Author: Ki S. B. Josodharmodjo
Publisher:
ISBN:
Category : Puppet plays
Languages : en
Pages : 24
Book Description
A Brief Outline on the Aspects of the Javanese Wayang Kulit
Author: Ki S. B. Josodharmodjo
Publisher:
ISBN:
Category : Puppet plays
Languages : en
Pages : 24
Book Description
Publisher:
ISBN:
Category : Puppet plays
Languages : en
Pages : 24
Book Description
Wayang Theatre in Indonesia
Author: Clara Van Groenendael
Publisher: BRILL
ISBN: 9004658270
Category : History
Languages : en
Pages : 229
Book Description
Publisher: BRILL
ISBN: 9004658270
Category : History
Languages : en
Pages : 229
Book Description
Unveiling Indonesia
Author: Library of Congress
Publisher:
ISBN:
Category : Indonesia
Languages : en
Pages : 1180
Book Description
Publisher:
ISBN:
Category : Indonesia
Languages : en
Pages : 1180
Book Description
Educational Theatre Journal
Author:
Publisher:
ISBN:
Category : American periodicals
Languages : en
Pages : 646
Book Description
Publisher:
ISBN:
Category : American periodicals
Languages : en
Pages : 646
Book Description
Wayang & Its Doubles
Author: Jan Mrázek
Publisher: National University of Singapore Press
ISBN:
Category : Crafts & Hobbies
Languages : en
Pages : 372
Book Description
Much has been said about how Javanese puppet theatre, Wayang Kulit, richly reflects the Javanese world, and how changes and tensions in performance practice mirror those in culture and society. 0For decades, television has been as intensely part of the Javanese world as Wayang. This book explores the ways two complex media and modes of being, seeing and fantasising, with their different cultures, coexist and meet, and haunt or invade each other. It is what what a Javanese commentator calls a 'difficult marriage' - intimate on the one hand, deeply alienating on the other, institutionalised yet at the same time mercurial and shifting.0This encounter is explored on many levels including performance aesthetics, the technicalities of television production, issues of time, space, light, place, and movement, audience experience of live and televised performances, and the collaboration and struggle between performers and television producers. Central to the book are personal perspectives and experiences, as well as Javanese discussions surrounding the interaction between Wayang and television and their cultures.0They are brought into a conversation with reflections on media and technology by writers such as Karl Marx, Martin Heidegger, Maurice Merleau-Ponty, Jacques Derrida, Paul Virilio, and James Siegel. Wayang's relationship with television is considered in the context of the theatre's intercourse with older and newer media, including electricity, radio, audio- and video-recording, the internet and social media.
Publisher: National University of Singapore Press
ISBN:
Category : Crafts & Hobbies
Languages : en
Pages : 372
Book Description
Much has been said about how Javanese puppet theatre, Wayang Kulit, richly reflects the Javanese world, and how changes and tensions in performance practice mirror those in culture and society. 0For decades, television has been as intensely part of the Javanese world as Wayang. This book explores the ways two complex media and modes of being, seeing and fantasising, with their different cultures, coexist and meet, and haunt or invade each other. It is what what a Javanese commentator calls a 'difficult marriage' - intimate on the one hand, deeply alienating on the other, institutionalised yet at the same time mercurial and shifting.0This encounter is explored on many levels including performance aesthetics, the technicalities of television production, issues of time, space, light, place, and movement, audience experience of live and televised performances, and the collaboration and struggle between performers and television producers. Central to the book are personal perspectives and experiences, as well as Javanese discussions surrounding the interaction between Wayang and television and their cultures.0They are brought into a conversation with reflections on media and technology by writers such as Karl Marx, Martin Heidegger, Maurice Merleau-Ponty, Jacques Derrida, Paul Virilio, and James Siegel. Wayang's relationship with television is considered in the context of the theatre's intercourse with older and newer media, including electricity, radio, audio- and video-recording, the internet and social media.
