Author: Alec ForshawPublisher:
ISBN: 9781398105942
Category :
Languages : en
Pages : 128
Book Description
This portrait of a fascinating era in London's history will be of interest to all those who remember the 1980s or know London well.
1980s London
Author: Alec ForshawPublisher:
ISBN: 9781398105942
Category :
Languages : en
Pages : 128
Book Description
This portrait of a fascinating era in London's history will be of interest to all those who remember the 1980s or know London well.
London's Transport in the 1980s
Author: Tim BrownPublisher: Amberley Publishing Limited
ISBN: 1398117471
Category : Transportation
Languages : en
Pages : 127
Book Description
Fully illustrated historical portrayal of the changing face of transport in London through the 1980s.
British Art of the Long 1980s
Author: Imogen RaczPublisher: Bloomsbury Publishing
ISBN: 1350191558
Category : Art
Languages : en
Pages : 223
Book Description
The sculptural history of the long 1980s has been dominated by New British Sculpture and Young British Artists. Arguing for a more expansive history of British sculpture and its supporting infrastructures, these twenty-three vivid and enthralling interviews with artists, curators, dealers and facilitators working then demonstrate the interconnected networks, diversity of ideas and practices, energy, imagination and determination that transformed British art from being marginal to internationally celebrated. With a substantial introduction, this timely volume provides valuable new insights into the education, work, careers, studios, infrastructures and exhibitions of the artists and facilitators, substantially enlarging our understanding of the era.
The 1980s: A Decade of Contemporary British Fiction
Author: Philip TewPublisher: A&C Black
ISBN: 1441168532
Category : Literary Criticism
Languages : en
Pages : 281
Book Description
How did social, cultural and political events in Britain during the 1980s shape contemporary British fiction? Setting the fiction squarely within the context of Conservative politics and questions about culture and national identity, this volume reveals how the decade associated with Thatcherism frames the work of Kazuo Ishiguro, Martin Amis, and Graham Swift, of Scottish novelists and new diasporic writers. How and why 1980s fiction is a response to particular psychological, social and economic pressures is explored in detail. Drawing on the rise of individualism and the birth of neo-liberalism, contributors reflect on the tense relations between 1980s politics and realism, and between elegy and satire. Noting the creation of a 'heritage industry' during the decade, the rise of the historical novel is also considered against broader cultural changes. Viewed from the perspective of more recent theorisations of crisis following both 9/11 and the 21st-century financial crash, this study makes sense of why and how writers of the 1980s constructed fictions in response to this decade's own set of fundamental crises.
Modern British Playwriting: The 1980s
Author: Jane MillingPublisher: A&C Black
ISBN: 1408129604
Category : Literary Criticism
Languages : en
Pages : 327
Book Description
Modern British Playwriting: The 1980s equips readers with a fresh assessment of the theatre and principle playwrights and plays from a decade when political and economic forces were changing society dramatically. It offers a broad survey of the context and of the playwrights and companies such as Complicité and DV8 that rose to prominence at this time. Alongside this it provides a detailed examination based on fresh research of four of the most significant playwrights of the era and considers the influence they had on later work. The 1980s volume features a detailed study by four scholars of the work of four of the major playwrights who came to prominence: Howard Barker (by Sarah Goldingay), Jim Cartwright (David Lane), Sarah Daniels (Jane Milling) and Timberlake Wertenbaker (Sara Freeman). Essential for students of Theatre Studies, the series of six decadal volumes provides a critical survey and study of the theatre produced from the 1950s to 2009. Each volume features a critical analysis of the work of four key playwrights besides other theatre work from that decade, together with an extensive commentary on the period. Readers will understand the works in their contexts and be presented with fresh research material and a reassessment from the perspective of the twenty-first century. This is an authoritative and stimulating reassessment of British playwriting in the 1980s.
Drivers in the 1980s
Author: Publisher:
ISBN: 9780957699892
Category : Automobile drivers
Languages : en
Pages : 112
Book Description
Chris Dorley-Brown has documented more than 40 drivers stuck in traffic jams in East London during 1986 and 1987. The images, showing faces in various states of boredom, frustration or relaxation are as fascinating as they are humorous and subtly capture the mood and fashion of a very distinct era. Chris Dorley-Brown is a British photographer who has lived and worked in the East End for the last 30 years. During his career as a photographer he has documented many aspects of life in Hackney and its diverse community.
