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Author: Luisa Nardini Publisher: Oxford University Press ISBN: 0197514138 Category : Music Languages : en Pages : 329
Book Description
"The liturgical chant that was sung in the churches of Southern Italy between the ninth and the thirteenth centuries reflects the multiculturalism of a territory in which Roman, Franks, Lombards, Byzantines, Normans, Jews, and Muslims were present at various titles and with different political roles. This book examines a specific genre, the prosulas that were composed to embellish and expand pre-existing liturgical chants of the liturgy of mass. Widespread in medieval Europe, prosulas were highly cultivated in southern Italy, especially by the nuns, monks, and clerics the city of Benevento. They shed light on the creativity of local cantors to provide new meanings to the liturgy in accordance with contemporary waves of religious spirituality and to experiment with a novel musical style in which a syllabic setting is paired with the free-flowing melody of the parent chant. In their representing an epistemological 'beyond' and because of their interconnectedness with the parent chant, they can be likened to modern hypertexts. The emphasis on universal saints of ancient lineage stressed the perceived links with the cradles of Christianity, Africa and the Levant, and the centre of the Papal power, Rome, while the high number of Christological prosulas in manuscripts used in nunneries might be tied to the devotion to Jesus as 'spiritual spouse' that was typical of female religiosity. Full edition of texts, melodies, and manuscript facsimiles in the companion website enrich the study of the stylistic features and the cultural components of this fascinating genre"--
Author: Luisa Nardini Publisher: Oxford University Press ISBN: 0197514138 Category : Music Languages : en Pages : 329
Book Description
"The liturgical chant that was sung in the churches of Southern Italy between the ninth and the thirteenth centuries reflects the multiculturalism of a territory in which Roman, Franks, Lombards, Byzantines, Normans, Jews, and Muslims were present at various titles and with different political roles. This book examines a specific genre, the prosulas that were composed to embellish and expand pre-existing liturgical chants of the liturgy of mass. Widespread in medieval Europe, prosulas were highly cultivated in southern Italy, especially by the nuns, monks, and clerics the city of Benevento. They shed light on the creativity of local cantors to provide new meanings to the liturgy in accordance with contemporary waves of religious spirituality and to experiment with a novel musical style in which a syllabic setting is paired with the free-flowing melody of the parent chant. In their representing an epistemological 'beyond' and because of their interconnectedness with the parent chant, they can be likened to modern hypertexts. The emphasis on universal saints of ancient lineage stressed the perceived links with the cradles of Christianity, Africa and the Levant, and the centre of the Papal power, Rome, while the high number of Christological prosulas in manuscripts used in nunneries might be tied to the devotion to Jesus as 'spiritual spouse' that was typical of female religiosity. Full edition of texts, melodies, and manuscript facsimiles in the companion website enrich the study of the stylistic features and the cultural components of this fascinating genre"--
Author: Hans Tischler Publisher: Pendragon Press ISBN: 9780918728890 Category : Juvenile Nonfiction Languages : en Pages : 704
Book Description
This edition, for the first time, presents a complete modern rendering of an extensive repertoire of works crucial to the development of polyphonic Western music, the organa at Notre Dame cathedral of Paris ca.1165-1225. The two chief composers, Leonin and Perotin, devised the first musical notation to indicate pitch and rhythm, and formulated several musical styles and types of composition which were sung throughout Europe for approximately two centuries. Hans Tischler's edition explores the evolution of compositional methods for both composers, examining the individual styles of organum purum, discant, copula, and pseudo-discant. A second evolutionary factor considered is the selected use of melodic formulae and the recurrence of whole phrases and sections which interrelate numerous organa. A third consideration of the analysis is the increasing complexity of the rhythmic treatment in the tenors of discant clausulae, from Leonin's creation of modal notation, to Perotin's invention of additional rhythmic patterns and their notational symbols. The repertoire comprises settings of well over one hundred chants, the majority of them in two or three versions; and each setting is comprised of several independent and exchangeable sections, totaling approximately 1,500. Only portions of this vast repertoire have been previously published, however, this edition includes all relevant extant material, drawn from sixteen manuscripts, several of which contain two or more collections of organal works . It also refers to related compositions in seven additional collections and to chant sources in eight medieval and eight modem codices.
