Author: British Museum. Department of Printed BooksPublisher:
ISBN:
Category : Music
Languages : en
Pages : 764
Book Description
Catalogue of Printed Music Published Between 1487 and 1800 Now in the British Museum
Author: British Museum. Department of Printed BooksPublisher:
ISBN:
Category : Music
Languages : en
Pages : 764
Book Description
Catalogue of Printed Music Published Between 1487 and 1800 Now in the British Museum: A-K.- v. 2. L-Z and First supplement
Author: British Museum. Department of Printed BooksPublisher:
ISBN:
Category : Music
Languages : en
Pages : 788
Book Description
A Sonata [in G] for the Piano Forte or Harpsichord with Accompaniments for a Violin and Violoncello. [Parts.]
![A Sonata [in G] for the Piano Forte or Harpsichord with Accompaniments for a Violin and Violoncello. [Parts.] PDF](https://books.google.com/books/content/images/frontcover/gecQMOZWNQAC?fife=w80-h100)
Author: Adalbert GyrowetzCatalogs
Author: Harold Reeves (Firm)Publisher:
ISBN:
Category : Music
Languages : en
Pages : 620
Book Description
Catalogue of Printed Music in the Library of the Royal College of Music, London
Author: Royal College of Music (Great Britain)Publisher:
ISBN:
Category : Music
Languages : en
Pages : 380
Book Description
The Catalogue of Printed Music in the British Library to 1980
Author: British Library. Department of Printed BooksPublisher:
ISBN:
Category : Music
Languages : en
Pages : 444
Book Description
The National Union Catalog, Pre-1956 Imprints
Author: Library of CongressPublisher:
ISBN:
Category : Catalogs, Union
Languages : en
Pages : 712
Book Description
Complete Encyclopædia of Music
Author: John Weeks MoorePublisher:
ISBN:
Category : Music
Languages : en
Pages : 1022
Book Description
Muzio Clementi and British Musical Culture
Author: Luca Lévi SalaPublisher: Routledge
ISBN: 1351800884
Category : Music
Languages : en
Pages : 258
Book Description
Recent scholarship has vanquished the traditional perception of nineteenth-century Britain as a musical wasteland. In addition to attempting more balanced assessments of the achievements of British composers of this period, scholars have begun to explore the web of reciprocal relationships between the societal, economic and cultural dynamics arising from the industrial revolution, the Napoleonic wars, and the ever-changing contours of British music publishing, music consumption, concert life, instrument design, performance practice, pedagogy and composition. Muzio Clementi (1752–1832) provides an ideal case-study for continued exploration of this web of relationships. Based in London for much of his life, whilst still maintaining contact with continental developments, Clementi achieved notable success in a diversity of activities that centred mainly on the piano. The present book explores Clementi’s multivalent contribution to piano performance, pedagogy, composition and manufacture in relation to British musical life and its international dimensions. An overriding purpose is to interrogate when, how and to what extent a distinctive British musical culture emerged in the early nineteenth century. Much recent work on Clementi has centred on the Italian National Edition of his complete works (MiBACT); several chapters report on this project, whilst continuing to pursue the book’s broader themes.
Author: John William Moore