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Author: Marina Abramović Publisher: Princeton University Press ISBN: 0691263736 Category : Art Languages : en Pages : 176
Book Description
A collection of fascinating and provocative quotations from the world-renowned performance artist Marina Abramović is arguably the most important and influential performance artist of our time. For decades, she has broken boundaries in iconic works such as The Artist Is Present (2010), where she sat in silence across from members of the public at the Museum of Modern Art for up to eight hours a day for three months, and Rhythm 0 (1974), a six-hour performance in which she stood next to a table holding seventy-two objects, including a scalpel and a loaded gun, and a sign suggesting audience members could do to her whatever they wanted. Gathered from interviews, lectures, writings, and other sources, Abramović-isms is a unique collection of quotations that offers a window into the mind of this iconic trailblazer. “Artists have to be free human beings. They have to have the complete freedom to express their ideas with no restrictions.” “Our body is an absolute replica of the Universe, and this is why I took to studying myself—by studying myself, I can understand everything else and everybody else.” “Beauty doesn’t have a definition. What is important is what moves you.” “Don’t ever call me the grandmother of performance art. Just call me a warrior.”
Author: Marina Abramović Publisher: Princeton University Press ISBN: 0691263736 Category : Art Languages : en Pages : 176
Book Description
A collection of fascinating and provocative quotations from the world-renowned performance artist Marina Abramović is arguably the most important and influential performance artist of our time. For decades, she has broken boundaries in iconic works such as The Artist Is Present (2010), where she sat in silence across from members of the public at the Museum of Modern Art for up to eight hours a day for three months, and Rhythm 0 (1974), a six-hour performance in which she stood next to a table holding seventy-two objects, including a scalpel and a loaded gun, and a sign suggesting audience members could do to her whatever they wanted. Gathered from interviews, lectures, writings, and other sources, Abramović-isms is a unique collection of quotations that offers a window into the mind of this iconic trailblazer. “Artists have to be free human beings. They have to have the complete freedom to express their ideas with no restrictions.” “Our body is an absolute replica of the Universe, and this is why I took to studying myself—by studying myself, I can understand everything else and everybody else.” “Beauty doesn’t have a definition. What is important is what moves you.” “Don’t ever call me the grandmother of performance art. Just call me a warrior.”
Author: Larry Warsh Publisher: Princeton University Press ISBN: 0691266298 Category : Art Languages : en Pages : 152
Book Description
A collection of compelling quotations from JR—the renowned French photographer, street artist, and activist JR is perhaps best known for taking portraits of regular people, reproducing the images at a monumental scale, and pasting them on the sides of buildings in the subjects’ neighborhoods. Among his many other notable projects are a gigantic photo of a child peering over the top of the barrier at the US-Mexico border and an enormous mural of inmates that covers the ground of an outdoor exercise yard at a California prison. Collected from interviews, writings, and other sources, JR-isms is an inspiring and thought-provoking collection of quotations from the exciting artist and activist, whose work reaches far beyond the traditional art world, from the streets of New York to the suburbs of Paris and the favelas of Brazil. “I was writing my names on walls to say ‘I exist,’ then I started pasting pictures of people with their names to say they exist.” “Art is not supposed to change the world. It can offer a new perspective, a new look, break down the walls we build between us, and humanize the ‘other.’ ” “I always make sure in my art that I even confront my own perspective.” “You know what they say, that the criminal always goes back to the crime scene? It works the same for the artist. When you do something in the street, you come back to see how people approach it. No one knows it’s you, but you’re right there.”
Author: Marina Abramović Publisher: The Museum of Modern Art ISBN: 9780870707476 Category : Art Languages : en Pages : 228
Book Description
Since the beginning of her career in Belgrade in the late 1960s, Marina Abramovic has been a pioneer of performance art, creating some of the most important works in the field. Marina Abramovic: The Artist is Present accompanies an exhibition at The Museum of Modern Art that documents approximately fifty of the artist's ephemeral, time- and media-based works from throughout her career. The book will also discuss a unique element of the Museum's retrospective, live performance: a new work created for the occasion, and performed by the artist herself; and recreations of Abramovic's works by other performers - the first such to be undertaken in a museum setting. The book spans over four decades of Abramovic's early interventions, and sound pieces, video works, installations, photographs, solo performances and collaborative performances made with the Dutch artist Ulay (Uwe Laysiepen). Its essays examine Abramovic's ideas of time, duration, and the reperformance of performance art as a way to extend it into posterity. Marina Abramovic also includes a CD, an audio recording of the artist's own voice, guiding the reader through the publication. The artist is present not only in the exhibition but also in the experience of the book.
