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Author: Iain Fraser Grigor Publisher: Andrews UK Limited ISBN: 1849890420 Category : Fiction Languages : en Pages : 283
Book Description
A Nation in Want of a Grievance takes its name from a 19th century editorial in the Times newspaper. It consists of a collection of 35 essays written in Scotland around the end of the 20th century and the start of the present 21st century. Some of these are directly concerned with Scotland, some are not. Some are documentary in character, others are fictional. The first essay is a memoir, in a spirit of fictionised reportage, of the last herring-fishery on the west coast of Scotland – a fishery in which the author took part as a trawler deck-hand. A second piece in the collection is a re-jig of Lady Gregory's famous little one-act play, The Rising of the Moon, which has been re-written and located in the post-Jacobite Highlands of 1746. One piece of extended and research-intensive journalism examines in detail the long record of landlord chicanery relating to popular access to the waters of Loch Morar in western Lochaber. Another piece draws extensively on French and Spanish resources to tell the story – so far as it can be told – of Duncan Stewart of Balquidder, private doctor to Le Roi Christophe, the famous monarch of post-revolutionary Haiti. Oysters from Sweetings, meanwhile, is a fictional comment on modern Scotland in the style of John Buchan. The collection ends with two newspaper editorials. One, from a post-war edition of the Scotsman newspaper, is fictional, and relates to the forced merger of the churches of Scotland and England. The other is the Times editorial from the 19th century, in which Scotland is castigated as a nation in want of a grievance.
Author: Iain Fraser Grigor Publisher: Andrews UK Limited ISBN: 1849890420 Category : Fiction Languages : en Pages : 283
Book Description
A Nation in Want of a Grievance takes its name from a 19th century editorial in the Times newspaper. It consists of a collection of 35 essays written in Scotland around the end of the 20th century and the start of the present 21st century. Some of these are directly concerned with Scotland, some are not. Some are documentary in character, others are fictional. The first essay is a memoir, in a spirit of fictionised reportage, of the last herring-fishery on the west coast of Scotland – a fishery in which the author took part as a trawler deck-hand. A second piece in the collection is a re-jig of Lady Gregory's famous little one-act play, The Rising of the Moon, which has been re-written and located in the post-Jacobite Highlands of 1746. One piece of extended and research-intensive journalism examines in detail the long record of landlord chicanery relating to popular access to the waters of Loch Morar in western Lochaber. Another piece draws extensively on French and Spanish resources to tell the story – so far as it can be told – of Duncan Stewart of Balquidder, private doctor to Le Roi Christophe, the famous monarch of post-revolutionary Haiti. Oysters from Sweetings, meanwhile, is a fictional comment on modern Scotland in the style of John Buchan. The collection ends with two newspaper editorials. One, from a post-war edition of the Scotsman newspaper, is fictional, and relates to the forced merger of the churches of Scotland and England. The other is the Times editorial from the 19th century, in which Scotland is castigated as a nation in want of a grievance.
Author: Okwui Enwezor Publisher: Phaidon Press ISBN: 9781838661298 Category : Art Languages : en Pages : 0
Book Description
A timely and urgent exploration into the ways artists have grappled with race and grief in modern America, conceived by the great curator Okwui Enwezor Featuring works by more than 30 artists and writings by leading scholars and art historians, this book - and its accompanying exhibition, both conceived by the late, legendary curator Okwui Enwezor - gives voice to artists addressing concepts of mourning, commemoration, and loss and considers their engagement with the social movements, from Civil Rights to Black Lives Matter, that black grief has galvanized. Artists included: Terry Adkins, Jean-Michel Basquiat, Kevin Beasley, Dawoud Bey, Mark Bradford, Garrett Bradley, Melvin Edwards, LaToya Ruby Frazier, Charles Gaines, Theaster Gates, Ellen Gallagher, Arthur Jafa, Daniel LaRue Johnson, Rashid Johnson, Jennie C. Jones, Kahlil Joseph, Deana Lawson, Simone Leigh, Glenn Ligon, Kerry James Marshall, Julie Mehretu, Tiona Nekkia McClodden, Okwui Okpokwasili, Adam Pendleton, Julia Phillips, Howardena Pindell, Cameron Rowland, Lorna Simpson, Sable Elyse Smith, Tyshawn Sorey, Diamond Stingily, Henry Taylor, Hank Willis Thomas, Kara Walker, Nari Ward, Carrie Mae Weems, and Jack Whitten. Essays by Elizabeth Alexander, Naomi Beckwith, Judith Butler, Ta-Nehisi Coates, Massimiliano Gioni, Saidiya Hartman, Juliet Hooker, Glenn Ligon, Mark Nash, Claudia Rankine, and Christina Sharpe.
Author: Nicole Mansfield Wright Publisher: JHU Press ISBN: 1421433753 Category : Literary Criticism Languages : en Pages : 225
Book Description
A critique of attempts by conservative eighteenth- and nineteenth-century authors to appropriate the rhetoric of victimhood and appeals to "rights" to safeguard the status of the powerful. As revolution and popular unrest roiled the final decades of the eighteenth century, authors, activists, and philosophers across the British Empire hailed the rise of the liberal subject, valorizing the humanity of the marginalized and the rights of members of groups long considered inferior or subhuman. Yet at the same time, a group of conservative authors mounted a reactionary attempt to cultivate sympathy for the privileged. In Defending Privilege, Nicole Mansfield Wright examines works by Tobias Smollett, Charlotte Smith, Walter Scott, and others to show how conservatives used the rhetoric of victimhood in attempts to convince ordinary readers to regard a privileged person's loss of legal agency as a catastrophe greater than the calamities and legally sanctioned exclusion suffered by the poor and the enslaved. In promoting their agenda, these authors resuscitated literary modes regarded at the time as derivative or passé—including romance, the gothic, and epistolarity—or invented subgenres that are neglected today due to widespread revilement of their politics (the proslavery novel). Although these authors are not typically considered alongside one another in scholarship, they are united by their firsthand experience of legal conflict: each felt that their privilege was degraded through lengthy disputes. In examining the work of these eighteenth- and early nineteenth-century authors, Wright traces a broader reactionary framework in the Anglophone literary legacy. Each novel seeks to reshape and manipulate public perceptions of who merits legal agency: the right to initiate a lawsuit, serve as a witness, seek counsel from a lawyer, and take other legal actions. As a result, Defending Privilege offers a counterhistory to scholarship on the novel's capacity to motivate the promulgation of human rights and champion social ascendance through the upwardly mobile realist character.
Author: Iain Fraser Grigor
Author: Iain Fraser Grigor
Author: RECAPITULATION.
Author: Ireland
Author: 
Author: John Trusler
Author: United States. Congress. Senate. Committee on the Judiciary
Author: Okwui Enwezor
Author: Nicole Mansfield Wright
Author: England and Wales. Parliament
Author: England