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Author: Tom Perchard Publisher: University of Michigan Press ISBN: 0472120751 Category : Music Languages : en Pages : 309
Book Description
How did French musicians and critics interpret jazz—that quintessentially American music—in the mid-twentieth century? How far did players reshape what they learned from records and visitors into more local jazz forms, and how did the music figure in those angry debates that so often suffused French cultural and political life? After Django begins with the famous interwar triumphs of Josephine Baker and Django Reinhardt, but, for the first time, the focus here falls on the French jazz practices of the postwar era. The work of important but neglected French musicians such as André Hodeir and Barney Wilen is examined in depth, as are native responses to Americans such as Miles Davis and Thelonious Monk. The book provides an original intertwining of musical and historical narrative, supported by extensive archival work; in clear and compelling prose, Perchard describes the problematic efforts towards aesthetic assimilation and transformation made by those concerned with jazz in fact and in idea, listening to the music as it sounded in discourses around local identity, art, 1968 radicalism, social democracy, and post colonial politics.
Author: Tom Perchard Publisher: University of Michigan Press ISBN: 0472120751 Category : Music Languages : en Pages : 309
Book Description
How did French musicians and critics interpret jazz—that quintessentially American music—in the mid-twentieth century? How far did players reshape what they learned from records and visitors into more local jazz forms, and how did the music figure in those angry debates that so often suffused French cultural and political life? After Django begins with the famous interwar triumphs of Josephine Baker and Django Reinhardt, but, for the first time, the focus here falls on the French jazz practices of the postwar era. The work of important but neglected French musicians such as André Hodeir and Barney Wilen is examined in depth, as are native responses to Americans such as Miles Davis and Thelonious Monk. The book provides an original intertwining of musical and historical narrative, supported by extensive archival work; in clear and compelling prose, Perchard describes the problematic efforts towards aesthetic assimilation and transformation made by those concerned with jazz in fact and in idea, listening to the music as it sounded in discourses around local identity, art, 1968 radicalism, social democracy, and post colonial politics.
Author: Guy Tristan Publisher: ISBN: 9782917843024 Category : Languages : fr Pages : 350
Book Description
Pendant l'été, le château de Bertillon de Mézières en Brenne est la scène d'une folie meurtrière. Parmi les acteurs de la scène, Jéromine Beaudouin, jeune citadine reconvertie à la paysannerie, l'étrange vagabond Jaquin, l'inspecteur Cazal et Tito Kosta,
Author: Vincent Viaene Publisher: Leuven University Press ISBN: 9462701423 Category : Religion Languages : en Pages : 357
Book Description
Religion in today’s Democratic Republic of Congo has many faces: from the overflowing seminaries and Marian shrines of the Catholic Church to the Islamic brotherhoods, from the healers of Kimban-guism to the televangelism of the booming Pentecostalist churches in the great cities, from the Orthodox communities of Kasai to the ‘invisible’ Mai Mai warriors in the brousse of Kivu. During the colonial period religion was no less central to people’s lives than it is today. More surprisingly, behind the seemingly smooth facade of missions linked closely to imperial power, faith and worship were already marked by diversity and dynamism, tying the Congo into broader African and global movements. The contributions in this book provide insight into the multifaceted history of the interaction between religion and colonization. The authors outline the institutional political framework, and focus on the challenge that old and new forms of slavery entailed for the missions. The atrocities committed at the time of the Congo Free State became an existential question for young Christian communities. In the Belgian Congo after 1908, more structural forms of colonial violence remained a key issue marking religious experiences. And yet, religion also acted as a bridge. The authors emphasize the role intermediaries such as catechists or medical assistants played in the African “appropriation” of Christianity. They examine the complex interaction with indigenous religious beliefs and practices, and zoom in on the part religions played in the independence movement, as well as on their reaction to independence itself. Coming at a moment when Belgium confronts its colonial past, this volume provides a timely reassessment of religion as a key factor.
Author: Canadian Museum of Civilization Publisher: Hull, Quebec : Canadian Museum of Civilization ISBN: 9780660140063 Category : History Languages : en Pages : 160
Book Description
Issued also in French under title: Opus, la facture instrumentale au Canada.
Author: George Ashdown Audsley Publisher: Courier Corporation ISBN: 048631698X Category : Music Languages : en Pages : 625
Book Description
Volume 1 of this set includes an outline of organ history, external design and decoration, internal arrangement and mechanical systems, acoustics, more. Complete with illustrations, tables, and specifications. Set includes 385 figures and 15 plates.
Author: Tom Perchard
Author: Tom Perchard
Author: Guy Tristan
Author: Luca Cerchiari
Author: 
Author: Vincent Viaene
Author: Canadian Museum of Civilization
Author: 
Author: George Ashdown Audsley
Author: Library of Congress
Author: Boston Public Library. Allen A. Brown Collection of Music