Author: England
Publisher:
ISBN:
Category :
Languages : en
Pages : 22
Book Description
A history of the sudden and terrible invasion of England by the French, in ... May, 1852
Norton's Literary Gazette and Publishers' Circular
Norton's Literary Advertiser
Englishness
Author: M. Spiering
Publisher: BRILL
ISBN: 9004651985
Category : Social Science
Languages : en
Pages : 208
Book Description
Faced with the demise of their country on the world stage, with the Americanization of their society and with the prospect of integration into Europe, many people in postwar-Britain, and in particular in England, began to look more closely at their national identity. Using literature as a source material, this study investigates postwar images of Englishness as they are defined in relation not only to ‘Americans’ and ‘Europeans’, but also to other foreigners: the ‘Arabs’ and the ‘Russians.’ In the context of the Anglo-American novel particular regard is given to Englishness in Evelyn Waugh’s The Loved One and David Lodge’s Changing Places. Subsequently the book focuses on that peculiarly English genre ‘the invasion story’, tales in which Englishness comes under direct attack from evil plotters from abroad. While the history of the genre is discussed at some length, detailed attention is paid to images of Englishness in Angus Wilson’s The Old Men at the Zoo (united European forces invade a Euro-recalcitrant Britain), Anthony Burgess’ 1985 (Arab infiltrators prepare to Islamize the English) and Kingsley Amis’ Russian Hide and Seek (after a period of occupation the Russians attempt to give the English back their Englishness).
Publisher: BRILL
ISBN: 9004651985
Category : Social Science
Languages : en
Pages : 208
Book Description
Faced with the demise of their country on the world stage, with the Americanization of their society and with the prospect of integration into Europe, many people in postwar-Britain, and in particular in England, began to look more closely at their national identity. Using literature as a source material, this study investigates postwar images of Englishness as they are defined in relation not only to ‘Americans’ and ‘Europeans’, but also to other foreigners: the ‘Arabs’ and the ‘Russians.’ In the context of the Anglo-American novel particular regard is given to Englishness in Evelyn Waugh’s The Loved One and David Lodge’s Changing Places. Subsequently the book focuses on that peculiarly English genre ‘the invasion story’, tales in which Englishness comes under direct attack from evil plotters from abroad. While the history of the genre is discussed at some length, detailed attention is paid to images of Englishness in Angus Wilson’s The Old Men at the Zoo (united European forces invade a Euro-recalcitrant Britain), Anthony Burgess’ 1985 (Arab infiltrators prepare to Islamize the English) and Kingsley Amis’ Russian Hide and Seek (after a period of occupation the Russians attempt to give the English back their Englishness).
British Future Fiction, 1700-1914, Volume 8
Author: I F Clarke
Publisher: Routledge
ISBN: 135122249X
Category : Literary Criticism
Languages : en
Pages : 313
Book Description
This set of eight volumes presents the reader with selected primary texts in the genre now generally known as future fiction. The chosen texts are designed to explore the dominant characteristics of the genre and examine how it changed over the 18th and 19th centuries.
Publisher: Routledge
ISBN: 135122249X
Category : Literary Criticism
Languages : en
Pages : 313
Book Description
This set of eight volumes presents the reader with selected primary texts in the genre now generally known as future fiction. The chosen texts are designed to explore the dominant characteristics of the genre and examine how it changed over the 18th and 19th centuries.
How Literary Worlds Are Shaped
Author: Bo Pettersson
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110486318
Category : Literary Criticism
Languages : en
Pages : 334
Book Description
Literary studies still lack an extensive comparative analysis of different kinds of literature, including ancient and non-Western. How Literary Worlds Are Shaped. A Comparative Poetics of Literary Imagination aims to provide such a study. Literature, it claims, is based on individual and shared human imagination, which creates literary worlds that blend the real and the fantastic, mimesis and genre, often modulated by different kinds of unreliability. The main building blocks of literary worlds are their oral, visual and written modes and three themes: challenge, perception and relation. They are blended and inflected in different ways by combinations of narratives and figures, indirection, thwarted aspirations, meta-usages, hypothetical action as well as hierarchies and blends of genres and text types. Moreover, literary worlds are not only constructed by humans but also shape their lives and reinforce their sense of wonder. Finally, ten reasons are given in order to show how this comparative view can be of use in literary studies. In sum, How Literary Worlds Are Shaped is the first study to present a wide-ranging and detailed comparative account of the makings of literary worlds.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110486318
Category : Literary Criticism
Languages : en
Pages : 334
Book Description
Literary studies still lack an extensive comparative analysis of different kinds of literature, including ancient and non-Western. How Literary Worlds Are Shaped. A Comparative Poetics of Literary Imagination aims to provide such a study. Literature, it claims, is based on individual and shared human imagination, which creates literary worlds that blend the real and the fantastic, mimesis and genre, often modulated by different kinds of unreliability. The main building blocks of literary worlds are their oral, visual and written modes and three themes: challenge, perception and relation. They are blended and inflected in different ways by combinations of narratives and figures, indirection, thwarted aspirations, meta-usages, hypothetical action as well as hierarchies and blends of genres and text types. Moreover, literary worlds are not only constructed by humans but also shape their lives and reinforce their sense of wonder. Finally, ten reasons are given in order to show how this comparative view can be of use in literary studies. In sum, How Literary Worlds Are Shaped is the first study to present a wide-ranging and detailed comparative account of the makings of literary worlds.
