Author: Mark Geslison
Publisher: Mel Bay Publications
ISBN: 1619117002
Category : Music
Languages : en
Pages : 145
Book Description
50 Tunes Volume 1 for Fiddle is one book in a 5-book series. The 50 Tunes series is a collection of Bluegrass, Old Time and Celtic tunes for ensembles, families and individuals. This book contains the same 50 tunes as those found in the other 4 books of the series, but carefully designed for the fiddle. The parts in this book range from beginner to advanced. All tunes contain a simple melody and most of the tunes contain an intermediate or advanced part. Many tunes contain a harmony part to match the melody. Since fiddle contests are a tradition in American and Celtic fiddling, 50 Tunes Volume 1 for Fiddle contains hoedowns, waltzes, reels, rags, hornpipes, jigs, polkas and airs. Some of the tunes are authentic to true championship fiddling and were arranged andrecorded by a former national champion fiddler. Companion online audio included. Tunes recorded by full band, not all instruments featured in every song.
50 Tunes for Fiddle Volume 1
Author: Mark Geslison
Publisher: Mel Bay Publications
ISBN: 1619117002
Category : Music
Languages : en
Pages : 145
Book Description
50 Tunes Volume 1 for Fiddle is one book in a 5-book series. The 50 Tunes series is a collection of Bluegrass, Old Time and Celtic tunes for ensembles, families and individuals. This book contains the same 50 tunes as those found in the other 4 books of the series, but carefully designed for the fiddle. The parts in this book range from beginner to advanced. All tunes contain a simple melody and most of the tunes contain an intermediate or advanced part. Many tunes contain a harmony part to match the melody. Since fiddle contests are a tradition in American and Celtic fiddling, 50 Tunes Volume 1 for Fiddle contains hoedowns, waltzes, reels, rags, hornpipes, jigs, polkas and airs. Some of the tunes are authentic to true championship fiddling and were arranged andrecorded by a former national champion fiddler. Companion online audio included. Tunes recorded by full band, not all instruments featured in every song.
Publisher: Mel Bay Publications
ISBN: 1619117002
Category : Music
Languages : en
Pages : 145
Book Description
50 Tunes Volume 1 for Fiddle is one book in a 5-book series. The 50 Tunes series is a collection of Bluegrass, Old Time and Celtic tunes for ensembles, families and individuals. This book contains the same 50 tunes as those found in the other 4 books of the series, but carefully designed for the fiddle. The parts in this book range from beginner to advanced. All tunes contain a simple melody and most of the tunes contain an intermediate or advanced part. Many tunes contain a harmony part to match the melody. Since fiddle contests are a tradition in American and Celtic fiddling, 50 Tunes Volume 1 for Fiddle contains hoedowns, waltzes, reels, rags, hornpipes, jigs, polkas and airs. Some of the tunes are authentic to true championship fiddling and were arranged andrecorded by a former national champion fiddler. Companion online audio included. Tunes recorded by full band, not all instruments featured in every song.
The Phillips Collection of Traditional American Fiddle Tunes Volume 1
Author: Stacy Phillips
Publisher: Mel Bay Publications
ISBN: 1610650174
Category : Music
Languages : en
Pages : 269
Book Description
Meticulously collected from recordings, square and contra dances, fiddle contests, jam sessions and individual fiddlers- this book is meant to provide a snapshot of what American fiddlers were playing and listening to in the latter part of the 20th Century. As the vinyl record format disappears from the marketplace, a great deal of recorded fiddle music will no longer be available. In this book, Stacy Phillips shares the fruits of some timely collecting for all fiddlers to enjoy. Bowings, fingerings, and guitar chords are provided for each melody line.
Publisher: Mel Bay Publications
ISBN: 1610650174
Category : Music
Languages : en
Pages : 269
Book Description
Meticulously collected from recordings, square and contra dances, fiddle contests, jam sessions and individual fiddlers- this book is meant to provide a snapshot of what American fiddlers were playing and listening to in the latter part of the 20th Century. As the vinyl record format disappears from the marketplace, a great deal of recorded fiddle music will no longer be available. In this book, Stacy Phillips shares the fruits of some timely collecting for all fiddlers to enjoy. Bowings, fingerings, and guitar chords are provided for each melody line.