Author: Mary Richards Publisher: Routledge ISBN: 1135266379 Category : Art Languages : en Pages : 168
Book Description
Routledge Performance Practitioners is a series of introductory guides to the key theatre-makers of the last century. Each volume explains the background to and the work of one of the major influences on twentieth- and twenty-first-century performance. Marina Abramovic is the creator of pioneering performance art which transcends the form's provocative origins. Her visceral and extreme performances have tested the limits of both body and mind, communicating with audiences worldwide on a personal and political level. The book combines: a biography, setting out the contexts of Abramovic’s work an examination of the artist through her writings, interviews and influences a detailed analysis of her work, including studies of the Rhythm series, Nightsea Crossing and The House with the Ocean View practical explorations of the performances and their origins As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners are unbeatable value for today’s student.
Author: James Westcott Publisher: MIT Press ISBN: 0262526816 Category : Art Languages : en Pages : 347
Book Description
The extraordinary life and death-defying work of one of the most important and pioneering performance artists in contemporary art. When Marina Abramović Dies examines the extraordinary life and death-defying work of one of the most pioneering artists of her generation—and one who is still at the forefront of contemporary art today. This intimate, critical biography chronicles Abramović's formative and until now undocumented years in Yugoslavia, and tells the story of her partnership with the German artist Ulay—one of the twentieth century's great examples of the fusion of artistic and private life. In one of many long-durational performances in the renewed solo career that followed, Abramović famously lived in a New York gallery for twelve days without eating or speaking, nourished only by prolonged eye contact with audience members. It was here, in 2002, that author James Westcott first encountered her, beginning an exceptionally close relation between biographer and subject. When Marina Abramović Dies draws on Westcott's personal observations of Abramović, his unprecedented access to her archive, and hundreds of hours of interviews he conducted with the artist and the people closest to her. The result is a unique and vivid portrait of the charismatic self-proclaimed “grandmother of performance art.”
Author: Folkwang Universität der Künste Publisher: Hatje Cantz Verlag ISBN: 3775758178 Category : Art Languages : en Pages : 313
Book Description
With the first appointment of the outstanding performance artist Marina Abramović to the Pina Bausch Professorship at the Folkwang University of the Arts, the focus in the 2023-23 academic year was placed on transdisciplinarity, artistic daring and social awareness. The project supervised by Abramović, entitled "Free Interdisciplinary Performance Laboratory (FIPL)", was realised in a class put together by her, in which she brought together over 20 students from the fields of music (classical and jazz, instrumental, vocal and composition), dance, design, photography, (physical) theatre and directing. The students developed individual or collective concepts for performances and learnt how to develop a long-term performative work form in an experience-based process. In a workshop entitled "Cleaning the House", which was organised according to a method developed by Marina Abramović method developed by Marina Abramović, the students developed a sense of the presence required in performances, including the exploration of their individual physical and mental limits.The outstanding performance artist Marina Abramović was the first holder of the new Pina Bausch Professorship at the Folkwang University of the Arts in Essen in 2022/23. She focused on transdisciplinarity, artistic daring and social awareness. In her Free Interdisciplinary Performance Laboratory (FIPL), Abramović brought together over twenty students from the fields of music, dance, design, photography, (physical) theater and directing. Over two semesters, they realized artistic-performative projects that dealt with agency, resilience and body awareness and explored physical and mental boundaries. Marina Abramović has been setting international standards as a performance artist since the 1970s. Her own body is usually at the center of her often extended performances. She has taken part in documenta three times since 1977 and was awarded the Golden Lion at the Venice Biennale in 1997. Her performance "The Artist is Present" at the Museum of Modern Art, New York (2010) became famous. After teaching in Paris and Berlin, among other places, she took up the newly established Pina Bausch Professorship at the Folkwang University of the Arts in Essen in the winter semester of 2022/23.
