Author:
Publisher: Chronicle Books
ISBN: 9780877013174
Category : Art
Languages : en
Pages : 144
Book Description
1000's of colour combinations.
Designer's Guide to Color 1
Author:
Publisher: Chronicle Books
ISBN: 9780877013174
Category : Art
Languages : en
Pages : 144
Book Description
1000's of colour combinations.
Publisher: Chronicle Books
ISBN: 9780877013174
Category : Art
Languages : en
Pages : 144
Book Description
1000's of colour combinations.
Color Science and the Visual Arts
Author: Roy S. Berns
Publisher: Getty Publications
ISBN: 1606064819
Category : Art
Languages : en
Pages : 210
Book Description
“A curator, a paintings conservator, a photographer, and a conservation scientist walk into a bar.” What happens next? In lively and accessible prose, color science expert Roy S. Berns helps the reader understand complex color-technology concepts and offers solutions to problems that occur when art is displayed, conserved, imaged, or reproduced. Berns writes for two types of audiences: museum professionals seeking explanations for common color-related issues and students in conservation, museum studies, and art history programs. The seven chapters in the book fall naturally into two sections: fundamentals, covering topics such as spectral measurements, metamerism, and color inconstancy; and applications, where artwork display, painting materials, and color reproduction are discussed. A unique feature of this book is the use of more than 200 images as its main medium of communication, employing color physics, color vision, and imaging science to produce visualizations throughout the pages. An annotated bibliography complements the main text with suggestions for further reading and more in-depth study of particular topics. Engaging, incisive, and absolutely critical for any scholar or student interested in color science, Color Science and the Visual Arts is sure to become a key reference for the entire field.
Publisher: Getty Publications
ISBN: 1606064819
Category : Art
Languages : en
Pages : 210
Book Description
“A curator, a paintings conservator, a photographer, and a conservation scientist walk into a bar.” What happens next? In lively and accessible prose, color science expert Roy S. Berns helps the reader understand complex color-technology concepts and offers solutions to problems that occur when art is displayed, conserved, imaged, or reproduced. Berns writes for two types of audiences: museum professionals seeking explanations for common color-related issues and students in conservation, museum studies, and art history programs. The seven chapters in the book fall naturally into two sections: fundamentals, covering topics such as spectral measurements, metamerism, and color inconstancy; and applications, where artwork display, painting materials, and color reproduction are discussed. A unique feature of this book is the use of more than 200 images as its main medium of communication, employing color physics, color vision, and imaging science to produce visualizations throughout the pages. An annotated bibliography complements the main text with suggestions for further reading and more in-depth study of particular topics. Engaging, incisive, and absolutely critical for any scholar or student interested in color science, Color Science and the Visual Arts is sure to become a key reference for the entire field.
Pocket Guide to Color Reproduction
Author: Miles Southworth
Publisher:
ISBN: 9780933600010
Category : Art
Languages : en
Pages : 120
Book Description
Publisher:
ISBN: 9780933600010
Category : Art
Languages : en
Pages : 120
Book Description
Color Management Handbook
Author: Dr. Richard M. Adams
Publisher: Graphic Arts Books
ISBN: 9780883625873
Category : Color in design
Languages : en
Pages : 0
Book Description
Publisher: Graphic Arts Books
ISBN: 9780883625873
Category : Color in design
Languages : en
Pages : 0
Book Description
The GATF Practical Guide to Color Management
Author: Dr. Richard M. Adams
Publisher: Graphic Arts Technical Fndtn
ISBN: 9780883622483
Category : Business & Economics
Languages : en
Pages : 234
Book Description
Publisher: Graphic Arts Technical Fndtn
ISBN: 9780883622483
Category : Business & Economics
Languages : en
Pages : 234
Book Description
Color Your Own Book of Kells
Author: Marty Noble
Publisher: Courier Corporation
ISBN: 0486418650
Category : Juvenile Nonfiction
Languages : en
Pages : 36
Book Description
Twenty-eight full-page, ready-to-color illustrations from one of the most beautiful books of the early Middle Ages depict Celtic spirals and interlacings, celestial figures, saints, Celtic crosses, and other finely detailed elements.
Publisher: Courier Corporation
ISBN: 0486418650
Category : Juvenile Nonfiction
Languages : en
Pages : 36
Book Description
Twenty-eight full-page, ready-to-color illustrations from one of the most beautiful books of the early Middle Ages depict Celtic spirals and interlacings, celestial figures, saints, Celtic crosses, and other finely detailed elements.