300 Fiddle Tunes
Author:
Publisher: Centerstream Publications
ISBN: 9781574240566
Category : Music
Languages : en
Pages : 0
Book Description
(Fiddle). This comprehensive collection of fabulous fiddle tunes includes reels, hornpipes, strathspeys, jigs, waltzes and slow airs.
Publisher: Centerstream Publications
ISBN: 9781574240566
Category : Music
Languages : en
Pages : 0
Book Description
(Fiddle). This comprehensive collection of fabulous fiddle tunes includes reels, hornpipes, strathspeys, jigs, waltzes and slow airs.
50 Tunes for Mandolin, Volume 1
Author: Mark Geslison
Publisher: Mel Bay Publications
ISBN: 1619117096
Category : Music
Languages : en
Pages : 185
Book Description
50 Tunes Volume 1 for Mandolin is one book in a 5-book series. The 50 Tunes series is a collection of Bluegrass, Old Time and Celtic tunes for ensembles, families and individuals. This book contains the same 50 tunes as those found in the other 4 books of the series, but carefully designed for the mandolin. The melodies in this book range from simple to advanced. Many tunes contain a harmony part to match the melody. 50 Tunes Volume 1 for Mandolin is designed for flatpicking on the mandolin. Flatpicking is a style, prevalent in Celtic and Bluegrass music which features fast soloing with a single, flat pick. All parts are written in mandolin tablature and standard notation. Tunes recorded by full band, not all instruments featured in every song. Includes access to extended length online audio.
Publisher: Mel Bay Publications
ISBN: 1619117096
Category : Music
Languages : en
Pages : 185
Book Description
50 Tunes Volume 1 for Mandolin is one book in a 5-book series. The 50 Tunes series is a collection of Bluegrass, Old Time and Celtic tunes for ensembles, families and individuals. This book contains the same 50 tunes as those found in the other 4 books of the series, but carefully designed for the mandolin. The melodies in this book range from simple to advanced. Many tunes contain a harmony part to match the melody. 50 Tunes Volume 1 for Mandolin is designed for flatpicking on the mandolin. Flatpicking is a style, prevalent in Celtic and Bluegrass music which features fast soloing with a single, flat pick. All parts are written in mandolin tablature and standard notation. Tunes recorded by full band, not all instruments featured in every song. Includes access to extended length online audio.
I Can Read Music, Volume 1
Author: Joanne Martin
Publisher: Alfred Music
ISBN: 1457402661
Category : Music
Languages : en
Pages : 105
Book Description
These easy-to-read, progressive exercises by Joanne Martin develop a student's reading skills one stage at a time, with many repetitions at each stage. I Can Read Music is designed as a first note-reading book for students of string instruments who have learned to play using an aural approach such as the Suzuki Method®, or for traditionally taught students who need extra note reading practice. Its presentation of new ideas is clear enough that it can be used daily at home by quite young children and their parents, with the teacher checking progress every week or two.
Publisher: Alfred Music
ISBN: 1457402661
Category : Music
Languages : en
Pages : 105
Book Description
These easy-to-read, progressive exercises by Joanne Martin develop a student's reading skills one stage at a time, with many repetitions at each stage. I Can Read Music is designed as a first note-reading book for students of string instruments who have learned to play using an aural approach such as the Suzuki Method®, or for traditionally taught students who need extra note reading practice. Its presentation of new ideas is clear enough that it can be used daily at home by quite young children and their parents, with the teacher checking progress every week or two.
