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Author: Lawrence D.H. Publisher: Рипол Классик ISBN: 5521072098 Category : Fiction Languages : en Pages : 299
Book Description
David Herbert Lawrence (1885-1930) was an English novelist, poet, playwright and literary critic, one of the key writers of the early twentieth century, most famous for his criticism of rationalism and industrialization. “A Fragment of Stained Glass and Other Stories” is a delightful collection of author’s early short stories like “The Thorn in the Flesh,” “Daughters of the Vicar,” “The Shadow in the Rose Garden,” and “Goose Fair.”
Author: Lawrence D.H. Publisher: Рипол Классик ISBN: 5521072098 Category : Fiction Languages : en Pages : 299
Book Description
David Herbert Lawrence (1885-1930) was an English novelist, poet, playwright and literary critic, one of the key writers of the early twentieth century, most famous for his criticism of rationalism and industrialization. “A Fragment of Stained Glass and Other Stories” is a delightful collection of author’s early short stories like “The Thorn in the Flesh,” “Daughters of the Vicar,” “The Shadow in the Rose Garden,” and “Goose Fair.”
Author: David Herbert Lawrence Publisher: ISBN: Category : Languages : en Pages : 32
Book Description
Beauvale is, or was, the largest parish in England. It is thinly populated, only just netting the stragglers from shoals of houses in three large mining villages. For the rest, it holds a great tract of woodland, fragment of old Sherwood, a few hills of pasture and arable land, three collieries, and, finally, the ruins of a Cistercian abbey. These ruins lie in a still rich meadow at the foot of the last fall of woodland, through whose oaks shines a blue of hyacinths, like water, in May-time. Of the abbey, there remains only the east wall of the chancel standing, a wild thick mass of ivy weighting one shoulder, while pigeons perch in the tracery of the lofty window. This is the window in question.The vicar of Beauvale is a bachelor of forty-two years. Quite early in life some illness caused a slight paralysis of his right side, so that he drags a little, and so that the right corner of his mouth is6twisted up into his cheek with a constant grimace, unhidden by a heavy moustache. There is something pathetic about this twist on the vicar's countenance: his eyes are so shrewd and sad. It would be hard to get near to Mr Colbran. Indeed, now, his soul had some of the twist of his face, so that, when he is not ironical, he is satiric. Yet a man of more complete tolerance and generosity scarcely exists. Let the boors mock him, he merely smiles on the other side, and there is no malice in his eyes, only a quiet expression of waiting till they have finished. His people do not like him, yet none could bring forth an accusation against him, save, that "You never can tell when he's having you."
Author: Victoria Finlay Publisher: Getty Publications ISBN: 1606064290 Category : Art Languages : en Pages : 122
Book Description
The history of art is inseparable from the history of color. And what a fascinating story they tell together: one that brims with an all-star cast of characters, eye-opening details, and unexpected detours through the annals of human civilization and scientific discovery. Enter critically acclaimed writer and popular journalist Victoria Finlay, who here takes readers across the globe and over the centuries on an unforgettable tour through the brilliant history of color in art. Written for newcomers to the subject and aspiring young artists alike, Finlay’s quest to uncover the origins and science of color will beguile readers of all ages with its warm and conversational style. Her rich narrative is illustrated in full color throughout with 166 major works of art—most from the collections of the J. Paul Getty Museum. Readers of this book will revel in a treasure trove of fun-filled facts and anecdotes. Were it not for Cleopatra, for instance, purple might not have become the royal color of the Western world. Without Napoleon, the black graphite pencil might never have found its way into the hands of Cézanne. Without mango-eating cows, the sunsets of Turner might have lost their shimmering glow. And were it not for the pigment cobalt blue, the halls of museums worldwide might still be filled with forged Vermeers. Red ocher, green earth, Indian yellow, lead white—no pigment from the artist’s broad and diverse palette escapes Finlay’s shrewd eye in this breathtaking exploration.
Author: Publisher: BRILL ISBN: 9004395717 Category : History Languages : en Pages : 488
Book Description
With many excellent books on medieval stained glass available, the reader of this anthology may well ask: “what is the contribution of this collection?” In this book, we have chosen to step away from national, chronological, and regional models. Instead, we started with scholars doing interesting work in stained glass, and called upon colleagues to contribute studies that represent the diversity of approaches to the medium, as well as up-to-date bibliographies for work in the field. Contributors are: Wojciech Balus, Karine Boulanger, Sarah Brown, Elizabeth Carson Pastan, Madeline H. Caviness, Michael W. Cothren, Francesca Dell’Acqua, Uwe Gast, Françoise Gatouillat, Anne Granboulan, Anne F. Harris, Christine Hediger, Michel Hérold, Timothy B. Husband, Alyce A. Jordan, Herbert L. Kessler, David King, Brigitte Kurmann-Schwarz, Claudine Lautier, Ashley J. Laverock, Meredith P. Lillich, Isabelle Pallot-Frossard, Hartmut Scholz, Mary B. Shepard, Ellen M. Shortell, Nancy M. Thompson.
Author: Martin Biddle Publisher: Archaeopress Publishing Ltd ISBN: 1803277092 Category : History Languages : en Pages : 565
Book Description
Excavations at the site of the medieval chapter house of St Albans Abbey in 1978 uncovered fragments of decorated floor tiles of the Anglo-Saxon abbey and associated burials, along with the magnificent floor of relief-decorated tiles of the medieval chapter house, and the graves of 16 known figures of the late 11th-to 15th-century abbey.
Author: ElizabethCarson Pastan Publisher: Routledge ISBN: 1351544519 Category : History Languages : en Pages : 611
Book Description
Borrowing its title from Madeline Harrison Caviness's influential work on the modes of seeing articulated by the twelfth-century cleric Richard of Saint Victor, this interdisciplinary collection brings together the work of thirty scholars from England, France, Germany, Italy, Switzerland, and the United States. Each author has contributed an original article that engages with ideas formulated in Caviness's wide-ranging scholarship. The historiographic introduction discusses themes in Caviness's publications and their importance for art historical and medieval studies today. The book's thematic matrix groups together essays concerned with: The Material Object, Documentary Reconstruction, Post-Disciplinary Approaches, Multiple Readings, Gender and Reception, Performativity, Text and Image, Collecting and Consumption, and Politics and Ideology. The contributors include curators, art historians, historians, and literary scholars. Their subjects range from medieval stained glass to the nineteenth-century Gothic Revival, the Sachsenspiegel, and Mel Gibson's The Passion of the Christ. Many foreground issues of gender, reception, and textuality, which have permeated Caviness's scholarship. Some also present approaches to sites that have been the subject of important studies by Caviness, including Canterbury, Chartres, Reims, Saint-Denis, Sens, and Troyes. The volume offers a broad range of methodological approaches to key topics in the study of medieval imagery and thus highlights the vitality of the field today.
Author: Lawrence D.H.
Author: Lawrence D.H.
Author: David Herbert Lawrence
Author: Victoria Finlay
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Author: 
Author: David Herbert Lawrence
Author: Martin Biddle
Author: David Herbert Lawrence
Author: ElizabethCarson Pastan
Author: Edward Wedlake Brayley