A Handbook of Modal Counterpoint PDF Download

Author: Stella Roberts
Publisher: New York : Free Press
ISBN:
Category : Music
Languages : en
Pages : 136

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Book Description

Author: Douglass Green
Publisher: Routledge
ISBN: 1136935096
Category : Music
Languages : en
Pages : 452

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Book Description
Covering modal music from Gregorian chant through the seventeenth-century, The Principles and Practice of Modal Counterpoint is a comprehensive textbook combining stylistic composition, theory and analysis, music history, and performance. By supplementing a modified species approach with a wealth of complete musical examples and historical information, this textbook thoroughly joins principle with practice, providing a truly immersive experience in the study of modal counterpoint and familiarizing students with modal repertoire.

Author: DAVID D AUTOR BOYDEN
Publisher: Carl Fischer, L.L.C.
ISBN: 9780825827648
Category :
Languages : en
Pages : 110

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Book Description

Author: Peter Schubert
Publisher:
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 372

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Book Description
The only species counterpoint text that draws directly on Renaissance treatises, Modal Counterpoint, Renaissance Style, Second Edition, provides a conceptual framework to guide students through composition and analysis as it teaches them general structural principles. It distinguishes between technical requirements ("hard" rules) and stylistic guidelines ("soft" rules), and includes coordinated exercises that allow students to develop their skills systematically. The second edition integrates improvisation activities and new repertoire examples into many chapters; revises the chapter on three-part writing (Chapter 14) so that it pays more attention to rules and strategies; reworks the chapters on cadences (Chapter 10) and on writing two parts in mixed values (Chapter 11) to make them more accessible to students; incorporates clarified instructions throughout; and includes a summary of rules.

Author: Harold Owen
Publisher: GIA Publications
ISBN: 9781579991159
Category : Music
Languages : en
Pages : 156

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Book Description

Author: Job IJzerman
Publisher:
ISBN: 0190695005
Category : Music
Languages : en
Pages : 417

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Book Description
A new method of music theory education for undergraduate music students, Harmony, Counterpoint, Partimento is grounded in schema theory and partimento, and takes an integrated, hands-on approach to the teaching of harmony and counterpoint in today's classrooms and studios. A textbook in three parts, the package includes: - the hardcopy text, providing essential stylistic and technical information and repertoire discussion; - an online workbook with a full range of exercises, including partimenti by Fenaroli, Sala, and others, along with arrangements of eighteenth- and nineteenth-century compositions; - an online instructor's manual providing additional information and realizations of all exercises. Linking theoretical knowledge with aural perception and aesthetic experience, the exercises encompass various activities, such as singing, playing, improvising, and notation, which challenge and develop the student's harmonic, melodic, and rhythmic imagination. Covering the common-practice period (Corelli to Brahms), Harmony, Counterpoint, Partimento is a core component of practice-oriented training of musicianship skills, in conjunction with solfeggio, analysis, and modal or tonal counterpoint.

Author: Thomas Benjamin
Publisher: Psychology Press
ISBN: 9780415971713
Category : Art
Languages : en
Pages : 216

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Book Description
First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.

Author: Christoph Neidhofer
Publisher: State University of New York Press
ISBN: 143849324X
Category : Music
Languages : en
Pages : 624

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Book Description
This book teaches Baroque compositional techniques through writing and improvisation exercises and analysis of repertoire examples. It provides readers with a historical outlook by focusing largely on principles taught in treatises from the period 1680–1780. This expanded edition includes new sections with keyboard exercises that provide training in Partimento performance as it was practiced at the time, helping students master Baroque style from the inside. While the focus of the book is on fugue, it also treats chorale preludes, stylized dances, inventions, and trio sonatas. The volume is divided into two parts—basic and advanced— which could be taught in a two-semester sequence. There are various options to introduce material from Part II into Part I for a one-semester course.

Author: J. P. Moreland
Publisher: Oxford University Press
ISBN: 0199344345
Category : Religion
Languages : en
Pages : 573

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Book Description
Comprising groundbreaking dialogues by many of the most prominent scholars in Christian apologetics and the philosophy of religion, this volume offers a definitive treatment of central questions of Christian faith. The essays are ecumenical and broadly Christian, in the spirit of C.S. Lewis's Mere Christianity, and feature lucid and up-to-date material designed to engage readers in contemporary theistic and Christian issues. Beginning with dialogues about God's existence and the coherence of theism and then moving beyond generic theism to address significant debates over such specifically Christian doctrines as the Trinity and the resurrection of Jesus, Debating Christian Theism provides an ideal starting point for anyone seeking to understand the current debates in Christian theology.

Author: Harold Owen
Publisher: Cengage Learning
ISBN:
Category : Education
Languages : en
Pages : 414

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Book Description
This is a comprehensive study of the development of counterpoint form the sixteenth century through the first half of the twentieth century. Deriving the rules of counterpoint from the music itself, each chapter begins with a complete musical example followed by questions for class discussion. Chapter observations and subsequent musical examples amplify the concepts discoverd through individual analysis. --book cover.