You Can Teach Yourself Fiddling
Author: Craig Duncan
Publisher: Mel Bay Publications
ISBN: 1609749073
Category : Music
Languages : en
Pages : 81
Book Description
With You Can Teach Yourself Fiddling, veteran Mel Bay author, Craig Duncan, has produced an excellent book for the beginning fiddler. Its 36 lessons teach basic techniques through specific exercises and traditional fiddle tunes. from holding the fiddle and bow correctly to playing moderately advanced tunes in double stops, Craig will guide you through each progressive step. Although it is not necessary to be able to read music at the start of this book, the author gradually introduces principles of effective note reading throughout. A unique feature of this book is that the same tune may appear in more than one lesson, increasing in difficulty with each recurrence. Each variation builds on the previous one and assists students in learning how to create their own arrangements. Even with some repetitions of the same tune, you'll find more than 50 popular fiddle tunes in the book's 80 pages. Check points and reviews keep you on track from cover to cover. the companion DVD/video covers the first 17 lessons from the book.
Publisher: Mel Bay Publications
ISBN: 1609749073
Category : Music
Languages : en
Pages : 81
Book Description
With You Can Teach Yourself Fiddling, veteran Mel Bay author, Craig Duncan, has produced an excellent book for the beginning fiddler. Its 36 lessons teach basic techniques through specific exercises and traditional fiddle tunes. from holding the fiddle and bow correctly to playing moderately advanced tunes in double stops, Craig will guide you through each progressive step. Although it is not necessary to be able to read music at the start of this book, the author gradually introduces principles of effective note reading throughout. A unique feature of this book is that the same tune may appear in more than one lesson, increasing in difficulty with each recurrence. Each variation builds on the previous one and assists students in learning how to create their own arrangements. Even with some repetitions of the same tune, you'll find more than 50 popular fiddle tunes in the book's 80 pages. Check points and reviews keep you on track from cover to cover. the companion DVD/video covers the first 17 lessons from the book.
Play Me Something Quick and Devilish
Author: Howard Wight Marshall
Publisher: University of Missouri Press
ISBN: 0826272932
Category : Music
Languages : en
Pages : 422
Book Description
Play Me Something Quick and Devilish explores the heritage of traditional fiddle music in Missouri. Howard Wight Marshall considers the place of homemade music in people’s lives across social and ethnic communities from the late 1700s to the World War I years and into the early 1920s. This exceptionally important and complex period provided the foundations in history and settlement for the evolution of today’s old-time fiddling. Beginning with the French villages on the Mississippi River, Marshall leads us chronologically through the settlement of the state and how these communities established our cultural heritage. Other core populations include the “Old Stock Americans” (primarily Scotch-Irish from Kentucky, Tennessee, North Carolina, and Virginia), African Americans, German-speaking immigrants, people with American Indian ancestry (focusing on Cherokee families dating from the Trail of Tears in the 1830s), and Irish railroad workers in the post–Civil War period. These are the primary communities whose fiddle and dance traditions came together on the Missouri frontier to cultivate the bounty of old-time fiddling enjoyed today. Marshall also investigates themes in the continuing evolution of fiddle traditions. These themes include the use of the violin in Westward migration, in the Civil War years, and in the railroad boom that changed history. Of course, musical tastes shift over time, and the rise of music literacy in the late Victorian period, as evidenced by the brass band movement and immigrant music teachers in small towns, affected fiddling. The contributions of music publishing as well as the surprising importance of ragtime and early jazz also had profound effects. Much of the old-time fiddlers’ repertory arises not from the inherited reels, jigs, and hornpipes from the British Isles, nor from the waltzes, schottisches, and polkas from the Continent, but from the prolific pens of Tin Pan Alley. Marshall also examines regional styles in Missouri fiddling and comments on the future of this time-honored, and changing, tradition. Documentary in nature, this social history draws on various academic disciplines and oral histories recorded in Marshall’s forty-some years of research and field experience. Historians, music aficionados, and lay people interested in Missouri folk heritage—as well as fiddlers, of course—will find Play Me Something Quick and Devilish an entertaining and enlightening read. With 39 tunes, the enclosed Voyager Records companion CD includes a historic sampler of Missouri fiddlers and styles from 1955 to 2012. A media kit is available here: press.umsystem.edu/pages/PlayMeSomethingQuickandDevilish.aspx
Publisher: University of Missouri Press
ISBN: 0826272932
Category : Music
Languages : en
Pages : 422
Book Description
