Bibliographic Guide to Music PDF Download

Author: New York Public Library. Music Division
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 896

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Author: David Hiley
Publisher: Oxford University Press
ISBN: 9780198165729
Category : Music
Languages : en
Pages : 764

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Book Description
Plainchant is the oldest substantial body of music that has been preserved in any shape or form. It was first written down in Western Europe in the eighth to ninth centuries. Many thousands of chants have been sung at different times or places in a multitude of forms and styles, responding to the differing needs of the church through the ages. This book provides a clear and concise introduction, designed both for those to whom the subject is new and those who require a reference work for advanced study. It begins with an explanation of the liturgies that plainchant was designed to serve. It describes all the chief genres of chant, different types of liturgical book, and plainchant notations. After an exposition of early medieval theoretical writing on plainchant, Hiley provides a historical survey that traces the constantly changing nature of the repertory. He also discusses important musicians and centers of composition. Copiously illustrated with over 200 musical examples, this book highlights the diversity of practice and richness of the chant repertory in the Middle Ages. It will be an indispensable introduction and reference source on this important music for many years to come.

Author: William Peter Mahrt
Publisher:
ISBN: 9780984865208
Category : Church music
Languages : en
Pages : 455

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"Professor William Mahrt of Santford Univeristy and the Church Music Association of America has written a sweeping book--one that it is at once scholarly and practical--on that most controversial topic of music and the liturgy. He provides an over-whelming argument that every parish must have high standrads for liturgical music and he makes the full case for Gregorian chant as the model and the ideal of that liturgical music." - back cover

Author: Jennifer Bain
Publisher: Cambridge University Press
ISBN: 1108471358
Category : Literary Criticism
Languages : en
Pages : 351

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This volume explores the extraordinary life and works of Hildegard of Bingen, medieval writer, composer, visionary, and monastic founder.

Author: Anna Maria Busse Berger
Publisher: Cambridge University Press
ISBN: 1316298299
Category : Music
Languages : en
Pages : 1058

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Book Description
Through forty-five creative and concise essays by an international team of authors, this Cambridge History brings the fifteenth century to life for both specialists and general readers. Combining the best qualities of survey texts and scholarly literature, the book offers authoritative overviews of central composers, genres, and musical institutions as well as new and provocative reassessments of the work concept, the boundaries between improvisation and composition, the practice of listening, humanism, musical borrowing, and other topics. Multidisciplinary studies of music and architecture, feasting, poetry, politics, liturgy, and religious devotion rub shoulders with studies of compositional techniques, musical notation, music manuscripts, and reception history. Generously illustrated with figures and examples, this volume paints a vibrant picture of musical life in a period characterized by extraordinary innovation and artistic achievement.

Author: Philip Brett
Publisher: Univ of California Press
ISBN: 0520247582
Category : Biography & Autobiography
Languages : en
Pages : 267

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Author: Pieter Mannaerts
Publisher: Brepols Pub
ISBN: 9782503530154
Category : Music
Languages : en
Pages : 296

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Beguinages ('begijnhoven') are unique to the Low Countries. Originally, beguine communities were disseminated over a large area comprising the northern and southern Low Countries, northern France, and parts of present-day Germany and Switzerland. The typical 'court' beguinages, however, are represented most strongly in the southern Low Countries, where a considerable number of them still exist. On account of their historical, architectural, and socio-religious value, a selection of thirteen beguinages was recognized as World Heritage by Unesco in 1998. Only recently, research has paid closer attention to the material culture of beguinage life, including literacy and book culture among beguines. Beguinae in cantu instructae focuses on another 'new' aspect of this musical culture, and for the first time describes and studies the sources of the beguines' musical life. The volume fills a void in current musicology and beguine scholarship, sketching the previously unassessed quality, quantity, stylistic diversity, and historical and geographical dissemination of the repertory. On the one hand, a number of source studies yield a deeper insight into several aspects of the preserved patrimony, which proves to be both rich and diverse. The 'story behind the music' provides the context necessary for a full understanding of the sources. On the other hand, this book aims at stimulating further exploration of the music by providing a repertory of all music manuscripts and prints that have been found thus far. Beguinae in cantu instructae will inform the general reader on new aspects of beguine life; furthermore, it will provide amateur and professional musicians with new material (from the Middle Ages to the late 18th century) and historians and musicologists with a basis for further study and research.

Author: Susana Zapke
Publisher: Fundacion BBVA
ISBN: 8496515508
Category : Church music
Languages : es
Pages : 481

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Author: Joseph Kerman
Publisher: Univ of California Press
ISBN: 9780520040335
Category : Music
Languages : en
Pages : 362

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In this, the first of a three-volume study of Byrd's complete output, under the general title The Music of William Byrd, the author essays a first full-scale historical and critical assessment of Byrd's sacred music to Latin words - one of the great glories of the Elizabethan Age. Each of the approximately 175 compositions is considered, at least briefly, with fuller appreciation accorded to such masterpieces as Emendemus in Melius, Tristitia et anxietas, Iusorum animae, Ave verum corpus, the lamentations and the three famous masses. There are more than sixty musical examples, some of considerable length. In critical prose that slights neither technicalities nor the intense emotional qualities of his subject matter, the author sheds fresh and often unexpected illumination on Byrd's musical rhetoric and on his powerful, endlessly inventive musical structures. Re-examining the known facts of Byrd's life in relation to the patronage and politics of the time, the author boldly argues that while the impetus behind Byrd's early motets was primarily traditionalist and technical, that behind his Cantiones sacrae motets of the 1580s was essentially political: they were covert laments and protests on behalf of the embattled recusant community.

Author: Dennis Shrock
Publisher: Oxford University Press
ISBN: 0197622402
Category : Music
Languages : en
Pages : 929

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Book Description
"Choral Repertoire is the definitive and comprehensive one-volume presentation of the most significant composers and compositions of choral music from the Western Hemisphere throughout recorded history. The book is designed for multiple uses-as a programming guide for practicing conductors, instructional resource for students and teachers of choral music, historic and stylistic reference for choral singers, and source of information about composers and compositions for choral enthusiasts-and as such, the book intends to further and make accessible important information relevant to the vast scope of choral music. Organized by era (Medieval, Renaissance, Baroque, Classical, and Modern), Choral Repertoire covers general characteristics of each historical era, trends and styles unique to various countries, biographical sketches of more than six hundred composers, and performance annotations of more than five thousand individual works. Of the composers, there is substantive coverage of women and composers of color, and of the repertoire, there is inclusion of lesser-known works as well as those works that are considered standard"--