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Author: William Wells Brown Publisher: University of Georgia Press ISBN: 0820332240 Category : Social Science Languages : en Pages : 487
Book Description
"Brown wrote extensively as a journalist but was also a pioneer in other literary genres. His many groundbreaking works include Clotel, the first African American novel; The Escape: or, A Leap for Freedom, the first published African American play; Three Years in Europe, the first African American European travelogue; and The Negro in the American Rebellion, the first history of African American military service in the Civil War. Brown also wrote one of the most important fugitive slave narratives and a striking array of subsequent self-narratives so inventively shifting in content, form, and textual presentation as to place him second only to Frederick Douglass among nineteenth-century African American autobiographers.".
Author: William Wells Brown Publisher: University of Georgia Press ISBN: 0820332240 Category : Social Science Languages : en Pages : 487
Book Description
"Brown wrote extensively as a journalist but was also a pioneer in other literary genres. His many groundbreaking works include Clotel, the first African American novel; The Escape: or, A Leap for Freedom, the first published African American play; Three Years in Europe, the first African American European travelogue; and The Negro in the American Rebellion, the first history of African American military service in the Civil War. Brown also wrote one of the most important fugitive slave narratives and a striking array of subsequent self-narratives so inventively shifting in content, form, and textual presentation as to place him second only to Frederick Douglass among nineteenth-century African American autobiographers.".
Author: Michaël Roy Publisher: University of Wisconsin Pres ISBN: 0299338401 Category : History Languages : en Pages : 235
Book Description
Antebellum slave narratives have taken pride of place in the American literary canon. One key aspect of the genre, however, has been left unexamined: its materiality. In Fugitive Texts, Michaël Roy offers the first book-length study of the slave narrative as a material artifact. Drawing on a wide range of sources, he reconstructs the publication histories of a number of famous and lesser-known narratives, placing them against the changing backdrop of antebellum print culture. Published to rave reviews in French, Fugitive Texts illuminates the heterogeneous nature of a genre often described in monolithic terms and ultimately paves the way for a redefinition of the literary form we have come to recognize as "the slave narrative."
Author: Jeffrey R. Kerr-Ritchie Publisher: Cambridge University Press ISBN: 1108754694 Category : History Languages : en Pages : 377
Book Description
In late October 1841, the Creole left Richmond with 137 slaves bound for New Orleans. It arrived five weeks later minus the Captain, one passenger, and most of the captives. Nineteen rebels had seized the US slave ship en route and steered it to the British Bahamas where the slaves gained their liberty. Drawing upon a sweeping array of previously unexamined state, federal, and British colonial sources, Rebellious Passage examines the neglected maritime dimensions of the extensive US slave trade and slave revolt. The focus on south-to-south self-emancipators at sea differs from the familiar narrative of south-to-north fugitive slaves over land. Moreover, a broader hemispheric framework of clashing slavery and antislavery empires replaces an emphasis on US antebellum sectional rivalry. Written with verve and commitment, Rebellious Passage chronicles the first comprehensive history of the ship revolt, its consequences, and its relevance to global modern slavery.
Author: Martha J. Cutter Publisher: University of Georgia Press ISBN: 0820351156 Category : Social Science Languages : en Pages : 328
Book Description
From the 1787 Wedgwood antislavery medallion featuring the image of an enchained and pleading black body to Quentin Tarantino’s Django Unchained (2012) and Steve McQueen’s Twelve Years a Slave (2013), slavery as a system of torture and bondage has fascinated the optical imagination of the transatlantic world. Scholars have examined various aspects of the visual culture that was slavery, including its painting, sculpture, pamphlet campaigns, and artwork. Yet an important piece of this visual culture has gone unexamined: the popular and frequently reprinted antislavery illustrated books published prior to Harriet Beecher Stowe’s Uncle Tom’s Cabin (1852) that were utilized extensively by the antislavery movement in the first half of the nineteenth century. The Illustrated Slave analyzes some of the more innovative works in the archive of antislavery illustrated books published from 1800 to 1852 alongside other visual materials that depict enslavement. Martha J. Cutter argues that some illustrated narratives attempt to shift a viewing reader away from pity and spectatorship into a mode of empathy and interrelationship with the enslaved. She also contends that some illustrated books characterize the enslaved as obtaining a degree of control over narrative and lived experiences, even if these figurations entail a sense that the story of slavery is beyond representation itself. Through exploration of famous works such as Uncle Tom’s Cabin, as well as unfamiliar ones by Amelia Opie, Henry Bibb, and Henry Box Brown, she delineates a mode of radical empathy that attempts to destroy divisions between the enslaved individual and the free white subject and between the viewer and the viewed.