British Future Fiction, 1700-1914, Volume 6
Author: I F Clarke
Publisher: Routledge
ISBN: 1351222562
Category : Literary Criticism
Languages : en
Pages : 398
Book Description
This set of eight volumes presents the reader with selected primary texts in the genre now generally known as future fiction. The chosen texts are designed to explore the dominant characteristics of the genre and examine how it changed over the 18th and 19th centuries.
Publisher: Routledge
ISBN: 1351222562
Category : Literary Criticism
Languages : en
Pages : 398
Book Description
This set of eight volumes presents the reader with selected primary texts in the genre now generally known as future fiction. The chosen texts are designed to explore the dominant characteristics of the genre and examine how it changed over the 18th and 19th centuries.
Nuclear Fictions
Author: Michael Gardiner
Publisher: Edinburgh University Press
ISBN: 1474475752
Category :
Languages : en
Pages : 233
Book Description
In this book, Michael Gardiner suggests that the conception of the ‘war-ending’ weapon was tied up with a longer commitment to unified space and singular progress. The mission for total weapons can be seen rising with the highly-technical defensive war of the later nineteenth century, and passing through twentieth century atomic research, then the targeting of the outsides of commercial empire, and the post-war consensus with deterrence as its foundation. The end of the Cold War brought an opportunity to fully naturalise deterrence, but also brought a tacit acceptance of nuclear violence while forms of violence against the individual were rigorously sought out. If the world-unifying role of deterrence has always been undermined by the rise of rival empires, it has also been questioned by critical communities including the consensus-sceptics of the 1950s–60s, 1980s–90s Nuclear Criticism and readers of ‘nuclear ism’, millennial campaigns for Scottish independence, and twenty-first century descriptions of nuclear colonialism. Recently it has become more obvious that an Anglosphere concept of ‘worldly’ deterrence was bound to a singular and ultimately nihilistic idea of progress.[bio]Michael Gardiner is Professor in the Department of English and Comparative Literature at the University of Warwick.
Publisher: Edinburgh University Press
ISBN: 1474475752
Category :
Languages : en
Pages : 233
Book Description
In this book, Michael Gardiner suggests that the conception of the ‘war-ending’ weapon was tied up with a longer commitment to unified space and singular progress. The mission for total weapons can be seen rising with the highly-technical defensive war of the later nineteenth century, and passing through twentieth century atomic research, then the targeting of the outsides of commercial empire, and the post-war consensus with deterrence as its foundation. The end of the Cold War brought an opportunity to fully naturalise deterrence, but also brought a tacit acceptance of nuclear violence while forms of violence against the individual were rigorously sought out. If the world-unifying role of deterrence has always been undermined by the rise of rival empires, it has also been questioned by critical communities including the consensus-sceptics of the 1950s–60s, 1980s–90s Nuclear Criticism and readers of ‘nuclear ism’, millennial campaigns for Scottish independence, and twenty-first century descriptions of nuclear colonialism. Recently it has become more obvious that an Anglosphere concept of ‘worldly’ deterrence was bound to a singular and ultimately nihilistic idea of progress.[bio]Michael Gardiner is Professor in the Department of English and Comparative Literature at the University of Warwick.
The Tale of the Next Great War, 1871-1914
Author: I. F. Clarke
Publisher: Syracuse University Press
ISBN: 9780815603580
Category : Fiction
Languages : en
Pages : 404
Book Description
This selection of short stories offers a return journey through the future as it used to be. Time speeds backwards to the 1870s—to the alpha point of modern futuristic fiction—the opening years of that enchanted period before the First World War when Jules Verne, H. G. Wells and many able writers delighted readers from Sydney to Seattle with their most original revelations of things-to-come. In all their anticipations, the dominant factor was the recognition that the new industrial societies would continue to evolve in obedience to the rate of change. One major event that caused all to think furiously about the future was the Franco-German War of 1870. The new weapons and the new methods of army organization had shown that the conduct of warfare was changing; and, in response to that perception of change, a new form of fiction took on the task of describing the conduct of the war-to-come.
Publisher: Syracuse University Press
ISBN: 9780815603580
Category : Fiction
Languages : en
Pages : 404
Book Description
This selection of short stories offers a return journey through the future as it used to be. Time speeds backwards to the 1870s—to the alpha point of modern futuristic fiction—the opening years of that enchanted period before the First World War when Jules Verne, H. G. Wells and many able writers delighted readers from Sydney to Seattle with their most original revelations of things-to-come. In all their anticipations, the dominant factor was the recognition that the new industrial societies would continue to evolve in obedience to the rate of change. One major event that caused all to think furiously about the future was the Franco-German War of 1870. The new weapons and the new methods of army organization had shown that the conduct of warfare was changing; and, in response to that perception of change, a new form of fiction took on the task of describing the conduct of the war-to-come.
The Army Quarterly
Author:
Publisher:
ISBN:
Category : Military art and science
Languages : en
Pages : 516
Book Description
Publisher:
ISBN:
Category : Military art and science
Languages : en
Pages : 516
Book Description