A Chinese Honeymoon PDF Download

Author: Howard Talbot
Publisher:
ISBN:
Category : Musical revues, comedies, etc
Languages : en
Pages : 162

View

Book Description

Author: Howard Talbot
Publisher:
ISBN: 9781021783837
Category : History
Languages : en
Pages : 0

View

Book Description

Author: Howard Talbot
Publisher: Nabu Press
ISBN: 9781293218228
Category :
Languages : en
Pages : 160

View

Book Description
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ A Chinese Honeymoon: Musical Comedy In Two Acts Howard Talbot, Sir George Dance Hopwood & Crew, 1901 Music; Genres & Styles; Musicals; Music / Genres & Styles / Musicals; Musicals

Author: Howard Talbot
Publisher:
ISBN:
Category : Musicals
Languages : en
Pages : 154

View

Book Description

Author: Michael Saffle
Publisher: University of Michigan Press
ISBN: 0472900757
Category : Music
Languages : en
Pages : 345

View

Book Description
Western music reached China nearly four centuries ago, with the arrival of Christian missionaries, yet only within the last century has Chinese music absorbed its influence. As China and the West demonstrates, the emergence of “Westernized” music from China—concurrent with the technological advances that have made global culture widely accessible—has not established a prominent presence in the West. China and the West brings together essays on centuries of Sino-Western musical exchange by musicologists, ethnomusicologists, and music theorists from around the world. It opens with a look at theoretical approaches of prior studies of musical encounters and a comprehensive survey of the intercultural and cross-cultural theoretical frameworks—exoticism, orientalism, globalization, transculturation, and hybridization—that inform these essays. Part I focuses on the actual encounters between Chinese and European musicians, their instruments and institutions, and the compositions inspired by these encounters, while Part II examines theatricalized and mediated East-West cultural exchanges, which often drew on stereotypical tropes, resulting in performances more inventive than accurate. Part III looks at the musical language, sonority, and subject matters of “intercultural” compositions by Eastern and Western composers. Essays in Part IV address reception studies and consider the ways in which differences are articulated in musical discourse by actors serving different purposes, whether self-promotion, commercial marketing, or modes of nationalistic—even propagandistic—expression. The volume’s extensive bibliography of secondary sources will be invaluable to scholars of music, contemporary Chinese culture, and the globalization of culture.

Author: Guy Jones
Publisher:
ISBN:
Category : Musicals
Languages : en
Pages : 136

View

Book Description

Author: Jean Gilbert
Publisher:
ISBN:
Category : Musicals
Languages : en
Pages : 142

View

Book Description

Author: Jeanette Marie Drone
Publisher: Scarecrow Press
ISBN: 9780810811003
Category : Music
Languages : en
Pages : 190

View

Book Description
Indexes 1,605 titles by 627 composers.

Author: Andrew Selth
Publisher: Routledge
ISBN: 1317298896
Category : Music
Languages : en
Pages : 299

View

Book Description
For decades, scholars have been trying to answer the question: how was colonial Burma perceived in and by the Western world, and how did people in countries like the United Kingdom and United States form their views? This book explores how Western perceptions of Burma were influenced by the popular music of the day. From the First Anglo-Burmese War of 1824-6 until Burma regained its independence in 1948, more than 180 musical works with Burma-related themes were written in English-speaking countries, in addition to the many hymns composed in and about Burma by Christian missionaries. Servicemen posted to Burma added to the lexicon with marches and ditties, and after 1913 most movies about Burma had their own distinctive scores. Taking Rudyard Kipling’s 1890 ballad ‘Mandalay’ as a critical turning point, this book surveys all these works with emphasis on popular songs and show tunes, also looking at classical works, ballet scores, hymns, soldiers’ songs, sea shanties, and film soundtracks. It examines how they influenced Western perceptions of Burma, and in turn reflected those views back to Western audiences. The book sheds new light not only on the West’s historical relationship with Burma, and the colonial music scene, but also Burma’s place in the development of popular music and the rise of the global music industry. In doing so, it makes an original contribution to the fields of musicology and Asian Studies.

Author: George Dance (Dramatist.)
Publisher:
ISBN:
Category :
Languages : en
Pages :

View

Book Description