Author: Aston Gonzalez Publisher: UNC Press Books ISBN: 1469659972 Category : Social Science Languages : en Pages : 324
Book Description
The fight for racial equality in the nineteenth century played out not only in marches and political conventions but also in the print and visual culture created and disseminated throughout the United States by African Americans. Advances in visual technologies--daguerreotypes, lithographs, cartes de visite, and steam printing presses--enabled people to see and participate in social reform movements in new ways. African American activists seized these opportunities and produced images that advanced campaigns for black rights. In this book, Aston Gonzalez charts the changing roles of African American visual artists as they helped build the world they envisioned. Understudied artists such as Robert Douglass Jr., Patrick Henry Reason, James Presley Ball, and Augustus Washington produced images to persuade viewers of the necessity for racial equality, black political leadership, and freedom from slavery. Moreover, these activist artists' networks of transatlantic patronage and travels to Europe, the Caribbean, and Africa reveal their extensive involvement in the most pressing concerns for black people in the Atlantic world. Their work demonstrates how images became central to the ways that people developed ideas about race, citizenship, and politics during the nineteenth century.
Author: Thomas Ruys Smith Publisher: LSU Press ISBN: 0807172871 Category : Literary Criticism Languages : en Pages : 348
Book Description
Mark Twain’s visions of the Mississippi River offer some of the most indelible images in American literature: Huck and Jim floating downstream on their raft, Tom Sawyer and friends becoming pirates on Jackson’s Island, the young Sam Clemens himself at the wheel of a steamboat. Through Twain’s iconic river books, the Mississippi has become an imagined river as much as a real one. Yet despite the central place that Twain’s river occupies in the national imaginary, until now no work has explored the shifting meaning of this crucial connection in a single volume. Thomas Ruys Smith’s Deep Water: The Mississippi River in the Age of Mark Twain is the first book to provide a comprehensive narrative account of Twain’s intimate and long-lasting creative engagement with the Mississippi. This expansive study traces two separate but richly intertwined stories of the river as America moved from the aftermath of the Civil War toward modernity. It follows Twain’s remarkable connection to the Mississippi, from his early years on the river as a steamboat pilot, through his most significant literary statements, to his final reflections on the crooked stream that wound its way through his life and imagination. Alongside Twain’s evolving relationship to the river, Deep Water details the thriving cultural life of the Mississippi in this period—from roustabouts to canoeists, from books for boys to blues songs—and highlights a diverse collection of voices each telling their own story of the river. Smith weaves together these perspectives, putting Twain and his creations in conversation with a dynamic cast of river characters who helped transform the Mississippi into a vibrant American icon. By balancing evocative cultural history with thought-provoking discussions of some of Twain’s most important and beloved works, Deep Water gives readers a new sense of both the Mississippi and the remarkable writer who made the river his own.
Author: Jennifer C. James Publisher: UNC Press Books ISBN: 1469606674 Category : Literary Criticism Languages : en Pages : 337
Book Description
In the first comprehensive study of African American war literature, Jennifer James analyzes fiction, poetry, autobiography, and histories about the major wars waged before the desegregation of the U.S. military in 1948. Examining literature about the Civil War, the Spanish-American Wars, World War I, and World War II, James introduces a range of rare and understudied texts by writers such as Victor Daly, F. Grant Gilmore, William Gardner Smith, and Susie King Taylor. She argues that works by these as well as canonical writers such as William Wells Brown, Paul Laurence Dunbar, and Gwendolyn Brooks mark a distinctive contribution to African American letters. In establishing African American war literature as a long-standing literary genre in its own right, James also considers the ways in which this writing, centered as it is on moments of national crisis, complicated debates about black identity and African Americans' claims to citizenship. In a provocative assessment, James argues that the very ambivalence over the use of violence as a political instrument defines African American war writing and creates a compelling, contradictory body of literature that defies easy summary.
Author: William Wells Brown
Author: William Wells Brown
Author: Michaël Roy
Author: Jeffrey R. Kerr-Ritchie
Author: Martha J. Cutter
Author: Aston Gonzalez
Author: Thomas Ruys Smith
Author: Jennifer C. James
Author: Joseph Sabin
Author: Joseph Sabin
Author: Joseph Sabin