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Author: Richard Lee Secord Publisher: ISBN: Category : Michigan Languages : en Pages : 90
Book Description
A genealogy of the ancestors of Ronald Lee Secord born 23 June 1937 in Pontiac, Oakland Co., Michigan. He married 1) 2 May 1977 Nancy Louise Rogers and 2) 7 May 1987 Carol Marie Inness Ciocca. Ronalds parents are Ralph Earl Secord (1903-1984) and Claudia Marie Hill.
Author: Richard Lee Secord Publisher: ISBN: Category : Michigan Languages : en Pages : 90
Book Description
A genealogy of the ancestors of Ronald Lee Secord born 23 June 1937 in Pontiac, Oakland Co., Michigan. He married 1) 2 May 1977 Nancy Louise Rogers and 2) 7 May 1987 Carol Marie Inness Ciocca. Ronalds parents are Ralph Earl Secord (1903-1984) and Claudia Marie Hill.
Author: Library of Congress Publisher: Washington, D.C. : Library of Congress, Cataloging Distribution Service ISBN: Category : Genealogy Languages : en Pages : 1368
Book Description
The bibliographic holdings of family histories at the Library of Congress. Entries are arranged alphabetically of the works of those involved in Genealogy and also items available through the Library of Congress.
Author: H. Amanda Robb Publisher: HarperCollins Publishers ISBN: Category : Language Arts & Disciplines Languages : en Pages : 728
Book Description
The definitive guide to the 5,000 most common surnames in the United States. With origins, variations, rankings, prominent bearers and published genealogies.
Author: Ronald Lee Secord Publisher: ISBN: Category : United States Languages : en Pages : 232
Book Description
A genealogy of the maternal ancestors of Ronald Lee Secord born 23 June 1937 in Pontiac, Oakland Co., Michigan the son of Ralph Earl Secord (1903-1984) and Claudia Marie Hill. He married 1) 2 May 1977 Nancy Louise Rogers Goett and 2) 7 May 1987 Carol Marie Innes Ciocia.
Author: Joseph A. Amato Publisher: Univ of California Press ISBN: 0520232933 Category : History Languages : en Pages : 262
Book Description
"Rethinking Home is pioneering scholarship at its best. Amato makes his case for a new local history combining academic sophistication with a deft human touch, that can provide a new perspective on the way in which humans have interacted with their natural and created environments over the past 150 years. Amato’s eloquent plea for scholars to rethink the intricate relationships between home, place, nation, and world is one that cannot be ignored."—Richard O. Davies, University Foundation Professor, University of Nevada "Local history is the stepchild of our profession. Joseph Amato has emancipated Cinderella. Innovative and engaging, his passion for particulars brings life to people and places whose interest we have underrated far too long; and provides a good read beside."—Eugen Weber Department of History, UCLA "In the best Thoreauvian sense, Joseph Amato masterfully synthesizes and eloquently presents two decades of practicing and thinking deeply about local history. How pleasantly odd, how wonderful that a book on local history should be so rousing, so encouraging, so redemptive! Rethinking Home is a veritable call to arms for those of us who care deeply about the special, the distinctive character of our own home places, our own locales."—Bradley P. Dean, Thoreau Institute at Walden Woods
Author: Shyon Baumann Publisher: Princeton University Press ISBN: 0691187282 Category : Performing Arts Languages : en Pages : 242
Book Description
Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art.
Author: Richard Lee Secord
Author: Richard Lee Secord
Author: Library of Congress
Author: H. Amanda Robb
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Author: Ronald Lee Secord
Author: Lionel Youst
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Author: 
Author: Joseph A. Amato
Author: Shyon Baumann