A Checklist of New Plays and Entertainments on the London Stage, 1700-1737

A Checklist of New Plays and Entertainments on the London Stage, 1700-1737 PDF Author: William J. Burling
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838634516
Category : Drama
Languages : en
Pages : 258

Book Description
An extensive index includes play titles and subtitles, playwrights, and related scholars.

Disciplining Satire

Disciplining Satire PDF Author: Matthew J. Kinservik
Publisher: Bucknell University Press
ISBN: 9780838755129
Category : History
Languages : en
Pages : 316

Book Description
Focusing on the playwriting careers of Henry Fielding, Samuel Foote, and Charles Macklin, the three most controversial and heavily censored satiric dramatists of the century, Disciplining Satire pays particular attention to what type of satiric expression the law encouraged, not just to what it prohibited."--BOOK JACKET.

Summer Theatre in London, 1661-1820, and the Rise of the Haymarket Theatre

Summer Theatre in London, 1661-1820, and the Rise of the Haymarket Theatre PDF Author: William J. Burling
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838638118
Category : Literary Criticism
Languages : en
Pages : 340

Book Description
A biography of the actor who starred in the popular television series, Family Ties, as well as in a number of motion pictures and who recently announced that he has Parkinson's disease.

Everywhere and Nowhere

Everywhere and Nowhere PDF Author: Mark Vareschi
Publisher: U of Minnesota Press
ISBN: 1452957819
Category : Literary Criticism
Languages : en
Pages : 246

Book Description
A fascinating analysis of anonymous publication centuries before the digital age Everywhere and Nowhere considers the ubiquity of anonymity and mediation in the publication and circulation of eighteenth-century British literature—before the Romantic creation of the “author”—and what this means for literary criticism. Anonymous authorship was typical of the time, yet literary scholars and historians have been generally unable to account for it as anything more than a footnote or curiosity. Mark Vareschi shows the entangled relationship between mediation and anonymity, revealing the nonhuman agency of the printed text. Drawing richly on quantitative analysis and robust archival work, Vareschi brings together philosophy, literary theory, and media theory in a trenchant analysis, uncovering a history of textual engagement and interpretation that does not hinge on the known authorial subject. In discussing anonymous poetry, drama, and the novel along with anonymously published writers such as Daniel Defoe, Frances Burney, and Walter Scott, he unveils a theory of mediation that renews broader questions about agency and intention. Vareschi argues that textual intentionality is a property of nonhuman, material media rather than human subjects alone, allowing the anonymous literature of the eighteenth century to speak to contemporary questions of meaning in the philosophy of language. Vareschi closes by exploring dubious claims about the death of anonymity and the reexplosion of anonymity with the coming of the digital. Ultimately, Everywhere and Nowhere reveals the long history of print anonymity so central to the risks and benefits of the digital culture.

"Music and Musicians on the London Stage, 1695?705 "

Author: Kathryn Lowerre
Publisher: Routledge
ISBN: 1351557610
Category : Music
Languages : en
Pages : 430

Book Description
From 1695 to 1705, rival London theater companies based at Drury Lane and Lincoln's Inn Fields each mounted more than a hundred new productions while reviving stock plays by authors such as Shakespeare and Dryden. All included music. Kathryn Lowerre charts the interactions of the two companies from a musical perspective, emphasizing each company's new productions and their respective musical assets, including performers, composers, and musical materials. Lowerre also provides rich analysis of the relationship of music to genres including comedy, dramatick opera, and musical tragedy, and explores the migration of music from theater to theater, performer to performer, and from stage to street and back again. As Lowerre persuasively demonstrates, during this period, all theater was musical theater.

Music and Musicians on the London Stage, 1695-1705

Music and Musicians on the London Stage, 1695-1705 PDF Author: Kathryn Lowerre
Publisher: Routledge
ISBN: 1351557629
Category : Music
Languages : en
Pages : 429

Book Description
From 1695 to 1705, rival London theater companies based at Drury Lane and Lincoln's Inn Fields each mounted more than a hundred new productions while reviving stock plays by authors such as Shakespeare and Dryden. All included music. Kathryn Lowerre charts the interactions of the two companies from a musical perspective, emphasizing each company's new productions and their respective musical assets, including performers, composers, and musical materials. Lowerre also provides rich analysis of the relationship of music to genres including comedy, dramatick opera, and musical tragedy, and explores the migration of music from theater to theater, performer to performer, and from stage to street and back again. As Lowerre persuasively demonstrates, during this period, all theater was musical theater.

