Author: Andreas OrnithoparchusPublisher:
ISBN: 9780486209128
Category :
Languages : en
Pages :
Book Description
A compendium of musical practice. Musice active micrologus. Andreas Ornithoparcus his Micrologus, or introduction: Containing the art of singing
Author: Andreas OrnithoparchusPublisher:
ISBN: 9780486209128
Category :
Languages : en
Pages :
Book Description
A Compendium of Musical Practice: Musice Active Micrologus
Author: Andreas OrnithoparchusPublisher: New York : Dover Publications
ISBN:
Category : Music
Languages : en
Pages : 256
Book Description
A Performer's Guide to Renaissance Music
Author: Jeffery Kite-PowellPublisher: Indiana University Press
ISBN: 0253013771
Category : Music
Languages : en
Pages : 498
Book Description
Revised and expanded since it first appeared in 1991, the guide features two new chapters on ornamentation and rehearsal techniques, as well as updated reference materials, internet resources, and other new material made available only in the last decade. The guide is comprised of focused chapters on performance practice issues such as vocal and choral music; various types of ensembles; profiles of specific instruments; instrumentation; performance practice issues; theory; dance; regional profiles of Renaissance music; and guidelines for directors. The format addresses the widest possible audience for early music, including amateur and professional performers, musicologists, theorists, and educators.
The Renaissance Reform of Medieval Music Theory
Author: Stefano MengozziPublisher: Cambridge University Press
ISBN: 0521884152
Category : Music
Languages : en
Pages : 305
Book Description
A detailed study of the sight-singing method introduced by the 11th-century monk Guido of Arezzo, in its intellectual context.
Music in the Middle Ages and the Renaissance
Author: Harold GleasonPublisher: Alfred Music Publishing
ISBN: 9780882843797
Category : Music
Languages : en
Pages : 226
Book Description
This is a complete revision of the second edition, designed as a guide and resource in the study of music from the earliest times through the Renaissance period. The authors have completely revised and updated the bibliographies; in general they are limited to English language sources. In order to facilitate study of this period and to use materials efficiently, references to facsimiles, monumental editions, complete composers' works and specialized anthologies are given. The authors present this systematic organization in this volume in the hope that students, teachers, and performers may find in it a ready tool for developing a comprehensive understanding of the music of this period.
A. Ornithoparcus his micrologus, or introduction: containing the art of singing
Author: Andreas OrnithoparcusMusica Franca
Author: Irene AlmPublisher: Pendragon Press
ISBN: 9780945193920
Category : Juvenile Nonfiction
Languages : en
Pages : 680
Book Description
Twenty-four essays attest to D'Accone's wide interests and influence on several generations of musicologists. The first three sections-- on the Florentine Renaissance, archival studies, and madrigal and carnival song--deal with subjects central to his research. Subsequent contributions deal with various aspects of Italian opera, performance practice, manuscript studies, and music and image. Annotation copyrighted by Book News, Inc., Portland, OR
Music, Books on Music, and Sound Recordings
Author: Library of CongressPublisher:
ISBN:
Category : Music
Languages : en
Pages : 928
Book Description
Andreas Ornithoparcus His Micrologus, Or Introduction: Containing the Art of Singing. Digested Into Foure Bookes. Not Onely Profitable, But Also Necessary for All that are Studious of Musicke. Also the Dimension and Perfect Use of the Monochord, According to Guido Aretinus. By John Douland Lutenist, Lute-player, and Bachelor of Musicke in Both the Universities
Author: Andreas VogelsangPierre de la Rue and Musical Life at the Habsburg-Burgundian Court
Author: Honey MeconiPublisher: Oxford University Press, USA
ISBN: 9780198165545
Category : History
Languages : en
Pages : 424
Book Description
For twenty-four or more years composer Pierre de la Rue (d. 1518) provided music for one of the leading musical institutions of his day, the grande chapelle of the Habsburg-Burgundian court. Serving successive rulers Maximilian I, Philip the Fair, Juana of Castile, Marguerite of Austria, and the future Charles V, La Rue surpassed a dozen composer colleagues in his creation of polyphony to meet the needs of the court and its extravagant liturgy. This study, the first ever in English, traces La Rue's life and career, explores aspects of his compositional output, and recounts the reawakening of modern scholarship to his unique contributions.