A Journal of Impressions in Belgium PDF Download

Author: May Sinclair
Publisher:
ISBN:
Category : Ambulances
Languages : en
Pages : 356

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Author: May Sinclair
Publisher: London, Hutchinson
ISBN:
Category : History
Languages : en
Pages : 328

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Book Description
A Journal of Impressions in Belgium by May Sinclair, first published in 1915, is a rare manuscript, the original residing in one of the great libraries of the world. This book is a reproduction of that original, which has been scanned and cleaned by state-of-the-art publishing tools for better readability and enhanced appreciation. Restoration Editors' mission is to bring long out of print manuscripts back to life. Some smudges, annotations or unclear text may still exist, due to permanent damage to the original work. We believe the literary significance of the text justifies offering this reproduction, allowing a new generation to appreciate it.

Author: May Sinclair
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Author: Sinclair May
Publisher: Hardpress Publishing
ISBN: 9781318931408
Category :
Languages : en
Pages : 230

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Book Description
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Author: May` Sinclair
Publisher:
ISBN:
Category :
Languages : en
Pages : 154

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In 1914, at the age of 51, the novelist and poet May Sinclair volunteered to leave the comforts of England to go to the Western Front, joining the Munro Ambulance Corps ministering to wounded Belgian soldiers in Flanders. Her experiences in the Great War, brief and traumatizing as they were, permeated the prose and poetry she wrote after this time. Witness of great human pain and tragedy, Sinclair was in serious danger of her life on multiple occasions. This journal makes no attempt to be anything more than a journal: a lucid, simple, heart-breaking account of war at first hand.A Journal of Impressions in Belgium, a fictionalised record of Sinclair's experiences and one of the first wartime women's diaries published in Britain. The journal describes in minute detail the few days she spent with the corps, ferrying wounded men between Ghent and Ostend before the Fall of Antwerp. The tone is overwhelmingly one of inadequacy and regret - Sinclair is acutely aware of her unlikely and, ultimately, unhelpful presence at the front line - yet this tension is what lends the text its significance.

Author: Rebecca Bowler
Publisher: Bloomsbury Publishing
ISBN: 1474269060
Category : Literary Criticism
Languages : en
Pages : 257

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With its new innovations in the visual arts, cinema and photography as well as the sciences of memory and perception, the early twentieth century saw a crisis in the relationship between what was seen and what was known. Literary Impressionism charts that modernist crisis of vision and the way that literary impressionists such as Dorothy Richardson, Ford Madox Ford, H.D., and May Sinclair used new concepts of memory in order to bridge the gap between perception and representation. Exploring the fiction of these four major writers as well as their journalism, manifesto writings, letters and diaries from the archives, Rebecca Bowler charts the progression of modernism's literary aesthetics and the changing role of memory within it.

Author: May Sinclair
Publisher: Createspace Independent Publishing Platform
ISBN: 9781987443547
Category :
Languages : en
Pages : 330

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Book Description
A Journal of Impressions in Belgium, a fictionalised record of Sinclair's experiences and one of the first wartime women's diaries published in Britain. The journal describes in minute detail the few days she spent with the corps, ferrying wounded men between Ghent and Ostend before the Fall of Antwerp. The tone is overwhelmingly one of inadequacy and regret - Sinclair is acutely aware of her unlikely and, ultimately, unhelpful presence at the front line - yet this tension is what lends the text its significance. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.

Author: May` Sinclair
Publisher:
ISBN:
Category :
Languages : en
Pages : 264

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Book Description
We are delighted to publish this classic book as part of our extensive classic literature collection. This book is a reproduction of an important historical work. Unlike some other reproductions of classic texts, We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. Also in books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy. We use state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.A Journal of Impressions in Belgium, a fictionalised record of Sinclair's experiences and one of the first wartime women's diaries published in Britain. The journal describes in minute detail the few days she spent with the corps, ferrying wounded men between Ghent and Ostend before the Fall of Antwerp. The tone is overwhelmingly one of inadequacy and regret - Sinclair is acutely aware of her unlikely and, ultimately, unhelpful presence at the front line - yet this tension is what lends the text its significance.

Author: Tim Kendall
Publisher: OUP Oxford
ISBN: 0191642045
Category : Poetry
Languages : en
Pages : 359

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Book Description
The First World War produced an extraordinary flowering of poetic talent, poets whose words commemorate the conflict more personally and as enduringly as monuments in stone. Lines such as 'What passing-bells for these who die as cattle?' and 'They shall grow not old, as we that are left grow old' have come to express the feelings of a nation about the horrors and aftermath of war. This new anthology provides a definitive record of the achievements of the Great War poets. As well as offering generous selections from the celebrated soldier-poets, including Wilfred Owen, Siegfried Sassoon, Rupert Brooke, and Ivor Gurney, it also incorporates less well-known writing by civilian and women poets. Music hall and trench songs provide a further lyrical perspective on the War. A general introduction charts the history of the war poets' reception and challenges prevailing myths about the war poets' progress from idealism to bitterness. The work of each poet is prefaced with a biographical account that sets the poems in their historical context. Although the War has now passed out of living memory, its haunting of our language and culture has not been exorcised. Its poetry survives because it continues to speak to and about us.

Author: Luke Thurston
Publisher: Taylor & Francis
ISBN: 1040035868
Category : Literary Criticism
Languages : en
Pages : 212

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Book Description
What is at stake in Freud’s enduring preoccupation with a process supposedly diverting sexuality into cultural activity? In this study, a leading scholar of psychoanalysis and literature re-opens the old question of sublimation in a critical reading that explores one of the last remaining puzzles of Freudian thought. Using the rigorous framework provided by Jean Laplanche, Luke Thurston resituates sublimation as an unfinished Freudian concept bound up with a much wider history of philosophical and literary reflection. Exploring the misunderstanding and reinvention of sublimation both in accounts of cultural history and in Lacan’s celebrated reading of Antigone, Thurston challenges some of the prevalent assumptions still seen in contemporary “theory.” Thurston links his critical investigation of psychoanalysis to modernist literature, discovering both parallels and alternatives to Freud’s idea of sublimation in little-known works by May Sinclair and David Jones. The study concludes by arguing that these modernist artists, both of whom were significantly affected by trauma during the First World War, produced work radically at odds with the established canons of representation, and that this “anti-hermeneutic” art can be linked to a “Copernican” sublimation, a process not controlled by the ego but vitalizing it and decentring its habitual structure.