Shakespeare Adaptations from the Early Eighteenth Century

Shakespeare Adaptations from the Early Eighteenth Century PDF Author: Kristine Johanson
Publisher: Rowman & Littlefield
ISBN: 1611474604
Category : Literary Criticism
Languages : en
Pages : 475

Book Description
This book presents a scholarly edition of five of the first adaptations of Shakespeare from the eighteenth century, the period when Shakespeare became “Shakespeare.” Written by men influential in early Augustan cultural spheres, these adaptations demonstrate how contemporary literary principles and contemporary politics were applied to Shakespeare’s texts. In these adaptations of Henry V, Richard II, Coriolanus, 2 Henry VI and 3 Henry VI, we see the various ways that eighteenth-century authors “righted” Shakespeare’s “wrongs”: through the addition and alteration of female characters and romantic sub-plots, the introduction of new scenes, the use of the unities of time and place, and the inclusion of overt moral and political arguments. The critical introduction contextualizes the five adaptations through its discussion of early eighteenth-century theatre and politics. First providing an overview of the state of the theatre at the beginning of the Augustan age, the introduction then examines the multiple political conspiracies that rocked the first years of George I’s reign and that provide the backdrop to these adaptations. Furthermore, the introduction draws particular attention to the importance of the actress in the early eighteenth century, highlighting how Shakespeare’s adaptors drew on actresses’ cultural capital to alter Shakespeare’s texts. Finally, the edition provides a critical introduction to each of the plays. Extensive explanatory notes are provided, which situate further these plays in their contemporary context. In its introduction and explanatory notes, Shakespeare Adaptations supplies an important critical apparatus to five plays which are often noted in the annals of Shakespearean theatrical history with derision. However, this edition reveals how these plays documented their own time and helped shape Shakespeare into the most recognizable literary icon in the Western canon.

Literary Research and the British Eighteenth Century

Literary Research and the British Eighteenth Century PDF Author: Peggy Keeran
Publisher: Rowman & Littlefield
ISBN: 0810887959
Category : Language Arts & Disciplines
Languages : en
Pages : 329

Book Description
The 18th century in Britain was a transition period for literature. Patronage, either by a benefactor or through subscription, lingered even as the publishing and bookselling industries developed. The practice of reviewing books became well established during the second half of the century, with the first periodical founded in 1749. For the literary scholar, these gradual changes mean that different search strategies are required to conduct research into primary and secondary source material across the era. Literary Research and the British Eighteenth Century addresses these unique challenges. It examines how the following all contribute to the richness of literary research for this era: book and periodical publishing; a growing literate society; dissemination of literature through salons, private societies, and coffee houses; the growing importance of book reviews; the explosion of publishing; and the burgeoning of primary source material available through new publishing and digital initiatives in the 21st century. This volume explores primary and secondary resources, including general literary research guides; union library catalogs; print and online bibliographies; scholarly journals; manuscripts and archives; 18th-century books, newspapers, and periodicals; contemporary reception; and electronic texts and journals, as well as Web resources. Each chapter addresses the research methods and tools best used to extract relevant information and compares and evaluates sources, making this book an invaluable guide to any literary scholar and student of the British eighteenth century.

The Colonial American Stage, 1665-1774

The Colonial American Stage, 1665-1774 PDF Author: Odai Johnson
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838639030
Category : Performing Arts
Languages : en
Pages : 532

Book Description
The geographic range of this study is the British American colonies, from Halifax, Nova Scotia, to Savannah, in the Georgia colony on the continent, and the British West Indies."--BOOK JACKET.

The Theatre Career of Thomas Arne

The Theatre Career of Thomas Arne PDF Author: Todd Gilman
Publisher: Rowman & Littlefield
ISBN: 1611494362
Category : Biography & Autobiography
Languages : en
Pages : 645

Book Description
This book concerns the life and theatrical career of the great native-born English composer and musician of the eighteenth century, Thomas Augustine Arne (1710-1778), best known today as the composer of "Rule, Britannia." It will appeal to those interested in the mid-to-late eighteenth-century London and Dublin theatre, opera, and music scenes.