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Author: Stefano Fiore Publisher: make art gallery ISBN: Category : Art Languages : en Pages : 100
Book Description
This third e-book from AbstrArt features abstract artworks and pieces with abstract themes created by contemporary international artists who are part of the Italian art gallery project, Make Art Gallery. AbstrArt Volume Three offers a fresh perspective on the world of contemporary abstract art, showcasing a selection of unique and personal works that explore various styles and techniques. Divided into 2 author collections, the ebook will showcase the following artists: Collection 1: - Rodika Ioniak - Luana Cambiaghi "Iaelleci" - Hélène Cloua - Mario Sánchez M - Núria Companys Castro - Evgenia Sgardeli - Thomas Jeunet Collection 2 - Franco Corsi - Giusirames - Giuseppe Rametta - Michael Wagner - Dino Puglisi - Raffaella Lupetti - Ricardo Labarca - Stefania Corini - Tara Partovirad Art Director: Stefano Fiore Rome/Italy www.makeartgallery.com
Author: Stefano Fiore Publisher: make art gallery ISBN: Category : Art Languages : en Pages : 100
Book Description
This third e-book from AbstrArt features abstract artworks and pieces with abstract themes created by contemporary international artists who are part of the Italian art gallery project, Make Art Gallery. AbstrArt Volume Three offers a fresh perspective on the world of contemporary abstract art, showcasing a selection of unique and personal works that explore various styles and techniques. Divided into 2 author collections, the ebook will showcase the following artists: Collection 1: - Rodika Ioniak - Luana Cambiaghi "Iaelleci" - Hélène Cloua - Mario Sánchez M - Núria Companys Castro - Evgenia Sgardeli - Thomas Jeunet Collection 2 - Franco Corsi - Giusirames - Giuseppe Rametta - Michael Wagner - Dino Puglisi - Raffaella Lupetti - Ricardo Labarca - Stefania Corini - Tara Partovirad Art Director: Stefano Fiore Rome/Italy www.makeartgallery.com
Author: Gabrielle Jennings Publisher: Univ of California Press ISBN: 0520282477 Category : Art Languages : en Pages : 310
Book Description
Offering historical and theoretical positions from a variety of art historians, artists, curators, and writers, this groundbreaking collection is the first substantive sourcebook on abstraction in moving-image media. With a particular focus on art since 2000, Abstract Video addresses a longer history of experimentation in video, net art, installation, new media, expanded cinema, visual music, and experimental film. Editor Gabrielle JenningsÑa video artist herselfÑreveals as never before how works of abstract video are not merely, as the renowned curator Kirk Varnedoe once put it, Òpictures of nothing,Ó but rather amorphous, ungovernable spaces that encourage contemplation and innovation. In explorations of the work of celebrated artists such as Jeremy Blake, Mona Hatoum, Pierre Huyghe, Ryoji Ikeda, Takeshi Murata, Diana Thater, and Jennifer West, alongside emerging artists, this volume presents fresh and vigorous perspectives on a burgeoning and ever-changing arena of contemporary art.
Author: Clement Greenberg Publisher: University of Chicago Press ISBN: 0226306232 Category : Architecture Languages : en Pages : 339
Book Description
Clement Greenberg is widely recognized as the most influential and articulate champion of modernism during its American ascendency after World War II, the period largely covered by these highly acclaimed volumes of The Collected Essays and Criticism. Volume 3: Affirmations and Refusals presents Greenberg's writings from the period between 1950 and 1956, while Volume 4: Modernism with a Vengeance gathers essays and criticism of the years 1957 to 1969. The 120 works range from little-known pieces originally appearing Vogue and Harper's Bazaar to such celebrated essays as "The Plight of Our Culture" (1953), "Modernist Painting" (1960), and "Post Painterly Abstraction" (1964). Preserved in their original form, these writings allow readers to witness the development and direction of Greenberg's criticism, from his advocacy of abstract expressionism to his enthusiasm for color-field painting. With the inclusion of critical exchanges between Greenberg and F. R. Leavis, Fairfield Porter, Thomas B. Hess, Herbert Read, Max Kozloff, and Robert Goldwater, these volumes are essential sources in the ongoing debate over modern art. For each volume, John O'Brian has furnished an introduction, a selected bibliography, and a brief summary of events that places the criticism in its artistic and historical context.
