![2 letters from Arthur Young to John Baker Holroyd [later Earl of Sheffield]. PDF](https://books.google.com/books/content/images/frontcover/k65NewAACAAJ?fife=w150-h200)
Author: Arthur YoungPublisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
2 letters from Arthur Young to John Baker Holroyd [later Earl of Sheffield].
![2 letters from Arthur Young to John Baker Holroyd [later Earl of Sheffield]. PDF](https://books.google.com/books/content/images/frontcover/k65NewAACAAJ?fife=w80-h100)
Author: Arthur Young5 letters from Arthur Young to Lord Sheffield
Author: Arthur YoungLetters: 1784-1794
Author: Edward GibbonLetters
Author: Edward Gibbon1784-1794
Author: Edward GibbonThe Letters of Edward Gibbon: 1784-1794
Author: Edward GibbonPublisher:
ISBN:
Category : Historians
Languages : en
Pages : 498
Book Description
The Illustrated London News
Author: Catalogue...authors, Titles, Subjects, and Classes
Author: Brooklyn Public LibraryPublisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 418
Book Description
Letters of David Hume to William Strahan
Author: David HumePublisher:
ISBN:
Category : Philosophers
Languages : en
Pages : 488
Book Description
Dilettanti
Author: Bruce RedfordPublisher: Getty Publications
ISBN: 0892369248
Category : Art
Languages : en
Pages : 240
Book Description
Bruce Redford re-creates the vibrant culture of connoisseurship in Enlightenment England by investigating the multifaceted activities and achievements of the Society of Dilettani. Elegantly and wittily he dissects the British connoisseurs whose expeditions, collections, and publications laid the groundwork for the Neoclassical revival and for the scholarly study of Graeco-Roman antiquity. After the foundation of the society in 1732, the Dilettani commissioned portraits of the members. Including a striking group of mock-classical and mock-religious representations, these portraits were painted by George Knapton, Sir Joshua Reynolds, and Sir Thomas Lawrence. During the second half of the century, the society’s expeditions to the Levant yielded a series of pioneering architectural folios, beginning with the first volume The Antiquities of Athens in 1762. These monumental volumes aspired to empirical exactitude in text and image alike. They prepared the way for Specimens of Antient Sculpture (1809), which combines the didactic (detailed investigations into technique, condition, restoration, and provenance) with the connoisseurial (plates that bring the illustration of ancient sculpture to new artistic heights). The Society of Dilettanti’s projects and publications exemplify the Enlightenment ideal of the gentleman amateur, which is linked in turn to a culture of wide-ranging curiosity.