Author: College Art Association of America
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Abstracts and Program Statements for Art History Sessions Annual Meeting
Author: College Art Association of America
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Abstracts and Program Statements for Art History Sessions
Author: College Art Association of America. Meeting
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 192
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 192
Book Description
Abstracts and Program Statements for Art History Sessions
Abstracts and Program Statements for Art History Sessions
Author: College Art Association of America. Meeting
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 172
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 172
Book Description
Abstracts and Program Statements for Art History Sessions
Abstracts and Program Statements
Author: College Art Association of America. Meeting
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 316
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 316
Book Description
Abstracts and Program Statements
Author: College Art Association of America. Conference
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 348
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 348
Book Description
Byzantine Art and Italian Panel Painting
Author: Jaroslav Folda
Publisher: Cambridge University Press
ISBN: 1107010233
Category : Art
Languages : en
Pages : 445
Book Description
Jaroslav Folda traces the appropriation of the Byzantine Virgin and Child Hodegetria icon by thirteenth-century Crusader and central Italian painters and explores its transformation by the introduction of chrysography on the figure of the Virgin in the Crusader Levant and in Italy.
Publisher: Cambridge University Press
ISBN: 1107010233
Category : Art
Languages : en
Pages : 445
Book Description
Jaroslav Folda traces the appropriation of the Byzantine Virgin and Child Hodegetria icon by thirteenth-century Crusader and central Italian painters and explores its transformation by the introduction of chrysography on the figure of the Virgin in the Crusader Levant and in Italy.
The Four Modes of Seeing
Author: ElizabethCarson Pastan
Publisher: Routledge
ISBN: 1351544500
Category : History
Languages : en
Pages : 492
Book Description
Borrowing its title from Madeline Harrison Caviness's influential work on the modes of seeing articulated by the twelfth-century cleric Richard of Saint Victor, this interdisciplinary collection brings together the work of thirty scholars from England, France, Germany, Italy, Switzerland, and the United States. Each author has contributed an original article that engages with ideas formulated in Caviness's wide-ranging scholarship. The historiographic introduction discusses themes in Caviness's publications and their importance for art historical and medieval studies today. The book's thematic matrix groups together essays concerned with: The Material Object, Documentary Reconstruction, Post-Disciplinary Approaches, Multiple Readings, Gender and Reception, Performativity, Text and Image, Collecting and Consumption, and Politics and Ideology. The contributors include curators, art historians, historians, and literary scholars. Their subjects range from medieval stained glass to the nineteenth-century Gothic Revival, the Sachsenspiegel, and Mel Gibson's The Passion of the Christ. Many foreground issues of gender, reception, and textuality, which have permeated Caviness's scholarship. Some also present approaches to sites that have been the subject of important studies by Caviness, including Canterbury, Chartres, Reims, Saint-Denis, Sens, and Troyes. The volume offers a broad range of methodological approaches to key topics in the study of medieval imagery and thus highlights the vitality of the field today.
Publisher: Routledge
ISBN: 1351544500
Category : History
Languages : en
Pages : 492
Book Description
Borrowing its title from Madeline Harrison Caviness's influential work on the modes of seeing articulated by the twelfth-century cleric Richard of Saint Victor, this interdisciplinary collection brings together the work of thirty scholars from England, France, Germany, Italy, Switzerland, and the United States. Each author has contributed an original article that engages with ideas formulated in Caviness's wide-ranging scholarship. The historiographic introduction discusses themes in Caviness's publications and their importance for art historical and medieval studies today. The book's thematic matrix groups together essays concerned with: The Material Object, Documentary Reconstruction, Post-Disciplinary Approaches, Multiple Readings, Gender and Reception, Performativity, Text and Image, Collecting and Consumption, and Politics and Ideology. The contributors include curators, art historians, historians, and literary scholars. Their subjects range from medieval stained glass to the nineteenth-century Gothic Revival, the Sachsenspiegel, and Mel Gibson's The Passion of the Christ. Many foreground issues of gender, reception, and textuality, which have permeated Caviness's scholarship. Some also present approaches to sites that have been the subject of important studies by Caviness, including Canterbury, Chartres, Reims, Saint-Denis, Sens, and Troyes. The volume offers a broad range of methodological approaches to key topics in the study of medieval imagery and thus highlights the vitality of the field today.
Abstracts of Papers Delivered in Art History Sessions
Author: College Art Association of America. Meeting
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 832
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 832
Book Description