Author: Jeannette Fischer Publisher: Scheidegger and Spiess ISBN: 9783858817945 Category : Performance art Languages : en Pages : 0
Book Description
Based largely on four days of conversations between the artist and the psychoanalyst, the book includes excerpts from those conversations
Author: Ai Weiwei Publisher: Princeton University Press ISBN: 1400845858 Category : Art Languages : en Pages : 149
Book Description
The quotable Ai Weiwei This collection of quotes demonstrates the elegant simplicity of Ai Weiwei's thoughts on key aspects of his art, politics, and life. A master at communicating powerful ideas in astonishingly few words, Ai Weiwei is known for his innovative use of social media to disseminate his views. The short quotations presented here have been carefully selected from articles, tweets, and interviews given by this acclaimed Chinese artist and activist. The book is organized into six categories: freedom of expression; art and activism; government, power, and moral choices; the digital world; history, the historical moment, and the future; and personal reflections. Together, these quotes span some of the most revealing moments of Ai Weiwei's eventful career—from his risky investigation into student deaths in the 2008 Sichuan earthquake to his arbitrary arrest in 2011—providing a window into the mind of one of the world's most electrifying and courageous contemporary artists. Select Quotes from the Book: On Freedom of Expression "Say what you need to say plainly, and then take responsibility for it." "A small act is worth a million thoughts." "Liberty is about our rights to question everything." On Art and Activism "Everything is art. Everything is politics." "The art always wins. Anything can happen to me, but the art will stay." "Life is art. Art is life. I never separate it. I don't feel that much anger. I equally have a lot of joy." On Government, Power, and Making Moral Choice "Once you've tasted freedom, it stays in your heart and no one can take it. Then, you can be more powerful than a whole country." "I feel powerless all the time, but I regain my energy by making a very small difference that won't cost me much." "Tips on surviving the regime: Respect yourself and speak for others. Do one small thing every day to prove the existence of justice." On the Digital World "Only with the Internet can a peasant I have never met hear my voice and I can learn what's on his mind. A fairy tale has come true." "The Internet is uncontrollable. And if the Internet is uncontrollable, freedom will win. It's as simple as that." "The Internet is the best thing that could have happened to China." On History, the Historical Moment, and the Future "If a nation cannot face its past, it has no future." "We need to get out of the old language." "The world is a sphere, there is no East or West." Personal Reflection "I've never planned any part of my career—except being an artist. And I was pushed into that corner because I thought being an artist was the only way to have a little freedom." "Anyone fighting for freedom does not want to totally lose their freedom." "Expressing oneself is like a drug. I'm so addicted to it."
Author: Jean Petrolle Publisher: University of Illinois Press ISBN: 9780252030062 Category : Experimental films Languages : en Pages : 316
Book Description
Women and Experimental Filmmaking gathers essays by some of the top scholars in cinema studies dealing with women experimental filmmakers. Tracking the topic across racial, economic, geographic, and even temporal boundaries, Jean Petrolle and Virginia Wexman's selections refiect the deep diversity of methodologies and research. The introduction sets out by addressing the basic difficulties of both historiography and definition before providing a historical overview of how these particular filmmakers have helped shape moviemaking traditions. The essays explore the major theoretical controversies that have arisen around the work of groundbreaking women such as Leslie Thornton, Su Friedrich, Nina Menkes, and Faith Hubley. With the film- makers representations of women's subjectivity ranging across film, video, digital media, ethnography, animation, and collage, Women and Experimental Filmmaking represents the full spectrum of genres, techniques, and modes.
Author: Marina Abramović
Author: Marina Abramović
Author: Larry Warsh
Author: Marina Abramović
Author: Mary Richards
Author: James Westcott
Author: Folkwang Universität der Künste
Author: Shirin Neshat
Author: Jeannette Fischer
Author: Ai Weiwei
Author: Jean Petrolle