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A Renaissance Likeness

A Renaissance Likeness PDF Author: Loren Partridge
Publisher: Univ of California Press
ISBN: 0520333675
Category : Religion
Languages : en
Pages : 214

Book Description
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1980.

A Renaissance Likeness

A Renaissance Likeness PDF Author: Loren Partridge
Publisher: Univ of California Press
ISBN: 0520333675
Category : Religion
Languages : en
Pages : 214

Book Description
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1980.

Likeness and Presence

Likeness and Presence PDF Author: Hans Belting
Publisher: University of Chicago Press
ISBN: 9780226042152
Category : Art
Languages : en
Pages : 692

Book Description
Before the Renaissance and Reformation, holy images were treated not as "art" but as objects of veneration which possessed the tangible presence of the Holy. the faithful believed that these images served as relics and were able to work miracles, deliver oracles, and bring victory to the battlefield. In this magisterial book, Hans Belting traces the long history of the sacral image and its changing role--from surrogate for the represented image to an original work of art--in European culture. Likeness and Presence looks at the beliefs, superstitions, hopes, and fears that come into play as people handle and respond to sacred images, and presents a compelling interpretation of the place of the image in Western history. -- Back cover

A Renaissance Likeness Art and Culture in Raphael's Julius II

A Renaissance Likeness Art and Culture in Raphael's Julius II PDF Author: Loren Partridge
Publisher: Createspace Independent Publishing Platform
ISBN: 9781530722501
Category :
Languages : en
Pages : 210

Book Description
A Renaissance Likeness Art and Culture in Raphael's Julius II by Loren Partridge. This book is a reproduction of the original book published in 1979 and may have some imperfections such as marks or hand-written notes.

In Our Image and Likeness

In Our Image and Likeness PDF Author: Charles Edward Trinkaus
Publisher:
ISBN: 9780268011734
Category : Human beings
Languages : en
Pages : 985

Book Description


The Renaissance Portrait

The Renaissance Portrait PDF Author: Patricia Lee Rubin
Publisher: Metropolitan Museum of Art
ISBN: 1588394255
Category : Art, Italian
Languages : en
Pages : 434

Book Description
Published in conjunction with an exhibition held at the Bode-Museum, Berlin, Aug. 25-Nov. 20, 2011, and at the Metropolitan Museum of Art, New York, Dec. 21, 2011-Mar. 18, 2012.

A Renaissance Likeness

A Renaissance Likeness PDF Author: Loren Partridge
Publisher:
ISBN:
Category :
Languages : en
Pages : 159

Book Description


The Likeness of the King

The Likeness of the King PDF Author: Stephen Perkinson
Publisher: University of Chicago Press
ISBN: 0226658791
Category : Art
Languages : en
Pages : 354

Book Description
Anyone who has strolled through the halls of a museum knows that portraits occupy a central place in the history of art. But did portraits, as such, exist in the medieval era? Stephen Perkinson's "The likeness of the king" challenges the canonical account of the invention of modern portrait practices, offering a case against the tendency of recent scholarship to identify likenesses of historical personages as "the first modern portraits". Focusing on the Valois court of France, he argues that local practice prompted shifts in the late medieval understanding of how images could represent individuals and prompted artists and patrons to deploy likeness in a variety of ways.

Art and the Religious Image in El Greco’s Italy

Art and the Religious Image in El Greco’s Italy PDF Author: Andrew R. Casper
Publisher: Penn State Press
ISBN: 0271063068
Category : Art
Languages : en
Pages : 237

Book Description
Art and the Religious Image in El Greco’s Italy is the first book-length examination of the early career of one of the early modern period’s most notoriously misunderstood figures. Born around 1541, Domenikos Theotokopoulos began his career as an icon painter on the island of Crete. He is best known, under the name “El Greco,” for the works he created while in Spain, paintings that have provoked both rapt admiration and scornful disapproval since his death in 1614. But the nearly ten years he spent in Venice and Rome, from 1567 to 1576, have remained underexplored until now. Andrew Casper’s examination of this period allows us to gain a proper understanding of El Greco’s entire career and reveals much about the tumultuous environment for religious painting after the Council of Trent. Art and the Religious Image in El Greco’s Italy is a new book in the Art History Publication Initiative (AHPI), a collaborative grant from the Andrew W. Mellon Foundation. Thanks to the AHPI grant, this book will be available in popular e-book formats.

The Multi-Sensory Image from Antiquity to the Renaissance

The Multi-Sensory Image from Antiquity to the Renaissance PDF Author: Heather Hunter-Crawley
Publisher: Routledge
ISBN: 1315519836
Category : Art
Languages : en
Pages : 210

Book Description
This volume responds to calls in visual and material cultural studies to move beyond the visual and to explore the multi-sensory impact of the image, across a wide range of cultural and historical contexts. What does it mean to practise art history after the material and sensory turns? What is an image, if not a purely visual phenomenon, and how does it prompt non-visual sensory experiences? The multi-sensoriality of the image was a less challenging concept before the ocularcentric modern age, and so this volume brings together a global array of scholars from multiple disciplines to ask these questions of imagery in premodern or non-western contexts, ranging from Minoan palace frescoes, to Roman statues, early church sermons, tombs of Byzantine saints, museum displays of Islamic artefacts of scent, medieval depictions of the voice, and Stuart court masques. Each chapter presents a means of appreciating images beyond the visual, demonstrating the new information and understanding that consequently can be gleaned from their material. As a collection, these chapters offer the student and scholar of art history and visual culture an array of exciting new approaches that can be applied to appreciate the multi-sensoriality of images in any context, as well as prompts for reflection on future directions in the study of imagery. The Multi-Sensory Image thus illustrates that it is not only possible to explore the non-visual impact of images, but imperative.

Art and Identity in Early Modern Rome

Art and Identity in Early Modern Rome PDF Author: Jill Burke
Publisher: Routledge
ISBN: 1351575708
Category : Art
Languages : en
Pages : 314

Book Description
From the late fifteenth to the late seventeenth century, Rome was one of the most vibrant and productive centres for the visual arts in the West. Artists from all over Europe came to the city to see its classical remains and its celebrated contemporary art works, as well as for the opportunity to work for its many wealthy patrons. They contributed to the eclecticism of the Roman artistic scene, and to the diffusion of 'Roman' artistic styles in Europe and beyond. Art and Identity in Early Modern Rome is the first book-length study to consider identity creation and artistic development in Rome during this period. Drawing together an international cast of key scholars in the field of Renaissance studies, the book adroitly demonstrates how the exceptional quality of Roman court and urban culture - with its elected 'monarchy', its large foreign population, and unique sense of civic identity - interacted with developments in the visual arts. With its distinctive chronological span and uniquely interdisciplinary approach, Art and Identity in Early Modern Rome puts forward an alternative history of the visual arts in early modern Rome, one that questions traditional periodisation and stylistic categorisation.