Author: Joseph Priestley
Publisher:
ISBN:
Category : Biography
Languages : en
Pages : 84
Book Description
A Description of a Chart of Biography
Author: Joseph Priestley
Publisher:
ISBN:
Category : Biography
Languages : en
Pages : 84
Book Description
Publisher:
ISBN:
Category : Biography
Languages : en
Pages : 84
Book Description
A Description of a Chart of Biography; with a catalogue of all the names inserted in it, and the dates annexed to them ... Second edition
A Description of a New Chart of History
Author: Joseph Priestley
Publisher:
ISBN:
Category : Chronology, Historical
Languages : en
Pages : 216
Book Description
Publisher:
ISBN:
Category : Chronology, Historical
Languages : en
Pages : 216
Book Description
A Description of a New Chart of History ... The eighth edition, corrected
A Description of a New Chart of History ... The fourth edition
A Description of a New Chart of History ... The ninth edition corrected
A description of a new chart of history, containing a view of the principal revolutions of empire that have taken place in the world ... The sixth edition, corrected
A Description of a Chart of Biography
Adams' Synchronological Chart Or Map of History
Author: Sebastian Adams
Publisher: New Leaf Publishing Group
ISBN: 0890515050
Category : Chronology, Historical
Languages : en
Pages : 1
Book Description
This is a time line that follows the Annals of the World time line by James Ussher.
Publisher: New Leaf Publishing Group
ISBN: 0890515050
Category : Chronology, Historical
Languages : en
Pages : 1
Book Description
This is a time line that follows the Annals of the World time line by James Ussher.
The Infographic
Author: Murray Dick
Publisher: MIT Press
ISBN: 0262043823
Category : Computers
Languages : en
Pages : 243
Book Description
An exploration of infographics and data visualization as a cultural phenomenon, from eighteenth-century print culture to today's data journalism. Infographics and data visualization are ubiquitous in our everyday media diet, particularly in news—in print newspapers, on television news, and online. It has been argued that infographics are changing what it means to be literate in the twenty-first century—and even that they harmonize uniquely with human cognition. In this first serious exploration of the subject, Murray Dick traces the cultural evolution of the infographic, examining its use in news—and resistance to its use—from eighteenth-century print culture to today's data journalism. He identifies six historical phases of infographics in popular culture: the proto-infographic, the classical, the improving, the commercial, the ideological, and the professional. Dick describes the emergence of infographic forms within a wider history of journalism, culture, and communications, focusing his analysis on the UK. He considers their use in the partisan British journalism of late eighteenth and early nineteenth-century print media; their later deployment as a vehicle for reform and improvement; their mass-market debut in the twentieth century as a means of explanation (and sometimes propaganda); and their use for both ideological and professional purposes in the post–World War II marketized newspaper culture. Finally, he proposes best practices for news infographics and defends infographics and data visualization against a range of criticism. Dick offers not only a history of how the public has experienced and understood the infographic, but also an account of what data visualization can tell us about the past.
Publisher: MIT Press
ISBN: 0262043823
Category : Computers
Languages : en
Pages : 243
Book Description
An exploration of infographics and data visualization as a cultural phenomenon, from eighteenth-century print culture to today's data journalism. Infographics and data visualization are ubiquitous in our everyday media diet, particularly in news—in print newspapers, on television news, and online. It has been argued that infographics are changing what it means to be literate in the twenty-first century—and even that they harmonize uniquely with human cognition. In this first serious exploration of the subject, Murray Dick traces the cultural evolution of the infographic, examining its use in news—and resistance to its use—from eighteenth-century print culture to today's data journalism. He identifies six historical phases of infographics in popular culture: the proto-infographic, the classical, the improving, the commercial, the ideological, and the professional. Dick describes the emergence of infographic forms within a wider history of journalism, culture, and communications, focusing his analysis on the UK. He considers their use in the partisan British journalism of late eighteenth and early nineteenth-century print media; their later deployment as a vehicle for reform and improvement; their mass-market debut in the twentieth century as a means of explanation (and sometimes propaganda); and their use for both ideological and professional purposes in the post–World War II marketized newspaper culture. Finally, he proposes best practices for news infographics and defends infographics and data visualization against a range of criticism. Dick offers not only a history of how the public has experienced and understood the infographic, but also an account of what data visualization can tell us about the past.