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Author: J. Michael Barrier Publisher: Smithsonian Books (DC) ISBN: Category : Architecture Languages : en Pages : 336
Book Description
Reproductions from their first comic-book printings for such characters as Superman, Batman, Scribbly, Plastic Man, Captain Marvel, Little Lulu, Donald Duck, Pogo, and The Spirit.
Author: J. Michael Barrier Publisher: Smithsonian Books (DC) ISBN: Category : Architecture Languages : en Pages : 336
Book Description
Reproductions from their first comic-book printings for such characters as Superman, Batman, Scribbly, Plastic Man, Captain Marvel, Little Lulu, Donald Duck, Pogo, and The Spirit.
Author: J. Michael Barrier Publisher: ISBN: Category : Batman (Comic strip) Languages : en Pages : 344
Book Description
Reproductions from their first comic-book printings for such characters as Superman, Batman, Scribbly, Plastic Man, Captain Marvel, Little Lulu, Donald Duck, Pogo, and The Spirit.
Author: Cord A Scott Publisher: Naval Institute Press ISBN: 1612514782 Category : History Languages : en Pages : 214
Book Description
Illustration has been an integral part of human history. Particularly before the advent of media such as photography, film, television, and now the Internet, illustrations in all their variety had been the primary visual way to convey history. The comic book, which emerged in its modern form in the 1930s, was another form of visual entertainment that gave readers, especially children, a form of escape. As World War II began, however, comic books became a part of propaganda as well, providing information and education for both children and adults. This book looks at how specific comic books of the war genre have been used to display patriotism, adventure through war stories, and eventually to tell of the horrors of combat—from World War II through the current conflicts in Iraq and Afghanistan in the first decade of the twenty-first century. This book also examines how war-and patriotically-themed comics evolved from soldier-drawn reflections of society, eventually developing along with the broader comic book medium into a mirror of American society during times of conflict. These comic books generally reflected patriotic fervor, but sometimes they advanced a specific cause. As war comic books evolved along with American society, many also served as a form of protest against United States foreign and military policy. During the country’s most recent wars, however, patriotism has made a comeback, at the same time that the grim realities of combat are depicted more realistically than ever before. The focus of the book is not only on the development of the comic book medium, but also as a bell-weather of society at the same time. How did they approach the news of the war? Were people in favor or against the fighting? Did the writers of comics promote a perception of combat or did they try to convey the horrors of war? All of these questions were important to the research, and serve as a focal point for what has been researched only in limited form previously. The conclusions of the book show that comic books are more than mere forms of entertainment. Comic books were also a way of political protest against war, or what the writers felt were wider examples of governmental abuse. In the post 9/11 era, the comic books have returned to their propagandistic/patriotic roots.
Author: Michael Barrier Publisher: Univ of California Press ISBN: 0520283902 Category : Art Languages : en Pages : 432
Book Description
Funnybooks is the story of the most popular American comic books of the 1940s and 1950s, those published under the Dell label. For a time, “Dell Comics Are Good Comics” was more than a slogan—it was a simple statement of fact. Many of the stories written and drawn by people like Carl Barks (Donald Duck, Uncle Scrooge), John Stanley (Little Lulu), and Walt Kelly (Pogo) repay reading and rereading by educated adults even today, decades after they were published as disposable entertainment for children. Such triumphs were improbable, to say the least, because midcentury comics were so widely dismissed as trash by angry parents, indignant librarians, and even many of the people who published them. It was all but miraculous that a few great cartoonists were able to look past that nearly universal scorn and grasp the artistic potential of their medium. With clarity and enthusiasm, Barrier explains what made the best stories in the Dell comic books so special. He deftly turns a complex and detailed history into an expressive narrative sure to appeal to an audience beyond scholars and historians.
Author: Milt Gross Publisher: Gefen Books ISBN: 9781600105463 Category : American wit and humor, Pictorial Languages : en Pages : 0
Book Description
Contains reprints of the comic art of Milt Gross and a detailed biography of the artist with rare cartoons, advertisements, still photographs, and more. Features a fold-in introduction by "Mad" magazine's Al Jaffee.
Author: Thierry Smolderen Publisher: Univ. Press of Mississippi ISBN: 1617039098 Category : Literary Criticism Languages : en Pages : 175
Book Description
In The Origins of Comics: From William Hogarth to Winsor McCay, Thierry Smolderen presents a cultural landscape whose narrative differs in many ways from those presented by other historians of the comic strip. Rather than beginning his inquiry with the popularly accepted "sequential art" definition of the comic strip, Smolderen instead wishes to engage with the historical dimensions that inform that definition. His goal is to understand the processes that led to the twentieth-century comic strip, the highly recognizable species of picture stories that he sees crystallizing around 1900 in the United States. Featuring close readings of the picture stories, caricatures, and humoristic illustrations of William Hogarth, Rodolphe Töpffer, Gustave Doré, and their many contemporaries, Smolderen establishes how these artists were immersed in a very old visual culture in which images—satirical images in particular—were deciphered in a way that was often described as hieroglyphical. Across eight chapters, he acutely points out how the effect of the printing press and the mass advent of audiovisual technologies (photography, audio recording, and cinema) at the end of the nineteenth century led to a new twentieth-century visual culture. In tracing this evolution, Smolderen distinguishes himself from other comics historians by following a methodology that explains the present state of the form of comics on the basis of its history, rather than presenting the history of the form on the basis of its present state. This study remaps the history of this influential art form.
Author: John Carlin Publisher: Yale University Press ISBN: 030011317X Category : Art Languages : en Pages : 341
Book Description
Presents the work of America's most popular and influential comic artists, and includes critical essays accompanying each artist's drawings.
Author: J. Michael Barrier
Author: J. Michael Barrier
Author: J. Michael Barrier
Author: J. Michael Barrier
Author: J. Michael Barrier
Author: Cord A Scott
Author: Michael Barrier
Author: Milt Gross
Author: Thierry Smolderen
Author: John Carlin
Author: Bradford W. Wright