Color Problems
Author: Emily Noyes Vanderpoel
Publisher:
ISBN:
Category : Color
Languages : en
Pages : 396
Book Description
Publisher:
ISBN:
Category : Color
Languages : en
Pages : 396
Book Description
Traces of Vermeer
Author: Jane Jelley
Publisher: Oxford University Press
ISBN: 0192506900
Category : Art
Languages : en
Pages : 369
Book Description
Johannes Vermeer's luminous paintings are loved and admired around the world, yet we do not understand how they were made. We see sunlit spaces; the glimmer of satin, silver, and linen; we see the softness of a hand on a lute string or letter. We recognise the distilled impression of a moment of time; and we feel it to be real. We might hope for some answers from the experts, but they are confounded too. Even with the modern technology available, they do not know why there is no evidence of any preliminary drawing; why there are shifts in focus; and why his pictures are unusually blurred. Some wonder if he might possibly have used a camera obscura to capture what he saw before him. The few traces Vermeer has left behind tell us little: there are no letters or diaries; and no reports of him at work. Jane Jelley has taken a new path in this detective story. A painter herself, she has worked with the materials of his time: the cochineal insect and lapis lazuli; the sheep bones, soot, earth, and rust. She shows us how painters made their pictures layer by layer; she investigates old secrets; and hears travellers' tales. She explores how Vermeer could have used a lens in the creation of his masterpieces. The clues were there all along. After all this time, now we can unlock the studio door, and catch a glimpse of Vermeer inside, painting light.
Publisher: Oxford University Press
ISBN: 0192506900
Category : Art
Languages : en
Pages : 369
Book Description
Johannes Vermeer's luminous paintings are loved and admired around the world, yet we do not understand how they were made. We see sunlit spaces; the glimmer of satin, silver, and linen; we see the softness of a hand on a lute string or letter. We recognise the distilled impression of a moment of time; and we feel it to be real. We might hope for some answers from the experts, but they are confounded too. Even with the modern technology available, they do not know why there is no evidence of any preliminary drawing; why there are shifts in focus; and why his pictures are unusually blurred. Some wonder if he might possibly have used a camera obscura to capture what he saw before him. The few traces Vermeer has left behind tell us little: there are no letters or diaries; and no reports of him at work. Jane Jelley has taken a new path in this detective story. A painter herself, she has worked with the materials of his time: the cochineal insect and lapis lazuli; the sheep bones, soot, earth, and rust. She shows us how painters made their pictures layer by layer; she investigates old secrets; and hears travellers' tales. She explores how Vermeer could have used a lens in the creation of his masterpieces. The clues were there all along. After all this time, now we can unlock the studio door, and catch a glimpse of Vermeer inside, painting light.
How to Identify Prints
Author: Bamber Gascoigne
Publisher:
ISBN: 9780500284803
Category : Antiques & Collectibles
Languages : en
Pages : 208
Book Description
Arranged in self-contained sections the book simplifies accurate identification of any printed image. Included are manual methods, and also the mechanical processes that constitute the vast majority of printed images. Essential aspects of printing history and the printmaking craft are covered and examples are given of the identifying features that help to reveal the type of print.
Publisher:
ISBN: 9780500284803
Category : Antiques & Collectibles
Languages : en
Pages : 208
Book Description
Arranged in self-contained sections the book simplifies accurate identification of any printed image. Included are manual methods, and also the mechanical processes that constitute the vast majority of printed images. Essential aspects of printing history and the printmaking craft are covered and examples are given of the identifying features that help to reveal the type of print.
The Artist's Guide to Selecting Colors
Author: Michael Wilcox
Publisher: Northlight
ISBN: 9780958789189
Category : Color
Languages : en
Pages : 0
Book Description
Select your paint with confidence and protect your valuable work. This book is about artist's paints, a guide to the selection of a suitable palette in watercolors, oil paints, acrylics, gouache or alkyds. It will enable you to identify the good, the indifferent and the bad. It also outlines the characteristics and temperaments of each color and lists the suitable as well as the unsuitable pigments that you will come across. Vital Information for the concerned artist.
Publisher: Northlight
ISBN: 9780958789189
Category : Color
Languages : en
Pages : 0
Book Description
Select your paint with confidence and protect your valuable work. This book is about artist's paints, a guide to the selection of a suitable palette in watercolors, oil paints, acrylics, gouache or alkyds. It will enable you to identify the good, the indifferent and the bad. It also outlines the characteristics and temperaments of each color and lists the suitable as well as the unsuitable pigments that you will come across. Vital Information for the concerned artist.