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Author: Marion E. Currier Publisher: Lulu.com ISBN: 1300716835 Category : Fiction Languages : en Pages : 178
Book Description
Years after a devastating earthquake and smog dome have mellowed the City of Los Angeles into a place where good is good and bad is a thing of the past, best friends Carmina and Reva are itching to head for the hills and a night out in Deofol, a town where anything goes. If only Carmina's gut didn't tell her this might not really be such a good idea. Yet when it comes to Reva's pleading vs. Carmina's conscience, Reva wins and before the two friends know it, their simple night of partying turns into a harrowing race against time and the ruthless Sierra Riders. In order to save her best friend's life, Carmina is not only forced to form an uneasy alliance with GX3 lawman Rhyn, but also has to push herself in ways she never thought possible. Good versus evil, it turns out, is much more gray than black and white.
Author: Marion E. Currier Publisher: Lulu.com ISBN: 1300716835 Category : Fiction Languages : en Pages : 178
Book Description
Years after a devastating earthquake and smog dome have mellowed the City of Los Angeles into a place where good is good and bad is a thing of the past, best friends Carmina and Reva are itching to head for the hills and a night out in Deofol, a town where anything goes. If only Carmina's gut didn't tell her this might not really be such a good idea. Yet when it comes to Reva's pleading vs. Carmina's conscience, Reva wins and before the two friends know it, their simple night of partying turns into a harrowing race against time and the ruthless Sierra Riders. In order to save her best friend's life, Carmina is not only forced to form an uneasy alliance with GX3 lawman Rhyn, but also has to push herself in ways she never thought possible. Good versus evil, it turns out, is much more gray than black and white.
Author: Ricardo Piglia Publisher: Restless Books ISBN: 1632062216 Category : Fiction Languages : en Pages : 249
Book Description
From Argentine literary powerhouse Ricardo Piglia, The Way Out is “an offbeat take on the campus novel, full of sex, intrigue, and marginalia” (Kirkus Reviews) that probes the lengths we go to hide our own truths and to uncover the secrets of others. In the mid 1990s Emilio Renzi leaves his unstable life in Argentina to take a visiting position at a prestigious university in New Jersey. Settling in for a semester of academic quietude, he is unexpectedly swept up in a secret romance with his colleague, the brilliant and enigmatic Ida Brown. But their clandestine relationship is cut brutally short by an apparent tragic car accident. Discontented with the police’s lackluster inquiries into Ida’s death, Renzi begins his own investigation. His suspicions are piqued as details emerge about a bizarre string of attacks targeting scientists and researchers. Then a radical manifesto appears in the press threatening continued violence. As he delves deeper into Ida Brown’s past, Renzi discovers a link between her and the terrorist that sets him on a path of no return: he must discover once and for all whether her death was part of a larger pattern and, if so, whether she was a victim or accomplice. Renzi’s quest for truth exposes a darker side of humanity that will force him to confront the systems and culture that could produce such a misguided killer. Praise for The Way Out: “An offbeat take on the campus novel, full of sex, intrigue, and marginalia.” —Kirkus Reviews Praise for The Diaries of Emilio Renzi: “Splendidly crafted and interspliced with essays and stories, this beguiling work is to a diary as Piglia is to “Emilio Renzi”: a lifelong alter ego, a highly self-conscious shadow volume that brings to bear all of Piglia’s prowess as it illuminates his process of critical reading and the inevitable tensions between art and life. Amid meeting redheads at bars, he dissects styles and structures with a surgeon’s precision, turning his gaze on a range of writers, from Plato to Dashiell Hammett, returning time and again to Pavese, Faulkner, Dostoyevsky, Arlt and Borges. Chock-full of lists of books and films he consumed in those voracious early years of call girls, carbon paper, amphetamines and Heidegger, this is an embarrassment of riches — by turns an inspiring master class in narrative analysis, an accounting of the pesos left in his pockets and a novel of Piglia’s grandfather (named Emilio, natch) with his archive of World War I materials pilfered from Italian corpses…. No previous familiarity with Piglia’s work is needed to appreciate these bibliophilic diaries, adroitly repurposed through a dexterous game of representation and masks that speaks volumes of the role of the artist in society, the artist in his time, the artist in his tradition.” —Mara Faye Lethem, The New York Times Book Review “For the past few years, every Latin American novelist I know has been telling me how lavish, how grand, how transformative was the Argentinian novelist Ricardo Piglia’s final project, a fictional journal in three volumes, Los diarios de Emilio Renzi—Renzi being Piglia’s fictional alter ego. And now here at last is the first volume in English, The Diaries of Emilio Renzi: Formative Years, translated by Robert Croll. It’s something to be celebrated… [It] offer[s] one form of resistance to encroaching fascism: style.” —Adam Thirlwell, BookForum, The Best Books of 2017 “[A] masterpiece…. everything written by Ricardo