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Author: John C. Charles Publisher: Rutgers University Press ISBN: 0813554349 Category : Literary Criticism Languages : en Pages : 279
Book Description
Abandoning the Black Hero is the first book to examine the postwar African American white-life novel—novels with white protagonists written by African Americans. These fascinating works have been understudied despite having been written by such defining figures in the tradition as Richard Wright, Zora Neale Hurston, James Baldwin, Ann Petry, and Chester Himes, as well as lesser known but formerly best-selling authors Willard Motley and Frank Yerby. John C. Charles argues that these fictions have been overlooked because they deviate from two critical suppositions: that black literature is always about black life and that when it represents whiteness, it must attack white supremacy. The authors are, however, quite sympathetic in the treatment of their white protagonists, which Charles contends should be read not as a failure of racial pride but instead as a strategy for claiming creative freedom, expansive moral authority, and critical agency. In an era when “Negro writers” were expected to protest, their sympathetic treatment of white suffering grants these authors a degree of racial privacy previously unavailable to them. White writers, after all, have the privilege of racial privacy because they are never pressured to write only about white life. Charles reveals that the freedom to abandon the “Negro problem” encouraged these authors to explore a range of new genres and themes, generating a strikingly diverse body of novels that significantly revise our understanding of mid-twentieth-century black writing.
Author: John C. Charles Publisher: Rutgers University Press ISBN: 0813554349 Category : Literary Criticism Languages : en Pages : 279
Book Description
Abandoning the Black Hero is the first book to examine the postwar African American white-life novel—novels with white protagonists written by African Americans. These fascinating works have been understudied despite having been written by such defining figures in the tradition as Richard Wright, Zora Neale Hurston, James Baldwin, Ann Petry, and Chester Himes, as well as lesser known but formerly best-selling authors Willard Motley and Frank Yerby. John C. Charles argues that these fictions have been overlooked because they deviate from two critical suppositions: that black literature is always about black life and that when it represents whiteness, it must attack white supremacy. The authors are, however, quite sympathetic in the treatment of their white protagonists, which Charles contends should be read not as a failure of racial pride but instead as a strategy for claiming creative freedom, expansive moral authority, and critical agency. In an era when “Negro writers” were expected to protest, their sympathetic treatment of white suffering grants these authors a degree of racial privacy previously unavailable to them. White writers, after all, have the privilege of racial privacy because they are never pressured to write only about white life. Charles reveals that the freedom to abandon the “Negro problem” encouraged these authors to explore a range of new genres and themes, generating a strikingly diverse body of novels that significantly revise our understanding of mid-twentieth-century black writing.
Author: John Saillant Publisher: Oxford University Press ISBN: 0190288981 Category : History Languages : en Pages : 248
Book Description
Born in Connecticut, Lemuel Haynes was first an indentured servant, then a soldier in the Continental Army, and, in 1785, an ordained congregational minister. Haynes's writings constitute the fullest record of a black man's religion, social thought, and opposition to slavery in the late-18th and early-19th century. Drawing on both published and rare unpublished sources, John Saillant here offers the first comprehensive study of Haynes and his thought.
Author: Yvonne Tasker Publisher: Routledge ISBN: 113487300X Category : Social Science Languages : en Pages : 224
Book Description
While films such as Rambo, Thelma and Louise and Basic Instinct have operated as major points of cultural reference in recent years, popular action cinema remains neglected within contemporary film criticism. Spectacular Bodies unravels the complexities and pleasures of a genre often dismissed as `obvious' in both its pleasure and its politics, arguing that these controversial films should be analysed and understood within a cinematic as well as a political context. Yvonne Tasker argues that today's action cinema not only responds to the shifts in gendered, sexual and racial identities which took place during the 1980s, but reflects the influences of other media such as the new video culture. Her detailed discussion of the homoeroticism surrounding the muscleman hero, the symbolic centrality of blackness within the crime narrative, and the changing status of women within the genre, addresses the constitution of these identities through the shifting categories of gender, class, race, sex, sexuality and nation. Spectacular Bodies also examines the ambivalence of supposedly secure categories of popular cinema, questioning the existing terms of film criticism in this area and addressing the complex pleasures of this neglected form.
Author: Lawrence P. Jackson Publisher: JHU Press ISBN: 1421444127 Category : Performing Arts Languages : en Pages : 310
Book Description
How did the American western feature film genre rebrand itself in the late seventies and respond to the fury of global and domestic political affairs? In Hold It Real Still, Lawrence Jackson examines Clint Eastwood's influence on the western film while also exploring how that genre continues to operate into the twenty-first century as an ideological channel for ideas about race and imperialism. Jackson argues that the western genre pivoted from an initial doctrine of racial liberalism, albeit a clumsy one, during the John Wayne years to a motile agenda of substitution, exclusion, and false equivalency during the Clint Eastwood period. The book traces how Eastwood, an actor first associated with the avant-garde, anti-colonialist discourse of "spaghetti" western cinema, reversed himself in the second half of the 1970s with The Outlaw Josey Wales—a film that had at its heart the fantasy of Black erasure from American life. Jackson situates Eastwood's work as a response to massive social and political upheavals in America: defeat in Vietnam, riots in northern cities, the civil rights movement and associated legislation, and the Great Migration, which made possible a degree of mixed-race public interaction that was impossible even as late as the 1960s. Hinged by a close reading of four blockbuster films which continue to shape discourses in cinematic arts, American liberalism, the westerns, and race relations today—The Good, the Bad and the Ugly, Josey Wales, Ride with the Devil, and Django Unchained—Jackson's unique critique flashes on the contradictory symbolic structures at work in these masterpieces. Juxtaposing the films' motifs, tropes, and hidden Black figures with historicist readings lays bare the containment strategies of the 1970s and beyond used to stymie civil rights progress and racial equity in the United States. Tackling the rise of neoracism and the domestic apparatus of surveillance, control, and erasure, Hold It Real Still offers an astonishing revision of what audiences and critics thought they understood about a uniquely American genre of film.
Author: John William Gibson Publisher: ISBN: Category : African Americans Languages : en Pages : 500
Book Description
"Who's who in the Negeo race": pages 329-400. Published in 1912 by John William Gibson and William H. Crogman. First edition published under title: The colored American. Includes index. Microfiche. Denver : Information Resources Division, Kistler Data Management, 1977.--5 cards ; 10.5 x 15 cm.--(Afro-American rare book collection ; [v.118])
Author: Jiu YueWenTian Publisher: Funstory ISBN: 1649351208 Category : Fiction Languages : en Pages : 696
Book Description
Carrying a adorable pet, stepping on a green mountain, and daring to venture into the world by himself. For the sake of a beauty, he dared to ascend to the ninth heaven to pluck the stars; for the sake of the common people, he dared to enter the netherworld to burn the blood. The world was in chaos as the mountains and rivers changed. His cultivation could pierce through the heavens; he charged into the demon realm, entered the demonic path, and directly called upon the heaven and earth to change his appearance. The code word is not easy, I hope that everyone will support me! Welcome to the "Traveler's Fellow" 294786038. Close]
Author: John C. Charles
Author: John C. Charles
Author: John Saillant
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Author: Yvonne Tasker
Author: Lawrence P. Jackson
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Author: John William Gibson
Author: Henry F. Kletzing
Author: John William Gibson
Author: Jiu YueWenTian