Author: Frederick William HamiltonPublisher:
ISBN:
Category : Printing
Languages : en
Pages : 104
Book Description
... A Brief History of Printing in England
Author: Frederick William HamiltonPublisher:
ISBN:
Category : Printing
Languages : en
Pages : 104
Book Description
A Brief History of Printing in England
Author: Frederick W. HamiltonPublisher: DigiCat
ISBN:
Category : History
Languages : en
Pages : 87
Book Description
Despite its title, the book gives a rather thorough chronological account of the printing history in England, from Caxton, where it all began to Morris, where most of the major industrial centers of the technology was located at the time. It is written by one of the previous presidents of Tufts University, Frederick W. Hamilton.
A Brief History of Printing ...
Author: Frederick William HamiltonPublisher:
ISBN:
Category : Printing
Languages : en
Pages : 104
Book Description
A Brief History of Printing in America
Author: Frederick William HamiltonPublisher:
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 110
Book Description
Capitals
Author: Frederick William HamiltonPublisher:
ISBN:
Category : English language
Languages : en
Pages : 56
Book Description
Applied Arithmetic
Author: E. E. SheldonPublisher:
ISBN:
Category : Business mathematics
Languages : en
Pages : 170
Book Description
Typographic Technical Series for Apprentices ...
Author: Frederick William HamiltonPublisher:
ISBN:
Category : Abbreviations
Languages : en
Pages : 70
Book Description
Book Composition
Author: Theodore Low De VinnePublisher:
ISBN:
Category : Book design
Languages : en
Pages : 240
Book Description
Paper-cutting Machines
Author: Niel Gray (jr.)Publisher:
ISBN:
Category : Paper-cutting machines
Languages : en
Pages : 80
Book Description
Grammars of Approach
Author: Cynthia WallPublisher: University of Chicago Press
ISBN: 022646797X
Category : Literary Criticism
Languages : en
Pages : 355
Book Description
In Grammars of Approach, Cynthia Wall offers a close look at changes in perspective in spatial design, language, and narrative across the late eighteenth and early nineteenth centuries that involve, literally and psychologically, the concept of “approach.” In architecture, the term “approach” changed in that period from a verb to a noun, coming to denote the drive from the lodge at the entrance of an estate “through the most interesting part of the grounds,” as landscape designer Humphrey Repton put it. The shift from the long straight avenue to the winding approach, Wall shows, swung the perceptual balance away from the great house onto the personal experience of the visitor. At the same time, the grammatical and typographical landscape was shifting in tandem, away from objects and Things (and capitalized common Nouns) to the spaces in between, like punctuation and the “lesser parts of speech”. The implications for narrative included new patterns of syntactical architecture and the phenomenon of free indirect discourse. Wall examines the work of landscape theorists such as Repton, John Claudius Loudon, and Thomas Whately alongside travel narratives, topographical views, printers’ manuals, dictionaries, encyclopedias, grammars, and the novels of Defoe, Richardson, Burney, Radcliffe, and Austen to reveal a new landscaping across disciplines—new grammars of approach in ways of perceiving and representing the world in both word and image.