Play Me Something Quick and Devilish explores the heritage of traditional fiddle music in Missouri. Howard Wight Marshall considers the place of homemade music in people’s lives across social and ethnic communities from the late 1700s to the World War I years and into the early 1920s. This exceptionally important and complex period provided the foundations in history and settlement for the evolution of today’s old-time fiddling. Beginning with the French villages on the Mississippi River, Marshall leads us chronologically through the settlement of the state and how these communities established our cultural heritage. Other core populations include the “Old Stock Americans” (primarily Scotch-Irish from Kentucky, Tennessee, North Carolina, and Virginia), African Americans, German-speaking immigrants, people with American Indian ancestry (focusing on Cherokee families dating from the Trail of Tears in the 1830s), and Irish railroad workers in the post–Civil War period. These are the primary communities whose fiddle and dance traditions came together on the Missouri frontier to cultivate the bounty of old-time fiddling enjoyed today. Marshall also investigates themes in the continuing evolution of fiddle traditions. These themes include the use of the violin in Westward migration, in the Civil War years, and in the railroad boom that changed history. Of course, musical tastes shift over time, and the rise of music literacy in the late Victorian period, as evidenced by the brass band movement and immigrant music teachers in small towns, affected fiddling. The contributions of music publishing as well as the surprising importance of ragtime and early jazz also had profound effects. Much of the old-time fiddlers’ repertory arises not from the inherited reels, jigs, and hornpipes from the British Isles, nor from the waltzes, schottisches, and polkas from the Continent, but from the prolific pens of Tin Pan Alley. Marshall also examines regional styles in Missouri fiddling and comments on the future of this time-honored, and changing, tradition. Documentary in nature, this social history draws on various academic disciplines and oral histories recorded in Marshall’s forty-some years of research and field experience. Historians, music aficionados, and lay people interested in Missouri folk heritage—as well as fiddlers, of course—will find Play Me Something Quick and Devilish an entertaining and enlightening read. With 39 tunes, the enclosed Voyager Records companion CD includes a historic sampler of Missouri fiddlers and styles from 1955 to 2012. A media kit is available here: press.umsystem.edu/pages/PlayMeSomethingQuickandDevilish.aspx
50 Tunes for Guitar, Volume 1
Author: Mark Geslison
Publisher: Mel Bay Publications
ISBN: 1619115522
Category : Music
Languages : en
Pages : 161
Book Description
50 Tunes Volume 1 for Guitar is one book in a 5-book series. The 50 Tunes series is a collection of Bluegrass, Old Time and Celtic tunes for ensembles, families and individuals. This book contains the same 50 tunes as those found in the other 4 books of the series, but carefully designed for the guitar. The melodies in this book range from simple to advanced. Many tunes contain a harmony part to match the melody. 50 Tunes Volume 1 for Guitar is designed for flatpicking on the acoustic guitar. Flatpicking is a style of guitar playing, prevalent in Celtic and Bluegrass music which features fastsoloing with a single, flat pick. Book written in tablature only. Tunes recorded by full band, not all instruments featured in every song. Includes access to online audio
Publisher: Mel Bay Publications
ISBN: 1619115522
Category : Music
Languages : en
Pages : 161
Book Description
50 Tunes Volume 1 for Guitar is one book in a 5-book series. The 50 Tunes series is a collection of Bluegrass, Old Time and Celtic tunes for ensembles, families and individuals. This book contains the same 50 tunes as those found in the other 4 books of the series, but carefully designed for the guitar. The melodies in this book range from simple to advanced. Many tunes contain a harmony part to match the melody. 50 Tunes Volume 1 for Guitar is designed for flatpicking on the acoustic guitar. Flatpicking is a style of guitar playing, prevalent in Celtic and Bluegrass music which features fastsoloing with a single, flat pick. Book written in tablature only. Tunes recorded by full band, not all instruments featured in every song. Includes access to online audio
The Blackberry Blossom Fiddle Book for Cello
Author: Myanna Harvey
Publisher:
ISBN: 9781635232202
Category :
Languages : en
Pages : 48
Book Description
Are you ready for a new collection of energetic, catchy fiddle tunes? The Blackberry Blossom Fiddle Book for Cello is here! This book has tunes and harmonies you will hum through the rest of the day and can give you a new reason to get excited about playing the cello! Perfect for in-person and remote private (or group) lessons, string ensembles of any combination, or impromptu chamber music parties, this book (along with the violin, viola, bass, and optional piano books) gives you eleven "mix-and-match" fiddle arrangements to play, along with short preparatory warm-up exercises. Each tune has four options so musicians at different levels can play together: an Advanced Melody, a Stress-Free Melody, a Basic Harmony, and a Teacher Harmony. You can warm up with the exercises, try the Stress-Free Melody, and then work towards the Advanced Melody. The Blackberry Blossom Fiddle Book for Cello can be played in a group or group class with the violin, viola, bass, and piano books; all of the tunes can be learned and played together as duets, trios, or in groups of any size. This cello fiddle book is entirely in first position, in the keys of D and G and will get your toes tapping and your fingers fiddling!
