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Author: Susan L. Greenberg Publisher: Springer ISBN: 3319922467 Category : Literary Criticism Languages : en Pages : 272
Book Description
This original and authoritative book offers a first-ever attempt to define a poetics of the editing arts. It proposes a new field of editing studies, in which the ‘ideal editor’ can be understood in relation to the long-theorised author and reader. The book’s premise is that editing, like other forms of ‘making’, is mostly invisible and can only be brought into full view through a comparative analysis that includes the insights of practitioners. The argument, laid down in careful layers, is supported by a panoramic historical narrative that tracks the shifts in textual authority from religious and secular institutions to the romanticised self of the digital present. The dangers posed by the anti-editing rhetoric of this hybrid romanticism are confronted head-on. To the traditional perception of editing as the imposition of closure, A Poetics of Editing adds a perspective on a dynamic process with a sense of the possible.
Author: Susan L. Greenberg Publisher: Springer ISBN: 3319922467 Category : Literary Criticism Languages : en Pages : 272
Book Description
This original and authoritative book offers a first-ever attempt to define a poetics of the editing arts. It proposes a new field of editing studies, in which the ‘ideal editor’ can be understood in relation to the long-theorised author and reader. The book’s premise is that editing, like other forms of ‘making’, is mostly invisible and can only be brought into full view through a comparative analysis that includes the insights of practitioners. The argument, laid down in careful layers, is supported by a panoramic historical narrative that tracks the shifts in textual authority from religious and secular institutions to the romanticised self of the digital present. The dangers posed by the anti-editing rhetoric of this hybrid romanticism are confronted head-on. To the traditional perception of editing as the imposition of closure, A Poetics of Editing adds a perspective on a dynamic process with a sense of the possible.
Author: Sarah Tremlett Publisher: Intellect (UK) ISBN: 9781789382686 Category : Art Languages : en Pages : 350
Book Description
Set to generate future discussions in the field for years to come, The Poetics of Poetry Film is an encyclopaedic work on the ever-evolving genre of poetry film. Tremlett provides an introduction to the emergence and history of poetry film in a global context, defining and debating terms both philosophically and materially. Including over 40 contributors and showcasing the work of an international array of practitioners, this is an industry bible for anyone interested in poetry, digital media, filmmaking, art and creative writing, as well as poetry filmmakers. Poetry films are a genre of short film, usually combining the three main elements of the poem as: verbal message; the moving film image and diegetic sounds; and additional non-diegetic sounds or music, which create a soundscape. In this book, Tremlett examines the formal characteristics of the poetic in poetry film, film poetry and videopoetry, particularly in relation to lyric voice and time. The volume includes interviews, analysis and a rigorous and thorough investigation of the poetry film, from its origins to the present.
Author: Kyle Schlesinger Publisher: ISBN: 9781937027742 Category : Languages : en Pages : 384
Book Description
Literary Nonfiction. Poetics. Art. The publication of Donald Allen's The New American Poetry in 1960, as well as the Vancouver and Berkeley poetry conferences, sparked a poetic renaissance. It was an era rich in exploration and innovation that articulated a new relationship between form and content. Simultaneously, American artists began working with the book as a creative medium that rivaled the European tradition of the early twentieth century. This book is the first collection of interviews with some of the pioneers working at the intersection of the artists book and experimental writing that continues to this day. Includes interviews with Keith & Rosmaie Waldrop, Tom Raworth, Lyn Hejinian, Alan Loney, Mary Laird, Jonathan Greene, Alastair Johnston, Johanna Drucker, Phil Gallo, Steve Clay, Charles Alexander, Annabel Lee, Inge Bruggeman, Matvei Yankelevich, Anna Moschovakis, Aaron Cohick, and Scott Pierce. Co-published with Cuneiform Press.
Author: Petra Kuppers Publisher: Homofactus Press ISBN: 0978597338 Category : Photography Languages : en Pages : 126
Book Description
A love story for crip culture! By turns playful, unsettling, raw and moving, Cripple Poetics: A Love Story is an immersive and sensual correspondence that builds and heats by accretion-one keystroke at a time. The dance of courtship is reflected in language that alternately snakes and darts, declares and obfuscates, reminisces and forges-finding freedom within its limitations. Cripple Poetics preserves and unfolds the artifacts of an original and timely love story that might otherwise have remained shrouded in a small, forgotten corner of cyberspace.
