Author: American Russian Institute
Publisher:
ISBN:
Category : Icons
Languages : en
Pages : 20
Book Description
A Catalogue of Russian Icons Received from the American Russian Institute for Exhibition
Author: American Russian Institute
Publisher:
ISBN:
Category : Icons
Languages : en
Pages : 20
Book Description
Publisher:
ISBN:
Category : Icons
Languages : en
Pages : 20
Book Description
A Catalogue of Russian Icons
Sensational Religion
Author: Sally Promey
Publisher: Yale University Press
ISBN: 0300190360
Category : Religion
Languages : en
Pages : 793
Book Description
The result of a collaborative, multiyear project, this groundbreaking book explores the interpretive worlds that inform religious practice and derive from sensory phenomena. Under the rubric of "making sense," the studies assembled here ask, How have people used and valued sensory data? How have they shaped their material and immaterial worlds to encourage or discourage certain kinds or patterns of sensory experience? How have they framed the sensual capacities of images and objects to license a range of behaviors, including iconoclasm, censorship, and accusations of blasphemy or sacrilege? Exposing the dematerialization of religion embedded in secularization theory, editor Sally Promey proposes a fundamental reorientation in understanding the personal, social, political, and cultural work accomplished in religion’s sensory and material practice. Sensational Religion refocuses scholarly attention on the robust material entanglements often discounted by modernity’s metaphysic and on their inextricable connections to human bodies, behaviors, affects, and beliefs.
Publisher: Yale University Press
ISBN: 0300190360
Category : Religion
Languages : en
Pages : 793
Book Description
The result of a collaborative, multiyear project, this groundbreaking book explores the interpretive worlds that inform religious practice and derive from sensory phenomena. Under the rubric of "making sense," the studies assembled here ask, How have people used and valued sensory data? How have they shaped their material and immaterial worlds to encourage or discourage certain kinds or patterns of sensory experience? How have they framed the sensual capacities of images and objects to license a range of behaviors, including iconoclasm, censorship, and accusations of blasphemy or sacrilege? Exposing the dematerialization of religion embedded in secularization theory, editor Sally Promey proposes a fundamental reorientation in understanding the personal, social, political, and cultural work accomplished in religion’s sensory and material practice. Sensational Religion refocuses scholarly attention on the robust material entanglements often discounted by modernity’s metaphysic and on their inextricable connections to human bodies, behaviors, affects, and beliefs.
Dictionary Catalog of the Slavonic Collection
Author: New York Public Library. Slavonic Division
Publisher:
ISBN:
Category : Europe, Eastern
Languages : en
Pages : 834
Book Description
Publisher:
ISBN:
Category : Europe, Eastern
Languages : en
Pages : 834
Book Description
The National Union Catalog, Pre-1956 Imprints
Author: Library of Congress
Publisher:
ISBN:
Category : Catalogs, Union
Languages : en
Pages : 746
Book Description
Publisher:
ISBN:
Category : Catalogs, Union
Languages : en
Pages : 746
Book Description
What was Contemporary Art?
Author: Richard Meyer
Publisher: MIT Press
ISBN: 0262135086
Category : Art
Languages : en
Pages : 374
Book Description
"Contemporary art in the early twenty-first century is often discussed as though it were a radically new phenomenon unmoored from history. Yet all works of art were once contemporary to the artist and culture that produced them. In What Was Contemporary Art? Richard Meyer reclaims the contemporary from historical amnesia, exploring episodes in the study, exhibition, and reception of early twentieth-century art and visual culture.
Publisher: MIT Press
ISBN: 0262135086
Category : Art
Languages : en
Pages : 374
Book Description
"Contemporary art in the early twenty-first century is often discussed as though it were a radically new phenomenon unmoored from history. Yet all works of art were once contemporary to the artist and culture that produced them. In What Was Contemporary Art? Richard Meyer reclaims the contemporary from historical amnesia, exploring episodes in the study, exhibition, and reception of early twentieth-century art and visual culture.
The Power of Icons
Author: Jan Morsink Ikonen (Firm)
Publisher: Snoeck
ISBN:
Category : Art
Languages : en
Pages : 188
Book Description
"This illustrated book presents a collection of unique icons not usually seen outside the confines of the living room. A collection assembled by the brothers Simon and Hugo Morsink, both passionate icon lovers and art dealers. Accompanying texts, to which international experts have contributed, explain the meaning of these Greek and Russian icons, dating from the 15th to the 19th century, while several essays take the reader inside the world of this ancient Christian art form."--BOOK JACKET.
Publisher: Snoeck
ISBN:
Category : Art
Languages : en
Pages : 188
Book Description
"This illustrated book presents a collection of unique icons not usually seen outside the confines of the living room. A collection assembled by the brothers Simon and Hugo Morsink, both passionate icon lovers and art dealers. Accompanying texts, to which international experts have contributed, explain the meaning of these Greek and Russian icons, dating from the 15th to the 19th century, while several essays take the reader inside the world of this ancient Christian art form."--BOOK JACKET.
Reclaiming and Redefining American Exhibitions of Russian Art
Author: Roann Barris
Publisher: Taylor & Francis
ISBN: 100092761X
Category : Art
Languages : en
Pages : 171
Book Description
This book examines the history of American exhibitions of Russian art in the twentieth century in the context of the Cold War. Because this history reflects changes in museological theory and the role of governments in facilitating or preventing intercultural cooperation, it uncovers a story that is far more complex than a chronological listing of exhibition names and art works. Roann Barris considers questions of stylistic appropriations and influences and the role of museum exhibitions in promoting international and artistic exchanges. Barris reveals that Soviet and American exchanges in the world of art were extensive and persistent despite political disagreements before, during, and after the Cold War. It also reveals that these early exhibitions communicated contradictory and historically invalid pictures of the Russian or Soviet avant-garde. The book will be of interest to scholars working in art history, museum studies, and Russian studies.
Publisher: Taylor & Francis
ISBN: 100092761X
Category : Art
Languages : en
Pages : 171
Book Description
This book examines the history of American exhibitions of Russian art in the twentieth century in the context of the Cold War. Because this history reflects changes in museological theory and the role of governments in facilitating or preventing intercultural cooperation, it uncovers a story that is far more complex than a chronological listing of exhibition names and art works. Roann Barris considers questions of stylistic appropriations and influences and the role of museum exhibitions in promoting international and artistic exchanges. Barris reveals that Soviet and American exchanges in the world of art were extensive and persistent despite political disagreements before, during, and after the Cold War. It also reveals that these early exhibitions communicated contradictory and historically invalid pictures of the Russian or Soviet avant-garde. The book will be of interest to scholars working in art history, museum studies, and Russian studies.
Russian Art and American Money, 1900-1940
Author: Robert Chadwell Williams
Publisher: Cambridge : Harvard University Press
ISBN:
Category : Art
Languages : en
Pages : 328
Book Description
Documents the dispersal of Russian art in the United States, beginning with the works exhibited at the Louisiana Purchase Exposition in St. Louis in 1904.
Publisher: Cambridge : Harvard University Press
ISBN:
Category : Art
Languages : en
Pages : 328
Book Description
Documents the dispersal of Russian art in the United States, beginning with the works exhibited at the Louisiana Purchase Exposition in St. Louis in 1904.
Catalog of Copyright Entries
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1190
Book Description
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1190
Book Description