip Gossett, Robert P. Morgan, Bruno Nettl, Don Michael Randel, Ruth A. Solie, and Gary Tomlinson.

Author: Denise Von Glahn
Publisher: University of Illinois Press
ISBN: 0252054415
Category : Music
Languages : en
Pages : 214

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An essential high culture institution, the John Simon Guggenheim Memorial Foundation has both supported and molded American musical culture. Denise Von Glahn examines the Foundation and its immense influence from the organization’s prehistory and origins through the onset of World War II. Funded by the Guggenheim mining fortune, the Foundation took early shape from the efforts of Carroll Wilson, Frank Aydelotte, and Henry Allen Moe--three Rhodes Scholars who initially struggled to envision and implement the organization’s ambitious goals. Von Glahn also examines the career of the longtime musical advisor Thomas Whitney Surette while profiling early awardees Aaron Copland, Ruth Crawford Seeger, William Grant Still, Roger Sessions, George Antheil, and Carlos Chàvez. She examines the processes behind their selection, their values and aesthetics, and their relationships with the insiders and others who championed their work.

Author: Sophie Drinker
Publisher: Feminist Press at CUNY
ISBN: 9781558611160
Category : History
Languages : en
Pages : 444

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First paperback edition of this classic, cross-cultural history of women and their relationship to music through the centuries.

Author: Harry Haskell
Publisher: Courier Corporation
ISBN: 9780486291628
Category : Music
Languages : en
Pages : 242

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First comprehensive historical study, going back to 18th century. Influence of Schola Cantorum; instrument builders; performers such as Wanda Landowska, Alfred Deller, others. Includes 46 illustrations. "Well informed" -- Christopher Hogwood.

Author: Nathaniel Burt
Publisher: University of Pennsylvania Press
ISBN: 9780812216936
Category : History
Languages : en
Pages : 678

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The Perennial Philadelphians tells the story of the city's inherited aristocracy—of Wanamakers and Drexels, of Biddles and Cadwaladers. Drawing on history, genealogy, politics, economics, the fine arts, private diaries, and the impressions and anecdotes of myriad living witnesses, Nathaniel Burt paints a fascinating portrait of Old Philadelphians. He traces the succession of a dynasty of doctors or lawyers, explores the country club scene, and takes us to regattas on the Schuylkill, fox hunts in Radnor, and horse shows in Devon. First published in 1963, this classic text has lost none of its timeliness. An adept social commentator, Burt cuts aside the centuries-old protective coloration in which Old Philadelphians have wrapped themselves, and reveals who these people are and how they manage to perpetuate themselves from generation to generation.

Author: Mary Sue Morrow
Publisher: Indiana University Press
ISBN: 0253072131
Category : Music
Languages : en
Pages : 918

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Central to the repertoire of Western art music since the 18th century, the symphony has come to be regarded as one of the ultimate compositional challenges. In his five-volume series The Symphonic Repertoire, the late A. Peter Brown explores the symphony from its 18th-century beginnings to the end of the 20th century. In Volume 1, The Eighteenth-Century Symphony, 22 of Brown's former students and colleagues collaborate to complete the work that he began on this critical period of development in symphonic history. The work follows Brown's outline, is organized by country, and focuses on major composers. It includes a four-chapter overview and concludes with a reframing of the symphonic narrative. Contributors address issues of historiography, the status of research, and questions of attribution and stylistic traits, and provide background material on the musical context of composition and early performances. The volume features a CD of recordings from the Bloomington Early Music Festival Orchestra, highlighting the largely unavailable repertoire discussed in the book.

Author: Jan Bell Groh
Publisher: University of Arkansas Press
ISBN: 1557283257
Category : Music
Languages : en
Pages : 157

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Despite the suffragist activities of the 1920s and the heightened pressures brought to bear on traditionally “male-only” institutions in American society during the past three decades, many vocations remain sanctuaries of male dominance. One such area is the classical music world; though, as Jan Bell Groh asserts in Evening the Score, inroads into this field have bene made, sometimes at great cost. At the center of this work is a unique set of newsletters edited and published by Frédérique Petrides, one of America’s first and most influential female conductors. In Petride’s time, most women musicians were forced to ply their trade in all-female orchestras; through the thirty-seven issues of Women in Music published from 1935 to 1940, the achievements of these musicians were championed, and the prejudices, misconceptions, and deliberately discriminatory policies of many of their male counterparts were exposed and condemned. Evening the Score is an ambitious endeavor that seeks not only to preserve these early documents and explain them within the context of the 1930s music industry but also to garner for Petrides the long-overdue praise to which she is entitled. It is at once a celebration and a source of inspiration.