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Author: Peter B. Murray Publisher: University of Pennsylvania Press ISBN: 1512804843 Category : Literary Criticism Languages : en Pages : 276
Book Description
Cyril Tourneur was a significant Jacobean poet and dramatist, yet until now there has been now full scale interpretation of his works. Critics have perhaps hesitated to undertake such a study because much of Tourneur's writing has been regarded as neurotic self-expression rather than art, and almost nothing is known of his life. In this penetrating study, however, Peter B. Murray analyzes the art and relates them to the artistic conventions and the thought of their day. Murray finds that Tourneur was not a neurotic but an objective, artistic craftsman. In both techniques and themes, Tourneur emerges as a defender of Elizabethan ideals—a follower of Spenser and Shakespeare and a supporter of the Anglican center against the extremes of Puritanism and atheism. In his study of The Revenger's Tragedy, commonly attributed to Tourneur, Murray turns up new and possibly conclusive linguistic evidence that the play was written by Thomas Middleton and has therefore discussed it apart from Tourneur's work. Murray's examination of The Revenger's Tragedy shows that its author, like Middleton, is a detached ironist and not despairing and obsessed with vice as he has often been supposed to be.
Author: Peter B. Murray Publisher: University of Pennsylvania Press ISBN: 1512804843 Category : Literary Criticism Languages : en Pages : 276
Book Description
Cyril Tourneur was a significant Jacobean poet and dramatist, yet until now there has been now full scale interpretation of his works. Critics have perhaps hesitated to undertake such a study because much of Tourneur's writing has been regarded as neurotic self-expression rather than art, and almost nothing is known of his life. In this penetrating study, however, Peter B. Murray analyzes the art and relates them to the artistic conventions and the thought of their day. Murray finds that Tourneur was not a neurotic but an objective, artistic craftsman. In both techniques and themes, Tourneur emerges as a defender of Elizabethan ideals—a follower of Spenser and Shakespeare and a supporter of the Anglican center against the extremes of Puritanism and atheism. In his study of The Revenger's Tragedy, commonly attributed to Tourneur, Murray turns up new and possibly conclusive linguistic evidence that the play was written by Thomas Middleton and has therefore discussed it apart from Tourneur's work. Murray's examination of The Revenger's Tragedy shows that its author, like Middleton, is a detached ironist and not despairing and obsessed with vice as he has often been supposed to be.
Author: T McAlindon Publisher: Springer ISBN: 134910180X Category : Literary Criticism Languages : en Pages : 279
Book Description
This book provides an introductory perspective on its subject together with detailed studies of the major non-Shakespearean tragedies. It assumes that the central and most disturbing insights of the plays were expressed in terms of the thought patterns of the time.
Author: Cyril Tourneur Publisher: U of Nebraska Press ISBN: 9780803252844 Category : Fiction Languages : en Pages : 168
Book Description
"An intense and horrible view of life."--T. S. Eliot "This drama must now be acknowledged, for dramtic power, for coherence of structure, for astonishing compression and consistency of language, and for superb unity of tone, surpassed in the whole Elizabethan repertory by only the few greatest plays."--Lawrence J. Ross In the family of passions none is more patient than hate. This masterpiece of the Elizabethan stage, first published in 1607, is a study of debauchery, deep offense, and the high cost of revenge. It is often compared to Hamlet for its relentless tension and its lecherous royalty. Its protagonist, Vindice, is one of the most memorable characters in all of Renaissance theater, a murderer who will not let a single enemy remain alive.
Author: Gary Taylor Publisher: Oxford University Press ISBN: 0198185707 Category : Drama Languages : en Pages : 1185
Book Description
A comprehensive companion to 'The Collected Works of Thomas Middleton', providing detailed introductions to and full editorial apparatus for the works themselves as well as a wealth of information about Middleton's historical and literary context.
