A Portrait Album of the Ottoman Sultans PDF Download

Author: Topkapı Sarayı Müzesi
Publisher:
ISBN: 9789752563377
Category : Sultans
Languages : en
Pages :

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Author: Günsel Renda
Publisher:
ISBN: 9789757844006
Category : Sultans
Languages : en
Pages : 102

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Author: Emine Fetvacı
Publisher: Princeton University Press
ISBN: 0691194254
Category : Art
Languages : en
Pages : 604

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Book Description
The first study of album-making in the Ottoman empire during the seventeenth century, demonstrating the period’s experimentation, eclecticism, and global outlook The Album of the World Emperor examines an extraordinary piece of art: an album of paintings, drawings, calligraphy, and European prints compiled for the Ottoman sultan Ahmed I (r. 1603–17) by his courtier Kalender Paşa (d. 1616). In this detailed study of one of the most important works of seventeenth-century Ottoman art, Emine Fetvacı uses the album to explore questions of style, iconography, foreign inspiration, and the very meaning of the visual arts in the Islamic world. The album’s thirty-two folios feature artworks that range from intricate paper cutouts to the earliest examples of Islamic genre painting, and contents as eclectic as Persian and Persian-influenced calligraphy, studies of men and women of different ethnicities and backgrounds, depictions of popular entertainment and urban life, and European prints depicting Christ on the cross that in turn served as models for apocalyptic Ottoman paintings. Through the album, Fetvacı sheds light on imperial ideals as well as relationships between court life and popular culture, and shows that the boundaries between Ottoman art and the art of Iran and Western Europe were much more porous than has been assumed. Rather than perpetuating the established Ottoman idiom of the sixteenth century, the album shows that this was a time of openness to new models, outside sources, and fresh forms of expression. Beautifully illustrated and featuring all the folios of the original seventy-page album, The Album of the World Emperor revives a neglected yet significant artwork to demonstrate the distinctive aesthetic innovations of the Ottoman court.

Author: Carney E. Gavin
Publisher:
ISBN:
Category :
Languages : en
Pages : 302

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Author: Suraiya N. Faroqhi
Publisher: Cambridge University Press
ISBN: 1316175545
Category : History
Languages : en
Pages : 864

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Volume 2 of The Cambridge History of Turkey examines the period from the conquest of Constantinople in 1453 to the accession of Ahmed I in 1603. During this period, the Ottoman Empire moved into a new phase of expansion, emerging in the sixteenth century as a dominant political player on the world scene. With territory stretching around the Mediterranean from the Adriatic Sea to Morocco, and from the Caucasus to the Caspian Sea, the Ottomans reached the apogee of their military might in a period seen by many later Ottomans, and historians, as a golden age in which the state was strong, the sultan's might unquestionable, and intellectual life and the arts flourishing. In this volume, leading scholars assess the considerable expansion of Ottoman power and effervescence of the Ottoman intellectual and cultural world. They also investigate the challenges that faced the Ottoman state, particularly in the later period, as the empire experienced economic crises, revolts and drawn-out wars.

Author: Carney E. S. Gavin
Publisher:
ISBN:
Category : Turkey
Languages : en
Pages : 302

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Book Description

Author: Elizabeth Rodini
Publisher: Bloomsbury Publishing
ISBN: 1838604847
Category : Art
Languages : en
Pages : 233

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Book Description
In 1479, the Venetian painter Gentile Bellini arrived at the Ottoman court in Istanbul, where he produced his celebrated portrait of Sultan Mehmed II. An important moment of cultural diplomacy, this was the first of many intriguing episodes in the picture's history. Elizabeth Rodini traces Gentile's portrait from Mehmed's court to the Venetian lagoon, from the railway stations of war-torn Europe to the walls of London's National Gallery, exploring its life as a painting and its afterlife as a famous, often puzzling image. Rediscovered by the archaeologist Austen Henry Layard at the height of Orientalist outlooks in Britain, the picture was also the subject of a lawsuit over what defines a “portrait”; it was claimed by Italians seeking to hold onto national patrimony around 1900; and it starred in a solo exhibition in Istanbul in 1999. Rodini's focused inquiry also ranges broadly, considering the nature of historical evidence, the shifting status of authenticity and verisimilitude, and the contemporary political resonance of Old Master paintings. Told as an object biography and imagined as an exploration of art historical methodologies, this book situates Gentile's portrait in evolving dialogues between East and West, uncovering the many and varied ways that objects construct meaning.

Author: Carney E. S. Gavin
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 302

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Book Description

Author: Carney E.S. Gavin
Publisher:
ISBN:
Category :
Languages : en
Pages : 302

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Book Description

Author: Ali Behdad
Publisher: Getty Publications
ISBN: 1606062670
Category : Photography
Languages : en
Pages : 226

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Book Description
The Middle East played a critical role in the development of photography as a new technology and an art form. Likewise, photography was instrumental in cultivating and maintaining Europe’s distinctively Orientalist vision of the Middle East. As new advances enhanced the versatility of the medium, nineteenth-century photographers were able to mass-produce images to incite and satisfy the demands of the region’s burgeoning tourist industry and the appetites of armchair travelers in Europe. In this way, the evolution of modern photography fueled an interest in visual contact with the rest of the world. Photography’s Orientalism offers the first in-depth cultural study of the works of European and non- European photographers active in the Middle East and India, focusing on the relationship between photographic, literary, and historical representations of this region and beyond. The essays explore the relationship between art and politics by considering the connection between the European presence there and aesthetic representations produced by traveling and resident photographers, thereby contributing to how the history of photography is understood.