20th century French photography PDF Download

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Publisher:
ISBN:
Category :
Languages : en
Pages :

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Author: Agnès de Gouvion Saint-Cyr
Publisher: Rizzoli International Publications
ISBN:
Category : Photography
Languages : en
Pages : 188

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Book Description
Exhibition catalog with 100 full page illustrations and 200 supporting pictures, covers development of contemporary photography in France. Includes critical texts and brief biographies of the photographers. Annotation copyrighted by Book News, Inc., Portland, OR

Author: Agnès de Gouvion Saint-Cyr
Publisher:
ISBN:
Category :
Languages : en
Pages : 176

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Author: Kim Sichel
Publisher: Yale University Press
ISBN: 0300246188
Category : Photography
Languages : en
Pages : 233

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Book Description
A richly illustrated look at some of the most important photobooks of the 20th century France experienced a golden age of photobook production from the late 1920s through the 1950s. Avant-garde experiments in photography, text, design, and printing, within the context of a growing modernist publishing scene, contributed to an outpouring of brilliantly designed books. Making Strange offers a detailed examination of photobook innovation in France, exploring seminal publications by Brassaï, Henri Cartier-Bresson, Robert Frank, Pierre Jahan, William Klein, and Germaine Krull. Kim Sichel argues that these books both held a mirror to their time and created an unprecedented modernist visual language. Sichel provides an engaging analysis through the lens of materiality, emphasizing the photobook as an object with which the viewer interacts haptically as well as visually. Rich in historical context and beautifully illustrated, Making Strange reasserts the role of French photobooks in the history of modern art.

Author: Jeff L. Rosenheim
Publisher: Metropolitan Museum of Art
ISBN: 1588397084
Category : Art
Languages : en
Pages : 183

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Book Description
Beginning with Paul Strand’s landmark From the Viaduct in 1916 and continuing through the present day, Photography’s Last Century examines defining moments in the history of the medium. Featuring nearly 100 masterworks from one of the most important private holdings of photography, the book includes works by Diane Arbus, Richard Avedon, Walker Evans, László Moholy-Nagy, Man Ray, and Cindy Sherman, as well as a diverse group of important lesser-known practitioners. A fascinating interview with Ann Tenenbaum provides a personal account of the works, while the main text offers an essential history of photography that addresses the implications of calling this period the medium’s “last” century.

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Publisher: National Geographic Books
ISBN: 379138483X
Category : Photography
Languages : en
Pages : 0

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This book offers an outstanding retrospective collection of the master of 20th-century photography, Henri Cartier-Bresson. Reproduced in exquisite black and white, the images in this book range from Henri Cartier-Bresson's earliest work in France, Spain, and Mexico through his postwar travels in Asia, the US, and Russia, and even include landscapes from the 1970s, when he retired his camera to pursue drawing. While his instinct for capturing what he called the decisive moment was unparalleled, as a photojournalist Cartier-Bresson was uniquely concerned with the human impact of historic events. In his photographs of the liberation of France from the Nazis, the death of Ghandi, and the creation of the People's Republic of China in 1949, Cartier-Bresson focused on the reactions of the crowds rather than the subjects of the events. And while his portraits of Sartre, Giacometti, Faulkner, Capote, and other artists are iconic, he gave equal attention to those forgotten by history: a dead resistance fighter lying on the bank of the Rhine, children playing alongside the Berlin Wall, and a eunuch in Peking's Imperial Court. Divided into six thematic sections, the book presents the photographs in spare double-page spreads. In a handwritten note included at the end of the book, Cartier-Bresson writes, "In order to give meaning to the world, one must feel involved in what one singles out through the viewfinder." His work shows how he has been able to capture the decisive moment with such extreme humility and profound humanity.

Author: Henri Cartier-Bresson
Publisher:
ISBN: 9783869307886
Category : Photography
Languages : en
Pages : 160

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One of the most famous books in the history of photography, this volume assembles Cartier-Bresson's best work from his early years.

Author: Peter Stepan
Publisher: National Geographic Books
ISBN:
Category : History
Languages : en
Pages : 200

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Book Description
"Top political and social events of the 20th century as well as highlights from the worlds of culture, science, and sports, all documented in more than 100 stunning photographs." -- BACK COVER.

Author: Museum Ludwig
Publisher: Taschen America Llc
ISBN: 9783822855140
Category : Photography
Languages : en
Pages : 191

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Author: Catherine E. Clark
Publisher: Oxford University Press
ISBN: 0190681667
Category : History
Languages : en
Pages : 329

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Book Description
This book turns a compelling new lens on thinking about the history of Paris and photography. The invention of photography changed how history could be written. But the now commonplace assumptions--that photographs capture fragments of lost time or present emotional gateways to the past--that structure today's understandings did not emerge whole cloth in 1839. Focusing on one of photography's birthplaces, Paris and the Cliché of History tells the story of how photographs came to be imagined as documents of the past. Author Catherine E. Clark analyzes photography's effects on historical interpretation by examining the formation of Paris's first photo archives at the Musée Carnavalet and the city's municipal library, their use in illustrated history books and historical exhibitions and reconstructions such as the 1951 celebration of Paris's 2000th birthday, and the public's contribution to the historical record in amateur photo contests. Despite the photograph's growing importance in these forums, it did not simply replace older forms of illustration, visual documentation, or written text. Photos worked in complex and shifting relation to other types of pictures as photographers, popular historians, and publishers built on the traditions and iconography of painting and engraving in order to both document the past scientifically and objectively and to reconstruct it romantically. In doing so, they not only influenced how Parisians thought about the city's past and how they pictured it; they also ensured that these images shaped how Parisians lived their own lives--especially in deeply charged moments such as the Liberation after World War II. This history of picturing Paris does not simply reflect the city's history: it is Parisian history.