Literature of the 1980s
Author: Joseph BrookerPublisher: Edinburgh University Press
ISBN: 0748669043
Category : Literary Criticism
Languages : en
Pages : 249
Book Description
Relates developments in fiction, poetry and drama to social change - from the new generation of London novelists such as Martin Amis and Ian McEwan to the impact of feminism in the writing of Angela Carter and Jeanette Winterson.
London, 1984
Author: Stephen BrookePublisher: Oxford University Press
ISBN: 0192607782
Category : History
Languages : en
Pages : 332
Book Description
In London in 1984 two very different cities came into conflict, one rooted in radical politics and the other shaped by Margaret Thatcher and the Conservative government. This was a city poised between two eras and identities, remoulded in conflicting ways by social democracy and neoliberalism. Using a wide array of sources, many of which have never been used before, London, 1984 explores the radical history of the capital in this tumultuous era, from a major anti-Apartheid march in central London to an alternative childcare centre in Dalston, a protest staged on the Thames against Docklands development to tensions on housing estates in the East End and Tottenham around racial violence and policing, a raid on a gay bookshop in Bloomsbury to the Greater London Council's attempt to build a challenge to Thatcherism from County Hall, Lambeth, and controversial and well-known historical actors, such as Ken Livingstone and Margaret Thatcher, to the compelling stories of numerous less famous Londoners who also sought to influence the shape and nature of their city. This is a story of struggles within the corridors of power, but it is also one of those on the ground, waged through popular culture, activism, and in daily life. In so doing, London, 1984 offers a panoramic, timely, and revealing portrait of the city in a pivotal decade in its modern history. These years saw deep problems of racial violence, policing, and poverty, as well as other controversies and struggles—over feminism, gay and lesbian rights, anti-racism, jobs and economic strategy, neoliberalism and the nature of the state, and global issues, such as Apartheid, nuclear weapons, and Northern Ireland. Across these, and the stories of those who lived, shaped, and fought them, we see the roots of London and Britian today.
The Global 1980s
Author: Jonathan DavisPublisher: Routledge
ISBN: 0429624360
Category : History
Languages : en
Pages : 270
Book Description
The Global 1980s takes an international perspective on the upheaval across the world during the long 1980s (1979–1991) with the end of the Cold War, a move towards a free-market economic system, and the increasing connectedness of the world. The 1980s was a decade of unimaginable change. At its start, dictatorships across the world appeared stable, the state was still seen as having a role to play in ensuring people’s well-being, and the Cold War seemed set to continue long into the future. By the end of the decade, dictatorships had fallen, globalisation was on the march and the opening of the Berlin Wall paved the way for the end of the Cold War. Divided into four chronological parts, sixteen chapters on themes including domestic politics, the global spread of democracy, international relations and global concerns including AIDS, acid rain and nuclear war, explore how world-wide change was initiated both from above and below. The book covers such topics as ideological changes in the liberal democratic west and socialist east, protests against nuclear weapons and for democratic governance, global environmental worries, and the end of apartheid in South Africa. Offering an overview of a decade in transition, as the global order established after 1945 broke down and a new, globalised world order emerged, and supported by case studies from across the world, this truly global book is an essential resource for students and scholars of the long 1980s and the twentieth century more generally.
British Theatre Companies: 1980-1994
Author: Graham SaundersPublisher: Bloomsbury Publishing
ISBN: 1408175509
Category : Performing Arts
Languages : en
Pages : 317
Book Description
This series of three volumes provides a groundbreaking study of the work of many of the most innovative and important British theatre companies from 1965 to the present. Each volume provides a survey of the political and cultural context, an extensive survey of the variety of theatre companies from the period, and detailed case studies of six of the major companies. Volume Two, 1980–1994, covers the period when cuts under Margaret Thatcher's Tory government changed the landscape for British theatre. Yet it also saw an expansion of companies that made feminism and gender central to their work, and the establishment of new black and Asian companies. Leading academics provide case studies of six of the most important companies, including: * Monstrous Regiment, by Kate Dorney (The Victoria & Albert Museum) *Forced Entertainment, by Sarah Gorman (University of Roehampton, London, UK) * Gay Sweatshop, by Sara Freeman (University of Puget Sound, USA) * Joint Stock, by Jaqueline Bolton (University of Lincoln, UK) * Theatre de Complicite, by Michael Fry * Talawa, by Kene Igweonu (Canterbury Christ Church University, UK)