Bibliographic Guide to Music PDF Download

Author: New York Public Library. Music Division
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 1072

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Author: Music Library Association
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 260

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Author: David Hiley
Publisher: Oxford University Press
ISBN: 9780198165729
Category : Music
Languages : en
Pages : 764

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Plainchant is the oldest substantial body of music that has been preserved in any shape or form. It was first written down in Western Europe in the eighth to ninth centuries. Many thousands of chants have been sung at different times or places in a multitude of forms and styles, responding to the differing needs of the church through the ages. This book provides a clear and concise introduction, designed both for those to whom the subject is new and those who require a reference work for advanced study. It begins with an explanation of the liturgies that plainchant was designed to serve. It describes all the chief genres of chant, different types of liturgical book, and plainchant notations. After an exposition of early medieval theoretical writing on plainchant, Hiley provides a historical survey that traces the constantly changing nature of the repertory. He also discusses important musicians and centers of composition. Copiously illustrated with over 200 musical examples, this book highlights the diversity of practice and richness of the chant repertory in the Middle Ages. It will be an indispensable introduction and reference source on this important music for many years to come.

Author:
Publisher: BRILL
ISBN: 9004435034
Category : History
Languages : en
Pages : 653

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A Companion to Music at the Habsburgs Courts in the Sixteenth and Seventeenth Centuries, edited by Andrew H. Weaver, is the first in-depth survey of Habsburg musical patronage over a broad timeframe. Bringing together existing research and drawing upon primary sources, the authors, all established experts, provide overviews of the musical institutions, the functions of music, the styles and genres cultivated, and the historical, political, and cultural contexts for music at the Habsburg courts. The wide geographical scope includes the imperial courts in Vienna and Prague, the royal court in Madrid, the archducal courts in Graz and Innsbruck, and others. This broad view of Habsburg musical activities affirms the dynasty’s unique position in the cultural life of early modern Europe. Contributors are Lawrence Bennett, Charles E. Brewer, Drew Edward Davies, Paula Sutter Fichtner, Alexander J. Fisher, Christine Getz, Beth L. Glixon, Jeffrey Kurtzman, Virginia Christy Lamothe, Honey Meconi, Sara Pecknold, Jonas Pfohl, Pablo L. Rodríguez, Steven Saunders, Herbert Seifert, Louise K. Stein, and Andrew H. Weaver.

Author: Esperanza Rodríguez García
Publisher:
ISBN: 9781138207103
Category : Church music
Languages : en
Pages : 287

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The motet in the post-tridentine world : an introduction / Esperanza Rodríguez-García & Daniele V. Filippi -- Proper to the day : calendrical ordering in post-tridentine motet books / David Crook -- Vespers antiphons, motets and the performance of the post-tridentine liturgy / Jeffrey Kurtzman -- Motets and the liturgy for the dead in Italy : text typologies and contexts of performance / Antonio Chemotti -- Motets pro defunctis in the Iberian world : performance contexts and practices / Owen Rees -- Palestrina's mid-life compositional summary : the three motet books of 1569-75 / Noel O'Regan -- Modality as orthodoxy and exegesis : strategies of tonal organisation in Victoria's motets / Marco Mangani and Daniele Sabaino -- Beyond the denominational paradigm : the motet as confessional(ising) practice in the later sixteenth century / Christian Thomas Leitmeir -- In search of the English motet / Kerry McCarthy -- Songs without words : the motet as solo instrumental music after Trent / John Griffiths -- The soundtrack for a miracle and other stories of the motet from post-tridentine Milan / Daniele V. Filippi -- Mapping the motet in post-tridentine Seville and Granada : repertoire, meanings, and functions / Juan Ruiz Jiménez

Author:
Publisher: BRILL
ISBN: 9004380124
Category : History
Languages : en
Pages : 366

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The last decade has witnessed a striking upsurge of interest in Iberian hagiography. In painting and the fine arts through to poetic and narrative treatments composed in Castilian and Catalan, the legacies of Christ, Mary, and the saints have been approached from a range of perspectives and subjected to detailed critical scrutiny. This book, which focuses specifically on the application of theoretical and methodological approaches to analysis, asks what scholars of early Iberian hagiography can bring to the analysis of the sacred past and how the study of the discipline can be taken forward innovatively in the future. Its fourteen essays, each focusing on a different aspect of composition, seek in particular to explore interdisciplinary methodologies and the ways in which they intersect with broader discourses in other branches of research. Contributors are Carme Arronis Llopis, Fernando Baños Vallejo, Andrew M. Beresford, Sarah Jane Boss, Sarah V. Buxton, Marinela Garcia Sempere, Ryan D. Giles, Ariel Guiance, Lluís Ramon i Ferrer, Rebeca Sanmartín Bastida, Connie L. Scarborough, and Lesley K. Twomey.

Author: Mark Everist
Publisher: Cambridge University Press
ISBN: 1108577075
Category : Music
Languages : en
Pages :

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Spanning a millennium of musical history, this monumental volume brings together nearly forty leading authorities to survey the music of Western Europe in the Middle Ages. All of the major aspects of medieval music are considered, making use of the latest research and thinking to discuss everything from the earliest genres of chant, through the music of the liturgy, to the riches of the vernacular song of the trouvères and troubadours. Alongside this account of the core repertory of monophony, The Cambridge History of Medieval Music tells the story of the birth of polyphonic music, and studies the genres of organum, conductus, motet and polyphonic song. Key composers of the period are introduced, such as Leoninus, Perotinus, Adam de la Halle, Philippe de Vitry and Guillaume de Machaut, and other chapters examine topics ranging from musical theory and performance to institutions, culture and collections.

Author: Susana Zapke
Publisher: Fundacion BBVA
ISBN: 8496515508
Category : Church music
Languages : es
Pages : 481

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Author: Dennis Shrock
Publisher: Oxford University Press
ISBN: 0197622402
Category : Music
Languages : en
Pages : 929

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"Choral Repertoire is the definitive and comprehensive one-volume presentation of the most significant composers and compositions of choral music from the Western Hemisphere throughout recorded history. The book is designed for multiple uses-as a programming guide for practicing conductors, instructional resource for students and teachers of choral music, historic and stylistic reference for choral singers, and source of information about composers and compositions for choral enthusiasts-and as such, the book intends to further and make accessible important information relevant to the vast scope of choral music. Organized by era (Medieval, Renaissance, Baroque, Classical, and Modern), Choral Repertoire covers general characteristics of each historical era, trends and styles unique to various countries, biographical sketches of more than six hundred composers, and performance annotations of more than five thousand individual works. Of the composers, there is substantive coverage of women and composers of color, and of the repertoire, there is inclusion of lesser-known works as well as those works that are considered standard"--

Author: Lorraine Inserra
Publisher: New York : Institute for Studies in American Music
ISBN:
Category : Music
Languages : en
Pages : 144

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