Author: Martin Madan
Publisher:
ISBN:
Category :
Languages : en
Pages : 198
Book Description
A Collection of Psalms and Hymns, Extracted from Various Authors, and Published by the Reverend Mr. Madan
Dictionary of National Biography
The Hymn
Dictionary of National Biography
Author: Leslie Stephen
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 466
Book Description
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 466
Book Description
The Dictionary of National Biography
Author: Sir Leslie Stephen
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 1374
Book Description
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 1374
Book Description
The Dictionary of National Biography
Author: Leslie Stephen
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 1360
Book Description
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 1360
Book Description
The Dictionary of National Biography, Founded in 1882 by George Smith
Author: Sir Leslie Stephen
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 1396
Book Description
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 1396
Book Description
The Eighteenth Century
Representative Verse
Author: Charles Wesley
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 492
Book Description
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 492
Book Description
Charles Avison in Context
Author: Roz Southey
Publisher: Routledge
ISBN: 131716833X
Category : Music
Languages : en
Pages : 390
Book Description
Despite recent interest in music-making in the so-called ’provinces’, the idea still lingers that music-making outside London was small in scale, second-rate and behind the times. However, in Newcastle upon Tyne, the presence of a nationally known musician, Charles Avison (1709-1770), prompts a reassessment of how far this idea is still tenable. Avison’s life and work illuminates many wider trends. His relationships with his patrons, the commercial imperatives which shaped his activities, the historical and social milieu in which he lived and worked, were influenced by and reflected many contemporary movements: Latitudinarianism, Methodism, the improvement of church music, the aesthetics of the day including new ideas circulating in Europe, discussions of issues such as gentility, and the new commercialism of leisure. He can be considered as the notional centre of a web of connections, both musical and non-musical, extending through every part of Britain and into both Europe and America. This book looks at these connections, exploring the ways in which the musical culture in the north-east region interacted with, and influenced, musical culture elsewhere, and the non-musical influences with which it was involved, including contemporary religious, philosophical and commercial developments, establishing that regional centres such as Newcastle could be as well-informed, influential and vibrant as London.
Publisher: Routledge
ISBN: 131716833X
Category : Music
Languages : en
Pages : 390
Book Description
Despite recent interest in music-making in the so-called ’provinces’, the idea still lingers that music-making outside London was small in scale, second-rate and behind the times. However, in Newcastle upon Tyne, the presence of a nationally known musician, Charles Avison (1709-1770), prompts a reassessment of how far this idea is still tenable. Avison’s life and work illuminates many wider trends. His relationships with his patrons, the commercial imperatives which shaped his activities, the historical and social milieu in which he lived and worked, were influenced by and reflected many contemporary movements: Latitudinarianism, Methodism, the improvement of church music, the aesthetics of the day including new ideas circulating in Europe, discussions of issues such as gentility, and the new commercialism of leisure. He can be considered as the notional centre of a web of connections, both musical and non-musical, extending through every part of Britain and into both Europe and America. This book looks at these connections, exploring the ways in which the musical culture in the north-east region interacted with, and influenced, musical culture elsewhere, and the non-musical influences with which it was involved, including contemporary religious, philosophical and commercial developments, establishing that regional centres such as Newcastle could be as well-informed, influential and vibrant as London.