Author: Mary Selph Publisher: ISBN: Category : Editing Languages : en Pages :
Book Description
This dissertation advances a new theory of the editor. Editors are pervasively influential for shaping our evaluations of all kinds of work, from literature, to news, to scholarship, and beyond. I test my theory on editorial influence in little magazines, providing close readings, recovering historical contexts, and identifying a wide variety of rhetorical affordances available to little magazines' editors. I draw on rhetorical narrative theory, most especially the "implied author" concept, which I build on in order to theorize an "implied editor." I furthermore demonstrate that understanding the authored and edited texts as distinct is important for teasing apart the full breadth of editorial work. This dissertation also proposes a new model of editorship. My model captures (1) the role of the editor, which is a simultaneously author- and audience-oriented role; (2) the importance of poetics; and (3) the dual-streamed creative role of editors. As such, my model captures dynamics not noted elsewhere and enables us to address such questions as: (1) How does editorship differ from authorship? (2) How can we think of the relationship among author, editor, and audience? and (3) How does the ethics of editorship differ from that of authorship? This dissertation further tests my model in conversation with a contemporary little magazine, issue 23 of A Public Space. In so doing, I explore how APS's editor uses editorial textual resources, some of which overlap with authorial textual resources and some of which diverge from them. I also test my theory against the editorial role in Harlem Renaissance little magazines to elucidate the distinctive ways in which editors manifest their respective magazines' purposes, both implicitly and explicitly. In so doing, these editors reveal why we must view the magazines as distinct and holistic entities with potentially competing priorities rather than merely collections of (then) up-and-coming writers and their discrete works. My model of editorship highlights Fire!!'s complex editorial significance. My theory of editorship and its application to these little magazines demonstrates the significance of editorship, particularly in relation to the crafting of uniquely edited texts.
Author: Paul Frosh Publisher: John Wiley & Sons ISBN: 1509532684 Category : Social Science Languages : en Pages : 186
Book Description
Media are poetic forces. They produce and reveal worlds, representing them to our senses and connecting them to our lives. While the poetic powers of media are perceptual, symbolic, social and technical, they are also profoundly moral and existential. They matter for how we reflect upon and act in a shared, everyday world of finite human existence. The Poetics of Digital Media explores the poetic work of media in digital culture. Developing an argument through close readings of overlooked or denigrated media objects – screenshots, tagging, selfies and more – the book reveals how media shape the taken-for-granted structures of our lives, and how they disclose our world through sudden moments of visibility and tangibility. Bringing us face to face with the conditions of our existence, it investigates how the ‘given’ world we inhabit is given through media. This book is important reading for students and scholars of media theory, philosophy of media, visual culture and media aesthetics.
Author: Richard P. Martin Publisher: Myth and Poetics II ISBN: 9781501713101 Category : Greek poetry Languages : en Pages : 540
Book Description
Building on numerous original close readings of works by Homer, Hesiod, and other ancient Greek poets, Richard P. Martin articulates a broad and precise poetics of archaic Greek verse. The ancient Greek hexameter poetry of such works as the Iliad and the Odyssey differ from most modern verbal art because it was composed for live, face-to-face performance, often in a competitive setting, before an audience well versed in mythological and ritual lore. The essays collected here span Martin's acclaimed career and explore ways of reading this poetic heritage using principles and evidence from the comparative study of oral traditions, literary and speech-act theories, and the ethnographic record. Among topics analyzed in depth are the narrative structures of Homer's epics, the Hesiodic Works and Days, and the Homeric Hymn to Apollo; the characterization of poetic and musical performers within the poems; the social context for verses ascribed to the legendary singer Orpheus; the significance of various rituals as stylized by poetic performances; and the interrelations, at the level of diction and theme, among the major genres of epic and hymn, as well as "genres of speaking" such as lament, praise, advice, and proverbial wisdom.
Author: Richard B. Miller Publisher: University of Chicago Press ISBN: 9780226526362 Category : Philosophy Languages : en Pages : 334
Book Description
Did the Gulf War defend moral principle or Western oil interests? Is violent pornography an act of free speech or an act of violence against women? In Casuistry and Modern Ethics, Richard B. Miller sheds new light on the potential of casuistry—case-based reasoning—for resolving these and other questions of conscience raised by the practical quandaries of modern life. Rejecting the packaging of moral experience within simple descriptions and inflexible principles, Miller argues instead for identifying and making sense of the ethically salient features of individual cases. Because this practical approach must cope with a diverse array of experiences, Miller draws on a wide variety of diagnostic tools from such fields as philosophy of science, legal reasoning, theology, literary theory, hermeneutics, and moral philosophy. Opening new avenues for practical reasoning, Miller's interdisciplinary work will challenge scholars who are interested in the intersections of ethics and political philosophy, cultural criticism, and debates about method in religion and morality.
Author: Stephen Corey Publisher: ISBN: Category : Literary Criticism Languages : en Pages : 172
Book Description
Essays. Poetics. Compiled by Stephen Corey and Warren Slesinger. In these essays, the editors of twenty literary magazines discuss the philosophy and practice of selecting poems. Written especially for this collection, each of the essays combines practical information with insightful commentary on the nature of writing and editing and contains an exemplary poem by a contemporary poet. Of interest to those who consider sending out their poems for publication as well as students, teachers, and poets in search of a reliable source of information for creative writing courses. Editors from the following magazines contributed to the revised edition: Alaska Quarterly Review, The American Poetry Review, The Arttioch Review, The Beloit Poetry Journal, The Carolina Quarterly, Chelsea, Crab Orchard Review, The Georgia Review, Hiram Poetry Review, The Iowa Review, The Kenyon Review, The Laurel Review, Lesbian Review, Manoa: A Pacific Journal of International Writing, Many Mountains Moving, New Letters,
Author: Susan L. Greenberg
Author: Susan L. Greenberg
Author: Tom Jenks
Author: Sarah Tremlett
Author: Kyle Schlesinger
Author: Petra Kuppers
Author: Mary Selph
Author: Paul Frosh
Author: Richard P. Martin
Author: Richard B. Miller
Author: Stephen Corey