A Modern Valve Horn Player's Guide to the Natural Horn PDF Download

Author: Paul Austin
Publisher:
ISBN:
Category : Horn (Musical instrument)
Languages : en
Pages : 87

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Book Description

Author: Paul Austin (horn player.)
Publisher:
ISBN:
Category : Horn (Musical instrument)
Languages : en
Pages : 87

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Book Description
"In this volume one will find not only a approach to natural horn technique and historical background, but also an introduction to historical performance practice, cadenzas, ornamentation, etc. The repertoire and reading lists will help the serious student to look further into every aspect of the subject. It is very encouraging to see books such as this, which add greatly to the ever-increasing amount of available information which continues to raise the levels of performance, knowledge, and appreciation of the natural horn." -- Richard Seraphinoff, p. vi.

Author: John Ericson
Publisher:
ISBN: 9781079474947
Category :
Languages : en
Pages : 42

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Book Description
A concise, modern method for the natural horn, developed with the needs of horn players in mind. This updated second edition is focused toward introducing the natural horn effectively for players who already play the valved horn and wish to learn the older instrument. Topics covered include equipment choices, hand positions, and much more, presented in a practical manner. Short exercises and etudes are included to build technique, making this an ideal resource for learning to play the natural horn.

Author: Barry Tuckwell
Publisher:
ISBN:
Category : Horn (Musical instrument)
Languages : en
Pages : 232

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Book Description
Barry Tuckwell, until his retirement, was one of the world's leading horn virtuosos and thus eminently suited to writing this Yehudi Menuhin Music Guide. This versatile musician combines a soloist's experience, an orchestral player's inside knowledge and a conductor's broad view of the horn and its music.

Author: Robin Gregory
Publisher:
ISBN:
Category : Horn (Musical instrument)
Languages : en
Pages : 432

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Book Description

Author: John Humphries
Publisher: Cambridge University Press
ISBN: 9780521635592
Category : Music
Languages : en
Pages : 152

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Book Description
A guide to eighteenth and nineteenth century performance practice on the horn.

Author: Richard Seraphinoff
Publisher: Indiana University Press
ISBN: 0253019354
Category : Music
Languages : en
Pages : 622

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Book Description
This comprehensive, annotated resource of solo repertoire for the horn documents in detail the rich catalogue of original solo compositions for the instrument. Intended as a guide for practical use and easy reference, it is organized into three large sections: works for unaccompanied horn, works for horn and keyboard, and works for horn and ensemble. Each entry includes publisher information, a brief description of the form and character of a work, technical details of the horn writing, and information on dedication and premiere. The authors also include commentary on the various techniques required and the performance challenges of each piece. Representing over ten years of careful compilation and notation by an expert in horn performance and pedagogy, and by a seasoned music librarian and natural horn performer, Guide to the Solo Horn Repertoire will be an invaluable resource for performers, educators, and composers.

Author: Alfred Music
Publisher: Alfred Music
ISBN: 9781457455063
Category : Music
Languages : en
Pages : 36

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Book Description
Practical Hints is a unique and highly informative series developed to answer the many questions raised by the beginning student as well as the more advanced musician. Designed for individual use, the Practical Hints books cover such vital topics as care and maintenance, reeds and mouthpieces, playing position, embouchure, tuning, tonguing, tone quality, range, and practice methodology. Each book has been written by a nationally known instrumental specialist in collaboration with James D. Ployhar. Serving as a handy and informative guide, an appropriate Practical Hints book should be in every musician's library.

Author: Philip Farkas
Publisher: Alfred Music
ISBN: 9781457400094
Category : Music
Languages : en
Pages : 100

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Book Description
First to be published in the series was The Art of French Horn Playing by Philip Farkas, now Distinguished Professor Emeritus of Music at Indiana University. In 1956, when Summy-Birchard published Farkas's book, he was a solo horn player for the Chicago Symphony and had held similar positions with other orchestras, including the Boston Symphony, Cleveland Orchestra, and Kansas City Conservatory, DePaul University, Northwestern University, and Roosevelt University in Chicago. The Art of French Horn Playing set the pattern, and other books in the series soon followed, offering help to students in learning to master their instruments and achieve their goals.

Author: Jeffrey L. Snedeker
Publisher: Routledge
ISBN: 1000405583
Category : Music
Languages : en
Pages : 295

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Book Description
The transition from the valveless natural horn to the modern valved horn in 19th-century Paris was different from similar transitions in other countries. While valve technology was received happily by players of other members of the brass family, strong support for the natural horn, with its varied color palette and virtuoso performance traditions, slowed the reception and application of the valve to the horn. Using primary sources including Conservatoire method books, accounts of performances and technological advances, and other evidence, this book tells the story of the transition from natural horn to valved horn at the Conservatoire, from 1792 to 1903, including close examination of horn teaching before the arrival of valved brass in Paris, the initial reception and application of this technology to the horn, the persistence of the natural horn, and the progression of acceptance, use, controversies, and eventual adoption of the valved instrument in the Parisian community and at the Conservatoire. Active scholars, performers, and students interested in the horn, 19th-century brass instruments, teaching methods associated with the Conservatoire, and the intersection of technology and performing practice will find this book useful in its details and conclusions, including ramifications on historically-informed performance today.