Listening to an Earlier Java
Author: Sarah Weiss
Publisher: BRILL
ISBN: 9004253696
Category : History
Languages : en
Pages : 195
Book Description
In "old-style" Central Javanese wayang, still known to many shadow-puppet performers and musicians in Java today, the male dhalang and his primary accompanist, usually a female gender player, are gendered embodiments of a Javanese aesthetic that has its origins in early Java. Analysis of the musical tradition known as "female style" grimingan—melodies played on the gender as the puppeteer sings, narrates or describes a scene—makes it possible to "listen back" to and reconstruct aesthetics for Javanese performance that can be felt in literary sources as early as the 12th century and that has endured into the present through cultural and political upheaval and globalised change during the colonial and postcolonial periods. Ethnomusicologist Sarah Weiss, herself a gamelan musician who has directed ensembles in Australia and the United States over many years, examines for the first time the musical practices, concepts, stories, changing historical circumstances, and myths that have shaped "female-style" gender playing into a uniquely significant mode of artistic practice. This study is the first large-scale treatment of gender issues in Indonesian music. Integrating the analysis of gender and music with that of aesthetics, this study of the musical synergy between the puppeteer and his female accompanist describes the ways in which shifting gender constructions have helped to shape and change Central Javanese music and theatre performance practice while throwing new light on the history of Javanese gender relations and culture, as well as on the aesthetics of Central Javanese shadow-puppet theatre. PLEASE NOTE that the accompanying CD-ROM is no longer available due to the incompatibility with current file formats.
Publisher: BRILL
ISBN: 9004253696
Category : History
Languages : en
Pages : 195
Book Description
In "old-style" Central Javanese wayang, still known to many shadow-puppet performers and musicians in Java today, the male dhalang and his primary accompanist, usually a female gender player, are gendered embodiments of a Javanese aesthetic that has its origins in early Java. Analysis of the musical tradition known as "female style" grimingan—melodies played on the gender as the puppeteer sings, narrates or describes a scene—makes it possible to "listen back" to and reconstruct aesthetics for Javanese performance that can be felt in literary sources as early as the 12th century and that has endured into the present through cultural and political upheaval and globalised change during the colonial and postcolonial periods. Ethnomusicologist Sarah Weiss, herself a gamelan musician who has directed ensembles in Australia and the United States over many years, examines for the first time the musical practices, concepts, stories, changing historical circumstances, and myths that have shaped "female-style" gender playing into a uniquely significant mode of artistic practice. This study is the first large-scale treatment of gender issues in Indonesian music. Integrating the analysis of gender and music with that of aesthetics, this study of the musical synergy between the puppeteer and his female accompanist describes the ways in which shifting gender constructions have helped to shape and change Central Javanese music and theatre performance practice while throwing new light on the history of Javanese gender relations and culture, as well as on the aesthetics of Central Javanese shadow-puppet theatre. PLEASE NOTE that the accompanying CD-ROM is no longer available due to the incompatibility with current file formats.
Theater as Data
Author: Miguel Escobar Varela
Publisher: University of Michigan Press
ISBN: 0472128639
Category : Performing Arts
Languages : en
Pages : 231
Book Description
In Theater as Data, Miguel Escobar Varela explores the use of computational methods and digital data in theater research. He considers the implications of these new approaches, and explains the roles that statistics and visualizations play. Reflecting on recent debates in the humanities, the author suggests that there are two ways of using data, both of which have a place in theater research. Data-driven methods are closer to the pursuit of verifiable results common in the sciences; and data-assisted methods are closer to the interpretive traditions of the humanities. The book surveys four major areas within theater scholarship: texts (not only playscripts but also theater reviews and program booklets); relationships (both the links between fictional characters and the collaborative networks of artists and producers); motion (the movement of performers and objects on stage); and locations (the coordinates of performance events, venues, and touring circuits). Theater as Data examines important contributions to theater studies from similar computational research, including in classical French drama, collaboration networks in Australian theater, contemporary Portuguese choreography, and global productions of Ibsen. This overview is complemented by short descriptions of the author’s own work in the computational analysis of theater practices in Singapore and Indonesia. The author ends by considering the future of computational theater research, underlining the importance of open data and digital sustainability practices, and encouraging readers to consider the benefits of learning to code. A web companion offers illustrative data, programming tutorials, and videos.
