Author: Fundação Bienal de São Paulo
Publisher:
ISBN:
Category : Art, Brazilian
Languages : en
Pages : 410
Book Description
21a Bienal Internacional de São Paulo
Author: Fundação Bienal de São Paulo
Publisher:
ISBN:
Category : Art, Brazilian
Languages : en
Pages : 410
Book Description
Publisher:
ISBN:
Category : Art, Brazilian
Languages : en
Pages : 410
Book Description
Made in Brasil
Author: Arlindo Machado
Publisher: Editora Iluminuras Ltda
ISBN: 9788573212716
Category : Art
Languages : en
Pages : 456
Book Description
Made in Brasil - três décadas do vídeo brasileiro reúne reflexões e depoimentos de artistas, realizadores e autores. O livro se destaca pela produção de conhecimento sobre o vídeo e suas relações com o cinema, a televisão, a literatura e as artes visuais, referentes aos principais momentos do vídeo no Brasil.
Publisher: Editora Iluminuras Ltda
ISBN: 9788573212716
Category : Art
Languages : en
Pages : 456
Book Description
Made in Brasil - três décadas do vídeo brasileiro reúne reflexões e depoimentos de artistas, realizadores e autores. O livro se destaca pela produção de conhecimento sobre o vídeo e suas relações com o cinema, a televisão, a literatura e as artes visuais, referentes aos principais momentos do vídeo no Brasil.
Alex Flemming, uma poética-
Rede de tensão
Annual Bibliography of Modern Art
Author: Museum of Modern Art (New York, N.Y.). Library
Publisher:
ISBN:
Category : Art, Modern
Languages : en
Pages : 418
Book Description
Publisher:
ISBN:
Category : Art, Modern
Languages : en
Pages : 418
Book Description
Post-nature
Author: Jaap Guldemond
Publisher:
ISBN:
Category : Art, Dutch
Languages : en
Pages : 198
Book Description
Publisher:
ISBN:
Category : Art, Dutch
Languages : en
Pages : 198
Book Description
American Visions
Author: Mary Jane Jacob
Publisher: Allworth Press
ISBN:
Category : Art
Languages : en
Pages : 218
Book Description
The first section, "The critical discourse in Latin America," deals with varied perspectives with the existence of a uniquely American vision. The next section, "Mapping new territories," addresses the question, as inhabitants of this hemisphere, how do we see ourselves. Section three includes topics on issues of self-definition and cultural hybridity as well as the importance of challenging historical and political constructs traditionally used to define the American experience.
Publisher: Allworth Press
ISBN:
Category : Art
Languages : en
Pages : 218
Book Description
The first section, "The critical discourse in Latin America," deals with varied perspectives with the existence of a uniquely American vision. The next section, "Mapping new territories," addresses the question, as inhabitants of this hemisphere, how do we see ourselves. Section three includes topics on issues of self-definition and cultural hybridity as well as the importance of challenging historical and political constructs traditionally used to define the American experience.
St. James Guide to Hispanic Artists
Author: Thomas Riggs
Publisher: Saint James Press
ISBN:
Category : Art
Languages : en
Pages : 712
Book Description
Arranged alphabetically from Eduardo Abela to Francisco Zuniga, this volume provides biographical and career information, as well as critical essays, on prominent Hispanic artists.
Publisher: Saint James Press
ISBN:
Category : Art
Languages : en
Pages : 712
Book Description
Arranged alphabetically from Eduardo Abela to Francisco Zuniga, this volume provides biographical and career information, as well as critical essays, on prominent Hispanic artists.
Encounters in Video Art in Latin America
Author: Elena Shtromberg
Publisher: Getty Publications
ISBN: 1606067915
Category : Art
Languages : en
Pages : 290
Book Description
With insightful essays and interviews, this volume examines how artists have experimented with the medium of video across different regions of Latin America since the 1960s. The emergence of video art in Latin America is marked by multiple points of development, across more than a dozen artistic centers, over a period of more than twenty-five years. When first introduced during the 1960s, video was seen as empowering: the portability of early equipment and the possibility of instant playback allowed artists to challenge and at times subvert the mainstream media. Video art in Latin America was—and still is—closely related to the desire for social change. Themes related to gender, ethnic, and racial identity as well as the consequences of social inequality and ecological disasters have been fundamental to many artists’ practices. This compendium explores the history and current state of artistic experimentation with video throughout Latin America. Departing from the relatively small body of existing scholarship in English, much of which focuses on individual countries, this volume approaches the topic thematically, positioning video artworks from different periods and regions throughout Latin America in dialogue with each other. Organized in four broad sections—Encounters, Networks and Archives, Memory and Crisis, and Indigenous Perspectives—the book’s essays and interviews encourage readers to examine the medium of video across varied chronologies and geographies.
Publisher: Getty Publications
ISBN: 1606067915
Category : Art
Languages : en
Pages : 290
Book Description
With insightful essays and interviews, this volume examines how artists have experimented with the medium of video across different regions of Latin America since the 1960s. The emergence of video art in Latin America is marked by multiple points of development, across more than a dozen artistic centers, over a period of more than twenty-five years. When first introduced during the 1960s, video was seen as empowering: the portability of early equipment and the possibility of instant playback allowed artists to challenge and at times subvert the mainstream media. Video art in Latin America was—and still is—closely related to the desire for social change. Themes related to gender, ethnic, and racial identity as well as the consequences of social inequality and ecological disasters have been fundamental to many artists’ practices. This compendium explores the history and current state of artistic experimentation with video throughout Latin America. Departing from the relatively small body of existing scholarship in English, much of which focuses on individual countries, this volume approaches the topic thematically, positioning video artworks from different periods and regions throughout Latin America in dialogue with each other. Organized in four broad sections—Encounters, Networks and Archives, Memory and Crisis, and Indigenous Perspectives—the book’s essays and interviews encourage readers to examine the medium of video across varied chronologies and geographies.