Author: Pepe Karmel Publisher: National Geographic Books ISBN: 0500239584 Category : Art Languages : en Pages : 0
Book Description
A leading authority on the subject presents a radically new approach to the understanding of abstract art, in this richly illustrated and persuasive history. In his fresh take on abstract art, noted art historian Pepe Karmel chronicles the movement from a global perspective, while embedding abstraction in a recognizable reality. Moving beyond the canonical terrain of abstract art, the author demonstrates how artists from around the world have used abstract imagery to express social, cultural, and spiritual experience. Karmel builds this fresh approach to abstract art around five inclusive themes: body, landscape, cosmology, architecture, and man-made signs and patterns. In the process, this history develops a series of narratives that go far beyond the established figures and movements traditionally associated with abstract art. Each narrative is complemented by a number of featured abstract works, arranged in thought-provoking pairings with accompanying extended captions that provide an in-depth analysis. This wide-ranging examination incorporates work from Asia, Australia, Africa, and South America, as well as Europe and North America, through artists ranging from Wu Guanzhong, Joan Miró, Jackson Pollock, to Hilma af Klint, and Odili Donald Odita. Breaking new ground, Karmel has forged a new history of this key art movement.
Author: Clement Greenberg Publisher: University of Chicago Press ISBN: 0226306240 Category : Architecture Languages : en Pages : 358
Book Description
Clement Greenberg is widely recognized as the most influential and articulate champion of modernism during its American ascendency after World War II, the period largely covered by these highly acclaimed volumes of The Collected Essays and Criticism. Volume 3: Affirmations and Refusals presents Greenberg's writings from the period between 1950 and 1956, while Volume 4: Modernism with a Vengeance gathers essays and criticism of the years 1957 to 1969. The 120 works range from little-known pieces originally appearing Vogue and Harper's Bazaar to such celebrated essays as "The Plight of Our Culture" (1953), "Modernist Painting" (1960), and "Post Painterly Abstraction" (1964). Preserved in their original form, these writings allow readers to witness the development and direction of Greenberg's criticism, from his advocacy of abstract expressionism to his enthusiasm for color-field painting. With the inclusion of critical exchanges between Greenberg and F. R. Leavis, Fairfield Porter, Thomas B. Hess, Herbert Read, Max Kozloff, and Robert Goldwater, these volumes are essential sources in the ongoing debate over modern art. For each volume, John O'Brian has furnished an introduction, a selected bibliography, and a brief summary of events that places the criticism in its artistic and historical context.
Author: Milton Wolf Brown Publisher: New York : Abrams ISBN: Category : Art Languages : en Pages : 622
Book Description
A cultural history of American art from early Colonial times through the late twentieth-century, tracing the development of painting, sculpture, architecture, photography, and the decorative arts, and featuring 752 black-and-white and color illustrations.
Author: Gean Moreno Publisher: Verso Books ISBN: 1788730690 Category : Art Languages : en Pages : 337
Book Description
Artists and critics explore the concept of Real Abstraction to help understand contemporary cultural production In the Mind, But Not From There: Real Abstraction and Contemporary Art considers how the Marxian concept of Real Abstraction--originally developed by Alfred Sohn Rethel, and recently updated by Alberto Toscano--might help to define the economic, social, political, and cultural complexities of our contemporary moment. In doing so, this volume brings together noted contemporary artists, literary critics, curators, historians, and social theorists who connect the concept of Real Abstraction with contemporary cultural production. Theoretical and artistic contributions from Benjamin Noys, Paul Chan, Joao Enxuto and Erica Love, Marina Vishmidt, Sven Lütticken, and many others help to map out the relationship between political economy and artistic production in the realm of contemporary, globalized cultural exchange. This anthology places economic and social analyses alongside creative projects and visual essays to consider the many angles of contemporary art, and how inquiry into the the production of abstraction through material and social processes can be used to better understand, and hopefully change, the conditions under which art is made, seen, and circulated today. Published in collaboration with [NAME] publications.
Author: Paul Crowther Publisher: Bloomsbury Publishing ISBN: 1441115064 Category : Philosophy Languages : en Pages : 301
Book Description
As a philosophical approach, phenomenology is concerned with structure in how phenomena are experienced. The Phenomenology of Modern Art uses phenomenological insights to explain the significance of style in modern art, most notably in Impressionism, Expressionism, Cezanne and Cubism, Duchampian conceptualism and abstract art. Paul Crowther explores this thematic approach in a new way, addressing specific visual artworks and tendencies in detail and introduces a new methodology - post-analytic phenomenology. It is this more critical, post-analytic orientation that allows the book to utilise some unexpected phenomenological resources. Gilles Deleuze, rarely associated with phenomenology, in fact employs an overriding phenomenological orientation in his focus on modern art. Crowther uses Deleuze's important phenomenological insights as a starting point and goes on to develop arguments found in two other thinkers, Nietzsche and Merleau-Ponty, as well as addressing those figures and tendencies in relation to whom twentieth-century critical appropriations of Kant have been most influential. Accompanied by illustrations, the book offers the first sustained phenomenological approach to modern art.
Author: Stefano Fiore
Author: Stefano Fiore
Author: Ann Temkin
Author: Gabrielle Jennings
Author: Clement Greenberg
Author: Pepe Karmel
Author: Clement Greenberg
Author: Milton Wolf Brown
Author: Gean Moreno
Author: Paul Crowther
Author: UNESCO