Piglia, which we read as intellectual fabrications and narrated theories, was partially or entirely lived by Emilio Renzi. The visible, cerebral chronicles hid a secret history that was flesh and bones.” —Jorge Carrión, The New York Times “A valediction from the noted Argentine writer, known for bringing the conventions of hard-boiled U.S. crime drama into Latin American literature...Fans of Cortázar, Donoso, and Gabriel García Márquez will find these to be eminently worthy last words from Piglia." —Kirkus Reviews, Starred Review “When young Ricardo Piglia wrote the first pages of his diaries, which he would work on until the last years of his life, did he have any inkling that they would become a lesson in literary genius and the culmination of one of the greatest works of Argentine literature?” —Samanta Schweblin, author of Fever Dream “Ricardo Piglia, who passed away earlier this year at age seventy-five, is celebrated as one of the giants of Argentine literature, a rightful heir to legends like Borges, Cortázar, Juan Jose Saer, and Roberto Arlt. The Diaries of Emilio Renzi is his life's work...An American equivalent might be if Philip Roth now began publishing a massive, multi-volume autobiography in the guise of Nathan Zuckerman…It is truly a great work...This is a fantastic, very rewarding read—it seems that Piglia has found a form that can admit everything he has to say about his life, and it is a true pleasure to take it in.” —Veronica Esposito, BOMB Magazine “In 1957, Argentinian writer Ricardo Piglia started to write what would become 327 notebooks filled with the thoughts of his alter ego, Emilio Renzi. Piglia’s final literary act before his death in January 2017 was to organize and publish these works as Renzi’s diaries. Formative Years, the first of three volumes, covers the years 1957 to 1967, detailing Renzi’s development into a central figure of Argentine literary culture. In epigrammatic diary entries filled with memorable observations, Piglia details Renzi’s political education, relationships, views on Argentinian politics, and experiences during this remarkably productive era of Latin American fiction. As a fictionalized autobiography, it is, like the work of Karl Ove Knausgaard, of My Struggle fame, part confession and part performance. Renzi meets and corresponds with literary luminaries like Borges, Cortázar, and Márquez, and offers insightful readings of Dostoevsky, Kafka, Faulkner, and Joyce. Ilan Stavans (Quixote: The Novel and the World, 2015) provides a wonderfully informative introduction. Fans of W.G. Sebald and Roberto Bolaño will find the first installment in Piglia’s trilogy to be a fascinating portrait of a writer’s life.” —Alexander Moran, Booklist "Here through the Boom and Bolaño breech storms Ricardo Piglia, not just a great Latin American writer but a great writer of the American continent. Composed across his entire career, The Diaries of Emilio Renzi is Piglia's secret story of his shadow self—a book of disquiet and love and literary obsession that blurs the distinctness of each and the other." —Hal Hlavinka, Community Bookstore (Brooklyn, NY) “In this fictionalized autobiography, Piglia’s ability to succinctly criticize and contextualize major writers from Kafka to Flannery O’Connor is astounding, and the scattering of those insights throughout this diary are a joy to read. This book is essential reading for writers.” —Publishers Weekly “The Diaries of Emilio Renzi is a rare glimpse into the heart of twentieth-century Latin American literature, with the inimitable Ricardo Piglia as tour guide. More than just a traditional diary, Renzi is an illuminating voyage into the hearts of books and writers and history. An inspiring work and an important achievement.” —Mark Haber, Brazos Bookstore (Houston, TX) “The great Argentine writer…. In a career that spanned four decades, during which he became one of Latin America’s most distinctive literary voices.” —Alejandro Chacoff, The New Yorker “The Diaries of Emilio Renzi continue to be a fascinating literary-autobiographical experiment ... and, especially, a wonderful immersion in literature itself. Of particular interest in showing the transition of Latin American (and specifically Argentine) literature—no longer: "out of sync, behind, out of place"—Piglia's range extends far beyond that too. Yes, most of this is presumably mainly of interest to the similarly literature-obsessed—but Piglia makes it hard to imagine who wouldn't be.” — M. A. Orthofer, The Complete Review
Author: Sofie Kelly Publisher: Penguin ISBN: 0440001153 Category : Fiction Languages : en Pages : 306
Book Description
In the charming town of Mayville Heights, librarian Kathleen Paulson and her two cats pounce on clues to catch a killer, in the eleventh installment of this New York Times bestselling series. Spring is coming to Mayville Heights, and Kathleen’s brother, Ethan, has arrived in town with his band, The Flaming Gerbils. But not everything goes as scheduled when one of Ethan’s bandmates gets into a fight with a man interested in investing in the town. When the businessman’s body is later found, Ethan’s friend is implicated in the crime. Kathleen wants to help her brother by solving the case, but she has no shortage of suspects from which to choose. Prior to his death, the investor was fighting like cats and dogs with lots of people. If this librarian wants more than a whisker’s chance of solving the case, she will need to rely on her trusty feline sidekicks, Owen and Hercules.
