Author: Thomas MorleyPublisher:
ISBN:
Category :
Languages : en
Pages : 318
Book Description
A Plain and Easy Introduction to Pratical Music, Set Down in Form of a Dialogue, Divided Into Three Parts, the First Teacheth to Sing, the Second Treateth of Descant, the Third Treateth of Composition, by Thomas Morley Batchelor of Music. As Printed in the Year 1597
Author: Thomas MorleyA Plain and Easy Introduction to Practical Music
Author: Thomas MorleyA Plain and Easy Introduction to Practical Music, Set Down in Form of a Dialogue, Divided Into Three Parts, the First Teacheth to Sing, the Second Treateth of Descant, the Third of Composition...
Author: Thomas MorleyA Plain and Easy Introduction to Practical Music, Set Down in Form of a Dialogue
Author: Thomas MorleyPublisher:
ISBN: 9780282443061
Category : Drama
Languages : en
Pages : 310
Book Description
Excerpt from A Plain and Easy Introduction to Practical Music, Set Down in Form of a Dialogue: Divided Into Three Parts, the First Teacheth to Sing, the Second Treateth of Descant, the Third Treated of CompositionLa jol-sol 1a Fahmi la La mi r: 2 N33 La mi - h - Mi la 2 notes. La fol f: 3 notes. 3 notes 2 notes, z c11fl'es 3 notes (fix-arm vt prima Vt re/oi 3 notes.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
A Plain and Easy Introduction to Practical Music, Set Down in Form of a Dialogue, Divided Into Three Parts, the First Teacheth to Sing, the Second Treateth of Descant, the Third Treateth of Composition, As Printed in the Year 1597
Author: Thomas MorleyPublisher: Gale Ecco, Print Editions
ISBN: 9781385569276
Category :
Languages : en
Pages : 306
Book Description
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library T101048 The titlepage is engraved. With an appendix of motets, engraved throughout, also published separately. The printer's name from the colophon. With a list of subscribers including the name of the compositor and printer of the book, Arthur Burton. London: now reprinted [by George Bigg] for William Randall successor to the late Mr. J. Walsh, 1771. [10], iv,257, [3],29, [1]p.: music; 4°
הצצה לעולמו ויצירתו של יצחק בשביס זינגר
Author: A Plaine and Easie Introduction to Practicall Musicke
Author: Thomas MorleyPublisher: Forgotten Books
ISBN: 9780282615208
Category : Drama
Languages : en
Pages : 228
Book Description
Excerpt from A Plaine and Easie Introduction to Practicall Musicke: Set Downe in Forme of a Dialogue Divided Into Three Parts Pm. You haue declared the Moode: vfed in old times (0 plainely that I long to heare the Other fort of the Moodes: and therefore I pray you now explaine them. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
A Plain and Easy Introduction to Practical Music, Set Down in Form of a Dialogue, Divided Into Three Parts ...
Author: Thomas MorleyCatalogue of Early Books on Music (before 1800)
Author: Library of Congress. Music DivisionPublisher:
ISBN:
Category : Music
Languages : en
Pages : 326
Book Description
A Plaine and Easie Introduction to Practicall Musicke
Author: Thomas 1557-1603? MorleyPublisher: Legare Street Press
ISBN: 9781019702574
Category :
Languages : en
Pages : 0
Book Description
Master the art and science of music composition with Thomas Morley. This book offers a comprehensive and engaging introduction to the theory and practice of music, including singing, composition, and descante. It is a must-read for anyone interested in the history and development of Western music. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.