Publisher:
ISBN: 9781635232202
Category :
Languages : en
Pages : 48
Book Description
Are you ready for a new collection of energetic, catchy fiddle tunes? The Blackberry Blossom Fiddle Book for Cello is here! This book has tunes and harmonies you will hum through the rest of the day and can give you a new reason to get excited about playing the cello! Perfect for in-person and remote private (or group) lessons, string ensembles of any combination, or impromptu chamber music parties, this book (along with the violin, viola, bass, and optional piano books) gives you eleven "mix-and-match" fiddle arrangements to play, along with short preparatory warm-up exercises. Each tune has four options so musicians at different levels can play together: an Advanced Melody, a Stress-Free Melody, a Basic Harmony, and a Teacher Harmony. You can warm up with the exercises, try the Stress-Free Melody, and then work towards the Advanced Melody. The Blackberry Blossom Fiddle Book for Cello can be played in a group or group class with the violin, viola, bass, and piano books; all of the tunes can be learned and played together as duets, trios, or in groups of any size. This cello fiddle book is entirely in first position, in the keys of D and G and will get your toes tapping and your fingers fiddling!
50 Tunes for Banjo, Volume 1
Author: Mark Geslison
Publisher: Mel Bay Publications
ISBN: 1619115328
Category : Music
Languages : en
Pages : 169
Book Description
50 Tunes Volume 1 for Banjo is one book in a 5-book series. The 50 Tunes series is a collection of Bluegrass, Old Time and Celtic tunes for ensembles, families and individuals. This book contains the same 50 tunes as those found in the other 4 books of the series, but carefully designed for the banjo. The parts in this book range from beginner to advanced. Though many parts are arranged in standard Scruggs style, some are arranged in frailing orclawhammer style, and many are arranged in melodic style. Where Scruggs style is considered, less melody / more finger roll pattern, melodic style, as the name implies, is more melody / less finger roll pattern. Clawhammer style uses no finger roll patterns; instead, it is made up of a melody within a strumming rhythm pattern. Clawhammer is considered a self-accompaniment style. Tunes recorded by full band, not all instruments featured in every song. Includes access to online audio
Publisher: Mel Bay Publications
ISBN: 1619115328
Category : Music
Languages : en
Pages : 169
Book Description
50 Tunes Volume 1 for Banjo is one book in a 5-book series. The 50 Tunes series is a collection of Bluegrass, Old Time and Celtic tunes for ensembles, families and individuals. This book contains the same 50 tunes as those found in the other 4 books of the series, but carefully designed for the banjo. The parts in this book range from beginner to advanced. Though many parts are arranged in standard Scruggs style, some are arranged in frailing orclawhammer style, and many are arranged in melodic style. Where Scruggs style is considered, less melody / more finger roll pattern, melodic style, as the name implies, is more melody / less finger roll pattern. Clawhammer style uses no finger roll patterns; instead, it is made up of a melody within a strumming rhythm pattern. Clawhammer is considered a self-accompaniment style. Tunes recorded by full band, not all instruments featured in every song. Includes access to online audio