A Brief Chronological Description of a Collection of Original Drawings and Sketches PDF Download

Author: Anonymous
Publisher: BoD – Books on Demand
ISBN: 3385215870
Category : Fiction
Languages : en
Pages : 217

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Book Description
Reprint of the original, first published in 1875.

Author: William Griswold
Publisher: Metropolitan Museum of Art
ISBN: 0870996886
Category : Drawing
Languages : en
Pages : 284

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Book Description
Focusing exclusively on examples from the 16th century, the great age of Italian drawing, this stunning volume, published to accompany an early-1994 exhibition at The Metropolitan Museum of Art, includes 124 prized works from The Metropolitan, the Pierpont Morgan Library, the Cooper-Hewitt Museum, and some 20 private collections in New York. The catalogue is organized by school and, within each section, chronologically by artist. Each drawing is illustrated and presented with a discussion that places it in the context of the artist's career and explores the purpose for which it was made. Paper edition (unseen), $35. Annotation copyright by Book News, Inc., Portland, OR

Author: Anna Forlani Tempesti
Publisher: Metropolitan Museum of Art
ISBN: 0870996061
Category : Art
Languages : en
Pages : 401

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Book Description
Perhaps more than any other collector of his generation in the United States, Robert Lehman was interested in acquiring early drawings. He made a great effort to add drawings to the collection of paintings, sculpture, ceramics, glass, and other objects that his father, Philip Lehman, had begun assembling. The 116 Italian drawings analyzed and discussed in this volume are among the more than 2,000 works of art from the collection now housed in the Robert Lehman Wing of The Metropolitan Museum of Art. Robert Lehman's collection demonstrates the variety of drawings produced in Italy from the fifteenth to the seventeenth century, a period when the purposes and techniques of drawings, as well as the aims and abilities of the artist who made them, became increasingly sophisticated. The volume includes an elaborate design for an equestrian monument by Antonio Pollaiuolo, a magnificent study of a bear by Leonardo da Vinci, a cartoon by Luca Signorelli, a study for a vault fresco by Taddeo Zuccaro, and many other drawings that are among the best Italian examples to have survived from that era. Most types of drawings, in a wide variety of techniques, are represented—figure studies, grand compositions, landscapes, cartoons, modelli, and even sculptors' studies. -- Metropolitan Museum of Art website.

Author: Linda Wolk-Simon
Publisher: Metropolitan Museum of Art
ISBN: 1588393798
Category : Art
Languages : en
Pages : 270

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Book Description
Published in conjunction with an exhibition on view at the Metropolitan Museum of Art, New York, May 12-Aug 15, 2010.

Author: Pierpont Morgan Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 380

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Book Description

Author: Frank Herrmann
Publisher: London : Chatto and Windus
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 536

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Book Description
This interesting and compelling work offers its readers a unique insight into the private lives of the great collectors whose acquisitions became the nucleus of the foremost museums of Great Britain. "The English as Collectors" is beautifully illustrated and written. Herrmann goes behind the scenes to capture the drive, enthusiasm, and eccentricities of these enlightened patrons of the arts. Through ninety-six rare illustrations, more than seventy-five unique personalities are profiled. This very readable book is for the collector in all of us.

Author: Metropolitan Museum of Art (New York, N.Y.). Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 704

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Book Description

Author: Nicholas Turner
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 344

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Book Description
Published to accompany an exhibition at the Art Institute of Chicago, from October 28, 2008 to January 18, 2009.

Author: Arie Wallert
Publisher: Getty Publications
ISBN: 0892363223
Category : Art
Languages : en
Pages : 241

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Book Description
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.

Author: Edward J. Olszewski
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 280

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Book Description
Paintings, sculpture, and classical antiquities are the most valuable resources of any museum, and are the first objects to be published in each museum's own collection catalogue or online inventory. Collection catalogues, however, have customarily included only a small sample of the riches to be found in Midwestern collections of master drawings. This volume of sixteenth-century drawings has been largely the work of Burton L. Dunbar (University of Missouri-Kansas City), director of the project and a specialist in the arts of northern Europe, and Edward J. Olszewski (Case Western Reserve University), co-editor for the series, a well-known authority on drawings of the Italian Renaissance. This volume covers the sixteenth century, including artists born as a rule between 1480 and 1580, with the exception of Giovanni Baglione (ca. 1573-1644) and the Carracci. This study represents a gathering of drawings from forty institutions between Ohio and Oklahoma based on a census of seventy-five museums and art centers. Jacob Burckhardt's contention that the Renaissance was, in many respects, an age of paganism is readily belied here by the 471 Italian drawings, the great majority of which are religious subjects. Antiquity provided a veneer beneath which sixteenth century artists could cloak their Christianity to make it seem fresh, reminding believers of the origins of their faith, and reviving the purity of Christian doctrine in its early years. It is no surprise, then, to find numerous drawings of antiquities, and mythologies among the many subjects. A corpus this large can be representative in many ways, offering a cross-section of media, subjects, drawing types, and collectors. Of the 471 Italian drawings scattered across Midwestern America, here we reassemble many that were at one time in one or more prominent collections. Every drawing was examined for the following information: Artist, place of birth and death with dates, biography, title of drawing, date of drawing, dimensions in mm (and in inches), media, institutional credit line, accession number, technical condition, inscriptions, collectors' marks, watermark, provenance, exhibitions, bibliography, comments