Author: Camille Saint-SaënsPublisher:
ISBN:
Category : Sonatas (Violin and piano)
Languages : en
Pages : 40
Book Description
2ème sonate pour violon et piano, op. 102
Author: Camille Saint-SaënsPublisher:
ISBN:
Category : Sonatas (Violin and piano)
Languages : en
Pages : 40
Book Description
2eme Sonate Pour Violon & Piano, Op. 108
Author: Gabriel FauréSonate pour violon et piano
Author: Darius MilhaudDeuxième Sonate
Author: Gabriel FauréPublisher:
ISBN:
Category : Sonatas (Cello and piano)
Languages : en
Pages : 62
Book Description
Sonate Pour 2 Violons Et Piano
Author: Darius MilhaudPublisher:
ISBN:
Category : Trios (Piano, violins (2))
Languages : en
Pages : 0
Book Description
Sonate pour violon et piano
Author: Albert DupuisPublisher:
ISBN:
Category : Sonatas (Violin and piano)
Languages : en
Pages : 40
Book Description
Catalogue of the Allen A. Brown Collection of Music in the Public Library of the City of Boston
Author: Boston Public Library. Allen A. Brown Collection of MusicPublisher:
ISBN:
Category : Music
Languages : en
Pages : 354
Book Description
2me [i.e. Deuxieme] Sonate, Op. 82, (Sonata Espanola)
![2me [i.e. Deuxieme] Sonate, Op. 82, (Sonata Espanola) PDF](https://books.google.com/books/content/images/frontcover/6fAFuwAACAAJ?fife=w80-h100)
Author: Joaquin TurinaPublisher:
ISBN:
Category : Sonatas
Languages : en
Pages : 24
Book Description
Accenting the Classics
Author: Deborah MawerPublisher: Boydell & Brewer
ISBN: 1837650322
Category : Music
Languages : en
Pages : 383
Book Description
Brings new insights to the music of well-known European composers by telling a fascinating, little-known story about French music publishing, specifically through the lens of Jacques Durand's Édition Classique. French composers, performers and musicologists acted as editors of eighteenth- and nineteenth-century European 'classics', primarily for piano. Among these editors were Fauré, Saint-Saëns, Debussy, Ravel and Dukas; the objects of their enquiries included core works by Rameau, Bach, Mozart, Beethoven, Mendelssohn, Schumann and Chopin. Presenting six composer-editor case studies, the volume shows that the French 'accent', both musical and cultural, upon this predominantly Austro-German music was highly varied. Editorial responses range from scholarly approaches to those directed by performance or compositional agendas, and from pan-European to strongly patriotic stances. Intriguing intersections are revealed between old and new, and between French and cross-European canons. Beyond editing, the book explores the Édition's role in pedagogy and performance, including by pianists Robert Casadesus and Yvonne Loriod, and in the reassertion of contemporary French composition, especially regarding innovation around neoclassicism. It will interest a wide readership, including musicologists, performers and concert-goers, cultural historians and other humanities scholars.
Author: