A Moving Picture Giving and Taking Book PDF Download

Author: Stan Brakhage
Publisher:
ISBN:
Category : Amateur films
Languages : en
Pages : 84

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Author: Stan Brakhage
Publisher:
ISBN:
Category : Amateur films
Languages : en
Pages : 18

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Author: Terry Pratchett
Publisher: Random House
ISBN: 1407034731
Category : Fiction
Languages : en
Pages : 402

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Book Description
'HOLY WOOD IS A DIFFERENT SORT OF PLACE . . . HERE, THE MOST IMPORTANT THING IS TO BE IMPORTANT.' A new phenomenon is taking over the Discworld: moving pictures. Created by the alchemists of Ankh-Morpork, the growing 'clicks' industry moves to the sandy land of Holy Wood, attracted by the light of the sun and some strange calling no one can quite put their finger on... Also drawn to Holy Wood are aspiring young stars Victor Tugelbend, a wizarding student dropout, and Theda 'Ginger' Withel, a small-town girl with big dreams. But behind the glitz and glamour of the clicks, a sinister presence lurks. Because belief is powerful in the Discworld, and sometimes downright dangerous... The magic of movies might just unravel reality itself. 'Funny, delightfully inventive, and refuses to lie down in its genre' - Observer The Discworld novels can be read in any order but Moving Pictures is a standalone.

Author: Michael Wood
Publisher: Oxford University Press, USA
ISBN: 0192803530
Category : Art
Languages : en
Pages : 153

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Book Description
Film is considered to be the dominant art form of the twentieth century. It can be considered many other things; a record of events, a modern mythology, a career, an industry, an art, a hobby, and much else. Michael Wood explores the history of film, its venture into the digital age, and its role and impact on modern society.

Author: Richard Grossinger
Publisher: North Atlantic Books
ISBN: 1583949933
Category : Literary Collections
Languages : en
Pages : 697

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Book Description
Io Anthology celebrates the fiftieth anniversary of this formative journal and commemorates its role in opening a path to decades of innovative publishing. Bringing together in one volume the quirky blend of artistic and scholarly writing that characterized the literary journal, this book is a “greatest hits” collection of the major pieces published from 1965 to 1993. It features very early work from Stephen King, Gary Snyder, Jayne Anne Phillips, and many others, with forewords by writer and filmmaker Miranda July and historical ecologist Robin Grossinger, the daughter and son of the editors, who grew up with Io and were in part initiated in their careers by its household presence. Io forged an eclectic path through the upheaveals of the 1960s in art, literature, science, and the life of the spirit with writing that embraced astrophysics, science fiction, parapsychology, topology, poetry from Black Mountain, Beat, and New American traditions, wisdom from Hopi and Iglulik elders, homeopathy, hermetics, alchemy and the occult, astrology, Tibetan Buddhism, and Sufism. Portraying the roots and spirit which impelled Io to evolve into a publishing company, this volume shows the seriousness and depth of content which continues to enliven North Atlantic Books.

Author: Marco Lori
Publisher: Indiana University Press
ISBN: 0861969405
Category : Performing Arts
Languages : en
Pages : 292

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Book Description
Essays on the work of this iconic experimental filmmaker from a variety of scholars. Stan Brakhage’s body of work counts as one of the most important within post-war avant-garde cinema, and yet it has rarely been given the attention it deserves. Over the years, though, diverse and original reflections have developed, distancing his figure little by little from critical categories. This collection of newly commissioned essays, plus some important reprinted work, queries some of the consensus on Brakhage’s films. In particular, many of these essays revolve around the controversial issues of representation and perception. This project sets out from the assumption that Brakhage’s art is articulated primarily through opposing tensions, which donate his figure and films an extraordinary depth, even as they evince fleetingness, elusivity and paradoxicality. This collection aims not only to clarify aspects of Brakhage’s art, but also to show how his work is involved in a constant mediation between antinomies and opposites. At the same time, his art presents a multifaceted object endlessly posing new questions to the viewer, for which no point of entry or perspective is preferred in respect to the others. Acknowledging this, this volume hopes that the experience of his films will be revitalized. Featuring topics as diverse as the technical and semantic ambiguity of blacks, the fissures in mimetic representation of the ‘it’ within the ‘itself’ of an image, the film-maker as practical psychologist through cognitive theories, the critique of ocularcentrism by mingling sight with other senses such as touch, films that can actually philosophize in a Wittgensteinian way, political guilt and collusion in aesthetic forms, a disjunctive, reflexive, and phenomenological temporality realizing Deleuze’s image-time, and the echoes of Ezra Pound and pneumophantasmology in the quest of art as spiritual revelation; this book not only addresses scholars, but also is a thorough and thought-provoking introduction for the uninitiated. Contributors include: Nicky Hamlyn, Peter Mudie, Paul Taberham, Gareth Evans, Rebecca A. Sheehan, Christina Chalmers, Stephen Mooney, and Marco Lori.

Author: Joel Schlemowitz
Publisher: Routledge
ISBN: 0429997035
Category : Art
Languages : en
Pages : 281

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Book Description
Experimental Filmmaking and the Motion Picture Camera is an introductory guide to experimental filmmaking, surveying the practical methods of experimental film production as well as the history, theory, and aesthetics of experimental approaches. Author Joel Schlemowitz explains the basic mechanism of the camera before going on to discuss slow and fast motion filming, single-frame time lapse, the long take, camera movement, workings of the lens, and the use of in-camera effects such as double exposure. A comprehensive guide to using the 16mm Bolex camera is provided. Strategies for making films edited in-camera are covered. A range of equipment beyond the basic non-sync camera is surveyed. The movie diary and film portrait are examined, along with the work of a range of experimental filmmakers including Stan Brakhage, Rudy Burckhardt, Paul Clipson, Christopher Harris, Peter Hutton, Takahiko Iimura, Marie Losier, Rose Lowder, Jonas Mekas, Marie Menken, Margaret Rorison, Guy Sherwin, and Tomonari Nishikawa. This is the ideal book for students interested in experimental and alternative modes of filmmaking. It provides invaluable insight into the history, methods, and concepts inherent to experimental uses of the camera, while providing students with a solid foundation of techniques and practices to foster their development as filmmakers. Supplemental material, including links to films cited in the book, can be found at www.experimentalfilmmaking.com.

Author: Ronald Gottesman
Publisher: Ardent Media
ISBN: 9780030852923
Category : Performing Arts
Languages : en
Pages : 244

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Author: Ali MacGraw
Publisher:
ISBN: 9781950369201
Category :
Languages : en
Pages :

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Author: Abdel Sellou
Publisher:
ISBN: 160286182X
Category : Biography & Autobiography
Languages : en
Pages : 222

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"The true story of the 'Driss' character in the ... film The intouchables"--Cover.