Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The Plays of David Garrick PDF full book. Access full book title The Plays of David Garrick by David Garrick. Download full books in PDF and EPUB format.
Author: David Garrick Publisher: SIU Press ISBN: 9780809309689 Category : Drama Languages : en Pages : 500
Book Description
David Garrick's accomplishments as an actor, manager, and theatrical innovator brought him great fame and fortune, and his ideas influenced not only his own age but succeeding ages as well. Yet as a playwright, a part of the elegant combination of talents that was David Garrick, he has never achieved the critical reputation he richly deserves, in main because of the unavailability of texts and the lack of proper assessment of the historic importance of his plays in the English theatre. This first complete edition makes available to scholars and students all the plays of Garrick in well edited texts, with commentary and notes. Contents: Macbeth. A Tragedy, 1744; Romeo and Juliet, 1748; The Fairies. An Opera, 1755; Catherine and Petruchio. A Comedy, 1756; Florizel and Perdita. A Dramatic Pastoral, 1756; The Tempest. An Opera, 1756; and King Lear. A Tragedy, 1756.
Author: David Garrick Publisher: SIU Press ISBN: 9780809309689 Category : Drama Languages : en Pages : 500
Book Description
David Garrick's accomplishments as an actor, manager, and theatrical innovator brought him great fame and fortune, and his ideas influenced not only his own age but succeeding ages as well. Yet as a playwright, a part of the elegant combination of talents that was David Garrick, he has never achieved the critical reputation he richly deserves, in main because of the unavailability of texts and the lack of proper assessment of the historic importance of his plays in the English theatre. This first complete edition makes available to scholars and students all the plays of Garrick in well edited texts, with commentary and notes. Contents: Macbeth. A Tragedy, 1744; Romeo and Juliet, 1748; The Fairies. An Opera, 1755; Catherine and Petruchio. A Comedy, 1756; Florizel and Perdita. A Dramatic Pastoral, 1756; The Tempest. An Opera, 1756; and King Lear. A Tragedy, 1756.
Author: David Garrick Publisher: ISBN: Category : Drama Languages : en Pages : 744
Book Description
This is a reproduction of the original artefact. Generally these books are created from careful scans of the original. This allows us to preserve the book accurately and present it in the way the author intended. Since the original versions are generally quite old, there may occasionally be certain imperfections within these reproductions. We're happy to make these classics available again for future generations to enjoy!
Author: Publisher: Cambridge University Press ISBN: 1108065031 Category : Actors Languages : en Pages : 743
Book Description
David Garrick (1717-79) is synonymous with the golden age of English theatre. Widely acclaimed as an actor, he went on to become a shrewd theatre manager at Drury Lane. His years in charge of the Theatre Royal ensured its dramatic ascendancy and burnished his own considerable celebrity. These letters, first published in 1831, reveal Garrick's gregarious nature and shed light on his many friendships with leading ladies, fellow actors, contemporary playwrights, and members of high society. His love of Shakespeare's work is also evident, highlighting Garrick's pivotal role in ensuring the plays became established in the national consciousness. This two-volume collection was edited by James Boaden (1762-1839), who published several theatrical biographies (also reissued in this series). Containing correspondence for the period 1736-74, Volume 1 also includes a biographical account that traces the progress of Garrick's theatrical career.
Author: Norman S. Poser Publisher: Routledge ISBN: 0429820038 Category : Performing Arts Languages : en Pages : 305
Book Description
The Birth of Modern Theatre: Rivalry, Riots, and Romance in the Age of Garrick is a vivid description of the eighteenth-century London theatre scene—a time when the theatre took on many of the features of our modern stage. A natural and psychologically based acting style replaced the declamatory style of an earlier age. The theatres were mainly supported by paying audiences, no longer by royal or noble patrons. The press determined the success or failure of a play or a performance. Actors were no longer shunned by polite society, some becoming celebrities in the modern sense. The dominant figure for thirty years was David Garrick, actor, theatre manager and playwright, who, off the stage, charmed London with his energy, playfulness, and social graces. No less important in defining eighteenth-century theatre were its audiences, who considered themselves full-scale participants in theatrical performances; if they did not care for a play, an actor, or ticket prices, they would loudly make their wishes known, sometimes starting a riot. This book recounts the lives—and occasionally the scandals—of the actors and theatre managers and weaves them into the larger story of the theatre in this exuberant age, setting the London stage and its leading personalities against the background of the important social, cultural, and economic changes that shaped eighteenth-century Britain. The Birth of Modern Theatre brings all of this together to describe a moment in history that sowed the seeds of today’s stage.
Author: Michael Neill Publisher: Oxford University Press ISBN: 0198724195 Category : Literary Criticism Languages : en Pages : 993
Book Description
The Oxford Handbook of Shakespearean Tragedy is a collection of fifty-four essays by a range of scholars from all parts of the world, bringing together some of the best-known writers in the field with a strong selection of younger Shakespeareans. Together these essays offer readers a fresh and comprehensive understanding of Shakespeare tragedies as both works of literature and as performance texts written by a playwright who was himself an experiencedactor. The collection is organised in five sections. The opening section places the plays in a variety of illuminating contexts, exploring questions of genre, and examining ways in which later generations ofcritics have shaped our idea of 'Shakespearean' tragedy. The second section is devoted to current textual issues; while the third offers new critical readings of each of the tragedies. This is set beside a group of essays that deal with performance history, with screen productions, and with versions devised for the operatic stage, as well as with twentieth and twenty-first century re-workings of Shakespearean tragedy. The book's final section seeks to expand readers' awareness of Shakespeare'sglobal reach, tracing histories of criticism and performance across the world. Offering the richest and most diverse collection of approaches to Shakespearean tragedy currently available, the Handbookwill be an indispensable resource for students both undergraduate and graduate levels, while the lively and provocative character of its essays make will it required reading for teachers of Shakespeare everywhere.
Author: David Garrick
Author: David Garrick
Author: David Garrick
Author: David Garrick
Author: ![The Private Correspondence of David Garrick ... Illustrated with Notes, and a New Biographical Memoir of Garrick [by James Boaden]. Second Edition. [With a Portrait.] PDF](https://books.google.com/books/content/images/frontcover/mlkux4fKwgsC?fife=w80-h100)
Author: David Garrick
Author: Bodleian Library
Author: Norman S. Poser
Author: David Garrick
Author: Michael Neill
Author: David Garrick