Author: Joseph Bodin de BoismortierPublisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
3 Sonatas, 3 Flutes Or Other Melody Instruments & Continuo, Op 34
Author: Joseph Bodin de BoismortierPublisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Music Library Association Catalog of Cards for Printed Music, 1953-1972
Author: Music Library AssociationPublisher: Totowa, N.J. : Rowman and Littlefield
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 598
Book Description
The Recorder Magazine
Author: Publisher:
ISBN:
Category : Recorder (Musical instrument)
Languages : en
Pages : 296
Book Description
Three sonatas for two flutes or violins and continuo
Author: William McGibbonPublisher:
ISBN:
Category : Sonatas (Flute and continuo)
Languages : en
Pages : 64
Book Description
Three sonatas from op. V (1740) for flute or violin and continuo
Author: Pietro GiannottiMusic, Books on Music, and Sound Recordings
Author: Library of CongressPublisher:
ISBN:
Category : Audio-visual materials
Languages : en
Pages : 636
Book Description
Bibliographic Guide to Music
Author: New York Public Library. Music DivisionPublisher:
ISBN:
Category : Music
Languages : en
Pages : 862
Book Description
3 Sonatas for Flute (Violin) and Continuo: Hwv 359b, 363b, 367b; Continuo Realized for Harpsichord/Piano (Cello Ad Lib)
Author: New York Magazine
Author: Publisher:
ISBN:
Category :
Languages : en
Pages : 116
Book Description
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
Flute
Author: James GalwayPublisher:
ISBN: 9781871082135
Category : Flute
Languages : en
Pages : 0
Book Description
Who better to write an authoritative yet fascinating introduction to flute-playing than James Galway whose glittering career extends from the principal flute in the Berlin Philharmonic to the top of the international pop charts? He starts with the history of the flute -- believed to be the first and in its simplest form, the most basic of man's many melodic instruments: only singers have less paraphernalia between them and their listeners. You just put your lips to the flute and blow. Galway entrances with his tale of the flute's evolution from the basic recorder to the complex, beautiful instrument we know today. The author's unique advice and experience is brought to bear on the problems and techniques of learning, practising and playing -- in solo, ensemble, at home, in concert and in the recording studio. The flautist will find the specific advice Galway gives invaluable, while the non-flute player will gain an insight into the way the lovely sounds of the flute are produced. Both will be enthralled by detailed analyses of the author's favourite pieces, while he gives due attention to the whole gamut of the flute repertoire.