Author: James Litherland Publisher: Outpost Stories ISBN: Category : Fiction Languages : en Pages : 367
Book Description
In this dystopian future Japan, a few brave souls take on a corrupt system—from the inside. In the shadow of Mt. Fuji, the oppressive Batsu government controls the rebuilding of a devastated country, bestowing boons on privileged citizens while leaving the rest to fend for themselves on the fringes. After a disastrous job ends with Batsu enforcers hunting him, reformed thief Roshike runs—right into the heart of their regime, the fortified Gaku complex, to take on an almost impossible task. And he just might stand a slim chance of success, if only he’ll accept some help. But first he has to figure out who to trust. An unusual revolution has begun… Get all 3 novels of adventure and revolution in 1 huge volume! (*Contains the complete text of Miraibanashi Book 1: Code of the Kyoushi, Book 2: Enemies of the Batsu, and Book 3: Endurance of the Free.)
Author: D. L. Edgett Publisher: WestBow Press ISBN: 1490804234 Category : Fiction Languages : en Pages : 108
Book Description
There is a horrific and demonic battle going on right now to steal and deceive your immortal souls. Unsuspecting Rachael, a runaway, finds herself caught up in the midst of a battle beyond anything she could have known possible. As she is trapped alone on a mountain in a serene place, things take a terrifying turn as she struggles to escape alive.
Author: Ruth McEnery Stuart Publisher: Good Press ISBN: Category : Fiction Languages : en Pages : 120
Book Description
'Solomon Crow's Christmas Pockets and Other Tales' is a collection of short stories written by Ruth McEnery Stuart. The stories are mostly Christmas-themed or that of other Christian holidays. A total of ten stories may be found within this book's pages, some of which bearing these titles: 'Old Easter', 'The Freys' Christmas Party', and 'Duke's Christmas'.
Author: Benjamin Katz Publisher: Xlibris Corporation ISBN: 1984588796 Category : Social Science Languages : en Pages : 281
Book Description
We belong to a gullible, partly delusional/hallucinating, self-destructive species: Homo sapiens. First, we create the conditions for global catastrophes including epidemics by following unsustainable policies, and then, as we are hit—as the COVID-19 pandemic shows—we react often too late, confused and short-sighted. Hence, we badly need a new, evolved global vision/mission to steer away from our innate and self-destructive shortcomings and flaws. This book includes two parts. Book One tells my true/legendary story with the Green Man, describing how such a vision/mission was conceived. Book Two describes a tour de force beyond Homo sapiens’s current wisdom, ultimate meaning, and fixed destiny, leading to the abovementioned new, evolved vision for a future civilization, which will focus on saving us from ourselves.
Author: Kara Anne Gardner Publisher: Oxford University Press ISBN: 0199997845 Category : Music Languages : en Pages : 258
Book Description
This book explores the Broadway legacy of choreographer Agnes de Mille, from the 1940s through the 1960s. Six musicals are discussed in depth - Oklahoma!, One Touch of Venus, Bloomer Girl, Carousel, Brigadoon, and Allegro. Oklahoma!, Carousel, and Brigadoon were de Mille's most influential and lucrative Broadway works. The other three shows exemplify aspects of her legacy that have not been fully examined, including the impact of her ideas on some of the composers with whom she worked; her ability to incorporate a previously conceived work into the context of a Broadway show; and her trailblazing foray into the role of choreographer/director. Each chapter emphasizes de Mille's unique contributions to the original productions. Several themes emerge in looking closely at de Mille's Broadway repertoire. Character development remained at the heart of her theatrical work work. She often took minor characters, represented with minimal or no dialogue, and fleshed out their stories. These stories added a layer of meaning that resulted in more complex productions. Sometimes, de Mille's stories were different from the stories her collaborators wanted to tell, which caused many conflicts. Because her unique ideas often got woven into the fabric of her musicals, de Mille saw her choreography as an authorship. She felt she should be given the same rights as the librettist and the composer. De Mille's work as an activist is an aspect of her legacy that has largely been overlooked. She contributed to revisions in dance copyright law and was a founding member of the Stage Directors and Choreographers Society, a theatrical union that protects the rights of directors and choreographers. Her contention that choreographers are authors who have their own stories to tell offers a new way of understanding the Broadway musical.
Author: Marion E. Currier
Author: Marion E. Currier
Author: Ricardo Piglia
Author: Sofie Kelly
Author: James Litherland
Author: D. L. Edgett
Author: Ruth McEnery Stuart
Author: Benjamin Katz
Author: James Hogg
Author: 
Author: Kara Anne Gardner