Publisher: University of Michigan Press
ISBN: 0472128639
Category : Performing Arts
Languages : en
Pages : 231
Book Description
In Theater as Data, Miguel Escobar Varela explores the use of computational methods and digital data in theater research. He considers the implications of these new approaches, and explains the roles that statistics and visualizations play. Reflecting on recent debates in the humanities, the author suggests that there are two ways of using data, both of which have a place in theater research. Data-driven methods are closer to the pursuit of verifiable results common in the sciences; and data-assisted methods are closer to the interpretive traditions of the humanities. The book surveys four major areas within theater scholarship: texts (not only playscripts but also theater reviews and program booklets); relationships (both the links between fictional characters and the collaborative networks of artists and producers); motion (the movement of performers and objects on stage); and locations (the coordinates of performance events, venues, and touring circuits). Theater as Data examines important contributions to theater studies from similar computational research, including in classical French drama, collaboration networks in Australian theater, contemporary Portuguese choreography, and global productions of Ibsen. This overview is complemented by short descriptions of the author’s own work in the computational analysis of theater practices in Singapore and Indonesia. The author ends by considering the future of computational theater research, underlining the importance of open data and digital sustainability practices, and encouraging readers to consider the benefits of learning to code. A web companion offers illustrative data, programming tutorials, and videos.
Meta-Level Architectures and Reflection
Author: Pierre Cointe
Publisher: Springer
ISBN: 3540484434
Category : Computers
Languages : en
Pages : 283
Book Description
This book constitutes the refereed proceedings of the Second International Conference on Meta-Level Architectures and Reflection, Reflection'99, held in St. Malo, France in July 1999. The 13 revised full papers presented were carefully selected from 44 submissions. Also included are six short papers and the abstracts of three invited talks. The papers are organized in sections on programming languages, meta object protocols, middleware/multi-media, work in progress, applications, and meta-programming. The volume covers all current issues arising in the design and analysis of reflective systems and demontrates their practical applications.
Publisher: Springer
ISBN: 3540484434
Category : Computers
Languages : en
Pages : 283
Book Description
This book constitutes the refereed proceedings of the Second International Conference on Meta-Level Architectures and Reflection, Reflection'99, held in St. Malo, France in July 1999. The 13 revised full papers presented were carefully selected from 44 submissions. Also included are six short papers and the abstracts of three invited talks. The papers are organized in sections on programming languages, meta object protocols, middleware/multi-media, work in progress, applications, and meta-programming. The volume covers all current issues arising in the design and analysis of reflective systems and demontrates their practical applications.
Textuality and Inter-textuality in the Mahabharata
Author: Pradeep Trikha
Publisher: Sarup & Sons
ISBN: 9788176256919
Category : Hindu mythology
Languages : en
Pages : 234
Book Description
Papers presented at the National Seminar on Textuality and Intertextuality in the Mahabharata : Myth, Meaning and Metamorphosis held at Ajmer.
Publisher: Sarup & Sons
ISBN: 9788176256919
Category : Hindu mythology
Languages : en
Pages : 234
Book Description
Papers presented at the National Seminar on Textuality and Intertextuality in the Mahabharata : Myth, Meaning and Metamorphosis held at Ajmer.
The Cambridge Guide to Asian Theatre
Author: James R. Brandon
Publisher: Cambridge University Press
ISBN: 9780521588225
Category : Drama
Languages : en
Pages : 266
Book Description
A comprehensive and authoritative single-volume reference work on the theatre arts of Asia-Oceania. Nine expert scholars provide entries on performance in twenty countries from Pakistan in the west, through India and Southeast Asia to China, Japan and Korea in the east. An introductory pan-Asian essay explores basic themes - they include ritual, dance, puppetry, training, performance and masks. The national entries concentrate on the historical development of theatre in each country, followed by entries on the major theatre forms, and articles on playwrights, actors and directors. The entries are accompanied by rare photographs and helpful reading lists.
Publisher: Cambridge University Press
ISBN: 9780521588225
Category : Drama
Languages : en
Pages : 266
Book Description
A comprehensive and authoritative single-volume reference work on the theatre arts of Asia-Oceania. Nine expert scholars provide entries on performance in twenty countries from Pakistan in the west, through India and Southeast Asia to China, Japan and Korea in the east. An introductory pan-Asian essay explores basic themes - they include ritual, dance, puppetry, training, performance and masks. The national entries concentrate on the historical development of theatre in each country, followed by entries on the major theatre forms, and articles on playwrights, actors and directors. The entries are accompanied by rare photographs and helpful reading lists.