Author: Lester Ruth Publisher: Wm. B. Eerdmans Publishing ISBN: 0802864767 Category : History Languages : en Pages : 173
Book Description
Seeking to tell worship history in the same way it is usually experienced, Walking Where Jesus Walked is a document-rich snapshot of the church in Jerusalem in the late fourth century. / Here the reader journeys with a woman visiting Jerusalem as the highlight of a Holy Land pilgrimage in the last part of the fourth century. As she marvels at the new churches built at so many sites associated with Jesus Christ, she notes how remembrance shaped by Scripture and fitting to the time and place serves as the bedrock for this church s worship. Ruth helps today s reader hear the preaching which caused shouts of delight at the tomb of Christ, know the readings which lead the congregation to weep in the shadow of Calvary, and see the new buildings which sought to manifest God s glory at the places where Jesus had walked, died, and risen from the grave. / By pairing contemporary descriptions, artistic portrayals, and worship texts with various commentaries to guide readers, this first in a series of case studies of particular worshiping communities from around the world and throughout Christian liturgical history aims to allow a worshiper today to think concretely and contextually about some of the continually important issues for Christian worship.
Author: Terence Bailey Publisher: ISBN: Category : Music Languages : en Pages : 180
Book Description
Historischer Ueberblick und Edition ("The edition includes only some of the verses, one representative of each melody-type and subtype .... In any case, many of the verses not included in this edition, probably most, are late productions, and all adapt the standart melodies very exactly."XI
Author: Susan Rankin Publisher: Cambridge University Press ISBN: 1108421407 Category : History Languages : en Pages : 429
Book Description
This comprehensive study of musical notation from early medieval Europe provides a crucial new foundational model for understanding later Western notations.
Author: Fr. Aziz Halaweh Publisher: AuthorHouse ISBN: 1728360145 Category : Religion Languages : en Pages : 240
Book Description
This book describes the Church of Jerusalem, as the mother of all Churches, and its liturgy in the beginnings of Christianity. The main objective of this research is to find, in the primary sources (as the pilgrim Egeria, St. Cyril of Jerusalem, the Armenian and the Georgian Lectionaries), the original elements of the Christian liturgy of the early Church of Jerusalem, in the first five centuries, and to collect the various scattered pieces. The author clarifies the image, and reconstructs, as far as possible, the historical-liturgical picture. By this book we will discover how much the other liturgical traditions of various churches, especially the Church of Rome, have copied the Jerusalemite tradition. The detailed description of the Jerusalemite liturgy, especially for the feasts of the liturgical year, offers us a vivid picture of Jerusalem's unique role in Christian devotion and the mysterious connection between the Christian faith and the land of biblical history. The presentation of the anaphora of St. James will enlighten our understanding of the Eucharistic prayer in all the liturgical traditions, especially Syriac, Byzantine and Roman.
Author: Maelruain and Elizabeth Dowling Publisher: Lulu.com ISBN: 055700229X Category : Body, Mind & Spirit Languages : en Pages : 465
Book Description
True Worship of the Undivided Church as used in the Celtic Orthodox Christian Church. Lorrha-Stowe Missal: (Mass or Divine Liturgy), Baptism and Chrismation, Anointing of Sick, Confession, Antiphonary of Bangor, Hours of Prayer of the Day and Night, Hours of Holy and Great Friday, Cross Vigil, Paschal Liturgy, Mass of the Holy Cross and Adoration, Mass of St. Patrick, Traditio of St. Ambrose, Hymns: Gallican Hymn of St. Hilary, Apostles' Forty-fold Kyrie, Deers-Cry, Paschal Hymns, Abecedarian Hymns:, Altus Prosator by St. Colum cille, Audite omnes for St. Patrick, Litanies, Visitation of the Sick, Departure, Wake, Funeral, Burial, Lectionary through the Year, Complete Psalter, Notes, Creeds, Desert Meditations on Virtues and Faults.
Author: Luisa Nardini
Author: Luisa Nardini
Author: 
Author: Hans Tischler
Author: Church of England
Author: Lester Ruth
Author: Terence Bailey
Author: Susan Rankin
Author: Fr. Aziz Halaweh
Author: 
Author: Maelruain and Elizabeth Dowling