A World of Beasts: A Thirteenth-Century Illustrated Arabic Book on Animals (the Kitāb Na‘t al-Ḥayawān) in the Ibn Bakhtīshū‘ Tradition PDF Download

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A World of Beasts: A Thirteenth-Century Illustrated Arabic Book on Animals (the Kitāb Na‘t al-Ḥayawān) in the Ibn Bakhtīshū‘ Tradition

A World of Beasts: A Thirteenth-Century Illustrated Arabic Book on Animals (the Kitāb Na‘t al-Ḥayawān) in the Ibn Bakhtīshū‘ Tradition PDF Author: Anna Contadini
Publisher: BRILL
ISBN: 9004222650
Category : Reference
Languages : en
Pages : 280

Book Description
The Kitāb Naʿt al-Ḥayawān is the earliest of a group of illustrated manuscripts dealing with the characteristics of animals and their medicinal uses. The present study considers both the confluence of textual traditions within this work and the stylistic and iconographic relationships of its illustrations, which make it a key witness to early thirteenth-century Arab painting. After a re-evaluation of previous approaches, emphasis is placed on relating image to text, on stylistic affiliations, and on the modalities of production, supported by technical analyses undertaken for the first time. In elucidating the particular context of this unique manuscript, the study contributes to our understanding of a critical period in the development of Middle Eastern painting and art.

A World of Beasts: A Thirteenth-Century Illustrated Arabic Book on Animals (the Kitāb Na‘t al-Ḥayawān) in the Ibn Bakhtīshū‘ Tradition

A World of Beasts: A Thirteenth-Century Illustrated Arabic Book on Animals (the Kitāb Na‘t al-Ḥayawān) in the Ibn Bakhtīshū‘ Tradition PDF Author: Anna Contadini
Publisher: BRILL
ISBN: 9004222650
Category : Reference
Languages : en
Pages : 280

Book Description
The Kitāb Naʿt al-Ḥayawān is the earliest of a group of illustrated manuscripts dealing with the characteristics of animals and their medicinal uses. The present study considers both the confluence of textual traditions within this work and the stylistic and iconographic relationships of its illustrations, which make it a key witness to early thirteenth-century Arab painting. After a re-evaluation of previous approaches, emphasis is placed on relating image to text, on stylistic affiliations, and on the modalities of production, supported by technical analyses undertaken for the first time. In elucidating the particular context of this unique manuscript, the study contributes to our understanding of a critical period in the development of Middle Eastern painting and art.
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