Author: Timothy Haglund Publisher: Rowman & Littlefield ISBN: 1498575463 Category : Political Science Languages : en Pages : 179
Book Description
Francois Rabelais wrote Gargantua and Pantagruel at the height of the Renaissance, when top-caliber thinkers aimed to unite the best of freshly rediscovered ancient Greco-Roman theory and practice and transform politics. Through his work, Rabelais offers his unique understanding of ancient philosophy and political thought. This book considers the role of fortune as the key to understanding Rabelais, much in the manner of contemporaries such as Machiavelli. The two could not be more different, however. Throughout his writings, Rabelais attempts to restore respect for the goddess Fortuna through a cheerful restatement of the case for the sober classical attitude toward future things. As Rabelais’s headstrong character Panurge seeks counsel regarding his marriage prospects, various authorities repeatedly warn him that cuckoldry and spousal abuse await. Panurge looks foolhardy during these admonitions. Far from affirming Machiavelli’s instruction, given in chapter 25 of The Prince, to beat fortune like a woman, Rabelais dramatizes Panurge learning that his future femme may beat him. Through this dramatization, Panurge begins to hear the merits of viewing fortune as an intractable part of life that must be shouldered with the proper inner disposition rather than as an object susceptible of human conquest.
Author: Alan Hager Publisher: Bloomsbury Publishing USA ISBN: 031305259X Category : Literary Criticism Languages : en Pages : 413
Book Description
The 17th century was a time of significant cultural and political change. The era saw the rise of exploration and travel, the growth of the scientific method, and the spread of challenges to conventional religion. Many of these developments occurred in England and North America, and literature of the period reflects the intellectual and emotional fervor of the age. This reference chronicles the lives and works of more than 75 British and American writers of the 17th century. Included are entries on such major canonical authors as Donne, Milton, and Jonson. The volume also covers the writings of such leading thinkers as Hobbes and Locke, along with the works of leading European figures like Galileo and Descartes. Also profiled are numerous significant women writers, including Mary Astell, Aphra Behn, and Anne Killigrew. Each entry is written by an expert contributor and includes a biography, a discussion of major works and themes, a survey of the writer's critical reception, and primary and secondary bibliographies. The volume additionally includes entries on several artists who significantly influenced British and American literary culture.
Author: Daniel Meyer-Dinkgräfe Publisher: Cambridge Scholars Publishing ISBN: 144384876X Category : Performing Arts Languages : en Pages : 325
Book Description
This book brings together essays based on papers presented at the 6th International Conference on Consciousness, Theatre, Literature and the Arts (CTLA), held from June 10 to 12, 2015, at St Francis College, Brooklyn Heights, New York. The conference was attended by seventy delegates from twenty countries across the world – the twenty-three essays collected here come from delegates from twelve of those countries. The range of contributions reflects the variety of material presented and discussed at the conference, across the fields of philosophy, literature, fine arts, music, dance, performance and theatre. The book, the sixth in the series, will appeal to the growing international community of researchers active and interested in the study of literature, theatre and the arts from a consciousness studies perspective.
Author: Imke Pannen Publisher: V&R unipress GmbH ISBN: 389971640X Category : Drama Languages : en Pages : 340
Book Description
Mantic elements are manifold in the English drama of the Renaissance period: they are supernatural manifestations and have a prophetic, future-determining function within the dramatic plot, which can be difficult to discern. Addressing contemporaries of Shakespeare, this study interprets a representative number of revenge tragedies, among them The Spanish Tragedy, The White Devil, and The Revenger's Tragedy, to draw general conclusions about the use of mantic elements in this genre. The analysis of the cultural context and the functionalisation of mantic elements in revenge tragedy of the Elizabethan, Jacobean, and Caroline era show their essential function in the construction of the plot. Mantic elements create and stimulate audience expectations. They are not only rhetoric decorum, but structural elements, and convey knowledge about the genre, the fate of which is determined by retaliation. An interpretation of revenge tragedy is only possible if mantic providentialism is taken into account.
Author: Peter B. Murray
Author: Peter B. Murray
Author: Cyril Tourneur
Author: T McAlindon
Author: Cyril Tourneur
Author: Gary Taylor
Author: Timothy Haglund
Author: Alan Hager
Author: T F Wharton
Author: Daniel Meyer-Dinkgräfe
Author: Imke Pannen